or in a skintight leotard, he appeared smooth as a polished ingot, but in street clothes he had an unwieldy, comical air and, with the dark hair poking out at his cuffs and collar, he looked like nothing so much as a pants-wearing ape, in a cartoon satirizing some all too human vanity.
“Listen to me, Sam.” The Molecule seemed taken aback by his son’s request, almost as though it dovetailed with his own thinking or, the thought crossed Sammy’s mind, he had been caught on the verge of skipping town. “Nothing makes me happier than I take you with me,” he continued, with the maddening vagueness his ill grammar permitted. He smoothed Sammy’s hair back with a heavy palm. “But then again, Jesus, what a crazy fucking idea.”
Sammy started to argue, but his father raised a hand. There was more to be said, and in the balance of his speech Sammy sensed or imagined a faint glimmer of hope. He knew that he had chosen a particularly auspicious night to make his plea. That afternoon, his parents had quarreled over dinner—literally. Ethel scorned the Molecule’s dietary regimen, claiming not only that the eating of raw vegetables had none of the positive effects her husband attributed to it but also that, every chance the man got, he was sneaking off around the corner to dine in secret on steak and veal chops and french-fried potatoes. That afternoon, Sammy’s father had returned to the apartment on Sackman Street (this was in the days before the move to Flatbush) from his afternoon of job hunting with a bag full of Italian squash. He dumped them out with a wink and a grin onto the kitchen table, like a haul of stolen goods. Sammy had never seen anything like these vegetables. They were cool and smooth and rubbed against one another with a rubbery squeak. You could see right where they had been cut from the vine. Their sliced-off stems, woody and hexagonal, implied a leafy green tangle that seemed to fill the kitchen along with their faint scent of dirt. The Molecule snapped one of the squashes in two and held its bright pale flesh up to Sammy’s nose. Then he popped one in his mouth and crunched it, smiling and winking at Sammy as he chewed.
“Good for your legs,” he had said, walking out of the kitchen to shower away the failures of the day.
Sammy’s mother boiled the squash until it was a mass of gray strings.
When the Molecule saw what she had done, there were sharp and bitter words. Then the Molecule had grabbed brusquely for his son, like a man reaching for his hat, and dragged Sammy out of the house and into the heat of the evening. They had been walking since six. The sun had long since gone down, and the sky to the west was a hazy moiré of purple and orange and pale gray-blue. They were walking along Avenue Z, dangerously close to the forbidden precincts of the Molecule’s early sideshow disasters.
“I don’t think you got the picture what’s it like out there for me,” he said as they walked along. “You think it’s like a circus in the pictures. All the clowns and the dwarf and the fat lady sitting around a nice big fire eating goulash and singing songs with an accordion.”
“I don’t think that,” Sammy said, though there was stunning accuracy in this assessment.
“If I did to take you with me—and I am just saying now if—you will have to work very hard,” the Molecule said. “They will only accept you if you can work.”
“I can work,” Sammy said, holding out an arm toward his father. “Look at that.”
“Yeh,” the Molecule said. He felt very carefully up and down the stout arms of his son, very much in the way Sammy had fingered the zucchini squash that afternoon. “You have arms that are not bad. But your legs are not so good.”
“Well, jeez, I mean, I had polio, Pop, what do you want?”
“I know you had polio.” The Molecule stopped again. He frowned, and in his face Sammy saw anger and regret and something else that looked almost like wishfulness. He stepped on his cigar end, and stretched, and shook himself a little, as if trying to shrug out of the constricting nets that his wife and son had thrown across his back. “What a fucking day I have. Holy shit.”
“What?” Sammy said. “Hey, where are you going?”
“I need to think,” his father said. “I need to think about what you are asking me.”
“Okay,” Sammy said. His father had started walking again, taking a right on Nostrand Avenue, striding along on his thick little legs with Sammy struggling to keep up, until he came to a peculiar building, Arabic in style, or maybe it was supposed to look Moroccan. It stood in the middle of the block, between a locksmith’s stall and a weedy yard stacked with blank headstones. Two skinny towers, topped with pointy dollops of peeling plaster, reached into the Brooklyn sky at either corner of the roof. It was windowless, and its broad expanse was clad, with weary elaboration, in a mosaic of small square tiles, fly-abdomen blue and a soapy gray that once must have been white. Many of the tiles were missing, chipped, or picked or tumbled loose. The doorway was a wide, blue-tiled arch. In spite of its forlorn appearance and hokum Coney Island air of the Mysterious East, there was something captivating about it. It reminded Sammy of the city of domes and minarets that you could just get a glimpse of, faint and illusory, behind the writing on the front of a pack of Chesterfields. Alongside the arched doorway, in letters of white tile bordered in blue, was written BRIGHTON GRAND HAMMAM.
“What’s a ham-mam?” Sammy said as they went in. His nose was immediately assaulted by a pungent odor of pine, by the smell of scorched ironing, damp laundry, and something deeper underneath it all, a human smell, salty and foul.
“It’s a shvitz,” the Molecule said. “You know what a shvitz is?”
Sammy nodded.
“When it’s time for thinking,” said the Molecule, “I like to have a shvitz.”
“Oh.”
“I hate thinking.”
“Yeah,” said Sammy. “Me too.”
They checked their clothes in the dressing room, in a tall black iron locker that creaked and fastened shut with the loud clang of a torture instrument. Then they went slapping down a long tiled corridor into the main steam room of the Brighton hammam. Their footsteps echoed as if they were inside a fairly large room. It was painfully hot, and Sammy felt that he couldn’t fill his lungs with sufficient air. He wanted to run back out to the relative cool of the Brooklyn evening, but he crept along, feeling his way through the billowing garments of steam, a hand on his father’s bare back. They climbed onto a low tiled bench and sat back, and Sammy felt each tile as a burning square against his skin. It was very hard to see, but from time to time a rogue current of air, or the vagaries of the invisible, wheezing, steam-producing machinery, would produce a break in the cover, and he could see that they were indeed inside a grand space, ribbed with porcelain groins, set with white and blue faience that was cracked in places, sweating and yellowed with age. As far as he could see, there were no other men or boys in the room with them, but he couldn’t be sure, and he felt obscurely afraid of an unknown face or naked limb suddenly looming out of the murk.
They sat for a long time, saying nothing, and at some point Sammy realized, first, that his body was producing veritable torrents of sweat with an abandon it had never before in his life displayed, and, second, that all along he had been imagining his existence in vaudeville: carrying an armload of spangled costumes down a long dark corridor of the Royal Theatre in Racine, Wisconsin, past a practice room where a piano tinkled and out the back door to the waiting van on a Saturday in midsummer, the deep midwestern night rich with june bugs and gasoline and roses, the smell of the costumes fusty but animated by the sweat and makeup of the chorus girls who had just vacated them, envisioning and inhaling and hearing all this with the vividness of a dream, though he was, as far as he could tell, wide-awake.
Then his father said, “I know you had polio.” Sammy was surprised; his father sounded extremely angry, as though ashamed that he had been sitting there all this time when he was supposed to be relaxing, working himself into a rage. “I was there. I finded you on the steps of the building. You were pass out.”
“You were there? When I got polio?”
“I was there.”
“I don’t