to maintain the niceties, and I have made it clear I am not prepared to go with you on those occasions, but while we are here Sir John’s man, Jack, and I, see to it that everything runs as well as it does at home in Belgravia.’
Louisa bit her lip to hide a wry smile. Trying to look suitably chastened she allowed the woman to help her on with her black silk gown and pin her hair up in loose ringlets and loops around her head beneath a black lace veil. At least without the weight of her customary chignon it was cooler. The assurance that Jane Treece would not be going with her to visit the Valley of the Tombs had cheered her up enormously.
The main saloon of the boat was as exotic as her own cabin, but the silver and china laid on the table for dinner was English. The food itself though was Egyptian, and delicious. Louisa ate with enjoyment as she tried to explain to the Forresters why she wanted to paint the Egyptian scenery. Augusta Forrester had emerged from her own quarters looking as elegant and cool as if she were entertaining at home in London. A small silver-haired woman in her early sixties with huge dark eyes, she had managed to retain a prettiness of feature and a charm which made her immediately attractive. Her attention span was, though, Louisa discovered quickly, very short.
‘When Mr Shelley died,’ she explained as they ate, ‘I found myself lost.’ How could she ever tell them how lost without her beloved George? She had contracted the same fever which had killed her husband and although she had recovered it had left her too weak and too listless to care for her two robust and noisy sons. They had gone to stay with George’s mother and Louisa had been persuaded finally that a few months in a hot climate would restore her to health. She and George had planned to come to Egypt one day. It was George who had regaled her with stories of the discoveries that were being made in the sands of the desert. It was George who had promised that one day they would go there and that she would paint the temples and tombs. The somewhat unconventional household they ran with its laughter and conversation and the constant flow of painters and writers and travellers had fallen apart when illness had struck. George’s mother had arrived, nursed them both, taken away the children, dismissed half the servants, substituted her own and left Louisa devastated.
Glancing from Sir John to his wife, Louisa saw that the latter was no longer listening to her, but the mention of Augusta’s nephew, Edward, brought her back from her daydreams and for a few minutes she sat, her beautiful dark eyes fixed on Louisa’s face, as her guest described how that young man, a friend of George’s, had rescued her, arranged her passage, booked the steamer from Cairo and persuaded his uncle and aunt to take her to see the excavations. Without his help she would have been destroyed.
His uncle and aunt were however not quite as unconventional as their nephew and she was finding out every minute that her dreams of conversation and laughter and the convivial travel which she and George had so often discussed were far from what the Forresters had in mind.
Anna looked up. Her neighbour appeared to be asleep. Over the back of the seat in front of her she could see the film in full swing. Most of the passengers seemed to be engrossed in the action. Surreptitiously she tried to stretch and wondered how long she could last before she had to ask him to move so she could go to the loo. She glanced back towards the rear of the plane. The queue for the lavatories did not seem to have grown any shorter. Beyond the thick glass of the window the distant ground had turned the colour of red and ochre and gold. The colours of Africa. With a tremor of excitement she stared down for a long time, before leaning back in her seat and closing her eyes. She was almost there.
It was impossible to sleep.
She opened the diary again, eager to lose herself in Louisa’s adventures and blot out her own less than romantic mode of travel. Skimming down the cramped slanted writing with its faded brown ink, she flipped through the pages, glancing at the sketches which illustrated the narrative.
‘Hassan brought the mules at first light so that we could escape the worst of the heat. He loaded all my painting equipment into the panniers without a word. I was afraid he was still angry at my lack of tact and understanding of his role, but resolved not to speak of it. Instead I allowed him to help me onto my animal without uttering a word either of apology or of remonstrance at his outburst. He looked up at me once and I saw the anger in his eyes. Then he went to collect the lead rein of the pack animal and climbed onto his own. We rode all the way to the valley without speaking.’
Anna glanced up again, wearily rubbing her eyes. It did not sound as though Louisa had had a good time with Hassan. She turned on a few pages.
‘I saw him again today – just a faint figure in the heat haze. A tall man, watching me, who one minute was near me and the next minute was not there. I called out to Hassan but he was asleep and by the time he had reached my side the man had vanished into the strange shimmer thrown by the heat of the sand. The shadows where I set my easel were dark in contrast but out there, on the floor of the valley there was nowhere for him to hide. I am beginning to feel afraid. Who is he and why does he not approach me?’
That sounded exciting. Exciting and mysterious. With a small shiver Anna looked up with a start to see the flight attendant hovering with a jug of coffee. Her neighbour, ignoring the woman, was looking down at the diary on Anna’s knee with evident interest. She closed it and slipped it into her bag, reaching for the tray in front of her and letting it down onto her lap. He had already looked away. Outside, the sun was slipping nearer and nearer to the horizon.
Her neighbour appeared to have fallen asleep when she fumbled in her bag once again for the diary, and opening it at random was captivated immediately by the words which sprang from the page. ‘I begin to love this country …’
Louisa set down her pen and stared out of the window at the dark river outside. She had pulled open the lattice shutters to allow the smell of it, the warmth of the night air, the occasional breath of chill wind from the desert to enter her cabin. It all captivated her. She listened carefully. The other cabins were silent. Even the crew were asleep. Gathering up her skirts she tiptoed to the door and opened it. The steps to the deck were steep. Cautiously she climbed them and emerged into the darkness. She could see the humped forms of the sleeping men before the mast and heard suddenly a brief sleepy snore as one of them eased his head on the cushion of his arm. Another breath of cold air and she could hear the rustle of palm fronds on the bank. Above, the stars were violent sparks against the blue-black sky.
There was a slight movement behind her and she turned. Hassan’s bare feet had made no sound on the deck. ‘Mrs Shelley, you should stay in your cabin.’ His voice was no more than a whisper against the whisper of the wind in the reeds.
‘It’s too hot down there. And the night is too beautiful to miss.’ Her mouth had gone dry.
She could see his smile, his teeth white against the dark silhouette of his face. ‘The night is for lovers, Mrs Shelley.’
Her face burning, she stepped away from him, her knuckles tight on the deck rail. ‘The night is for poets and painters as well, Hassan.’
With half an ear she was listening for sounds from below deck. Her heart was beating very fast.
Her neighbour was looking at Louisa’s diary again, she could sense it. Anna sighed. He was beginning to irritate her. His glance was an invasion of her space, an intrusion. If he was not prepared to make a minimum of polite conversation he had no business being interested in her reading material! Closing the diary, she forced herself to look up and smile at the seat-back in front of her. ‘Not long now.’ She turned towards him. ‘Are you going on a cruise too?’
He was an attractive man, she realised suddenly, but even as she thought it his face closed and she saw it harden and the warmth vanished.
‘I am indeed, but I very much doubt it is the same one as you.’ His accent was difficult to place, very faint – slightly Scots perhaps, or Irish – because