Michael Cox

Zonal Marking


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rued. ‘The equilibrium in the dressing room is gone – that was my biggest mistake this season. This culture needs stars. Now, I have two players who rank among the ten best in the world [Figo was the other]. At Ajax in 1995, when I did not lose a single game, I had nobody on that list.’ A dressing room lacking stars suited him much better. Van Gaal also rowed with Sonny Anderson and Geovanni, two of Rivaldo’s teammates and, significantly, compatriots. Brazilian footballing culture places emphasis on individual attacking inspiration, which simply didn’t register with Van Gaal, and he was dismissed at the end of the campaign.

      For two legendary coaches both obsessed with promoting the classic Ajax style, Cruyff and Van Gaal were remarkably different in almost every respect. Consider, for example, their approach towards match preparation. Cruyff backed his players to outplay anyone, and didn’t even think about the tactical approach of the opposition. In stark contrast, Van Gaal would study videotapes of upcoming opponents and explain, in extensive detail, their build-up play and how to disrupt it, while his assistant Bruins Slot constantly surprised the players with his level of knowledge about specific opponents.

      It was Cruyff’s art versus Van Gaal’s science. The latter sat in the dugout with a tactics notepad on his lap, depended on data to measure his players’ performance and employed a man named Max Reckers, who was generally described as a ‘computer boffin’ in an era before statistical analysts were common. When Van Gaal moved between clubs, his ‘archives’, including endless piles of dossiers and videotapes, needed to be physically moved across the continent at great expense. This was anathema to Cruyff, who once said that his great footballing qualities ‘were not detectable by a computer’, said his football understanding was a ‘sixth sense’, and repeatedly admitted he had a dreadful memory and wasn’t big on detail. He was all about instinct, and embodied a philosophy in the truest sense of the word. Van Gaal believed in a studious approach, and developed robotic footballers discouraged from demonstrating flair.

      In 2009 Van Gaal took the Bayern Munich job, leading them to the Double and the Champions League Final. ‘My team has a bond and a trust in me that I have never experienced before,’ he raved, and he attracted rare praise from Cruyff. But his old rival pointedly suggested that ‘Bayern Munich and Van Gaal is a particularly good match – the management and players at the club were prepared to accept his way of thinking and operating.’ Which, coming from Cruyff, was barely disguised criticism, an accusation that Van Gaal was more Bayern than Ajax, more German than Dutch.

      The last squabbling between the two old foes came in 2011, after Van Gaal was announced as Ajax’s general director. Cruyff, by this stage, was on Ajax’s board of directors but Van Gaal’s appointment was made when he was on holiday in Barcelona. He objected so strongly that the issue ended up in court, which ruled against him. Yet in a sense Cruyff won, because Van Gaal never started his job, instead taking charge of the Dutch national side for a second time, an appointment that led to another round of mudslinging between the two old foes.

      ‘Van Gaal has a good vision on football,’ accepted Cruyff. ‘But it’s not mine. He wants to gel winning teams and has a militaristic way of working with his tactics. I don’t. I want individuals to think for themselves, and take the best decision on the pitch that is best for the situation. He wants to control all these situations as a coach. We need to make the club successful, including the youth academy, and that means individual coaching and not straitjacket tactics. If Louis comes to Ajax, I won’t be around for long. We think differently about everything in life.’

      Van Gaal was more pragmatic, although he couldn’t resist one final wind-up. ‘There is no more a “Cruyff line” than there is a “Van Gaal line,”’ he insisted. ‘There is only an Ajax line, and it has been in place for at least 25 years. I have contributed to that, just as Cruyff has – with the difference that I was there longer.’

       Space

      The Netherlands, by its very nature, is based around the concept of space. A country whose name literally means ‘lower countries’ is a remarkable construct, gradually reclaimed from the sea through the revolutionary use of dikes. Seventeen per cent of the Netherlands’ landmass should be underwater, and only around 50 per cent of the country is more than one metre above sea level.

      The Netherlands is also Europe’s most densely populated major country (excluding small countries such as Malta, San Marino and Monaco) and worldwide of countries with similar-sized or larger populations only South Korea, Bangladesh and Taiwan boast higher population densities. The history of the Netherlands has therefore been about increasing the perimeters of the nation, and then desperately trying to find space within those perimeters.

      This is, of course, reflected in Dutch football. It’s through the prism of the country’s geography that David Winner explains Total Football in his seminal book Brilliant Orange. ‘Total Football was built on a new theory of flexible space,’ he begins. ‘Just as Cornelis Lely in the nineteenth century conceived and exercised the idea of creating new polders, so Rinus Michels and Johan Cruyff exploited the capacities of a new breed of players to change the dimensions of the football pitch.’