Amita Murray

The Trouble with Rose


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      ‘And what did he say?’

      ‘He was most amenable. Very reasonable man. He said he wouldn’t dream of inconveniencing me like that. And of course the wedding would be back on, there was no negotiation necessary. White people know how to be rational, I have always said that.’

      ‘It is all right, Rilla. We have your back,’ Auntie Pinky says. ‘I will make chicken tikka masala if necessary. And we will serve the finest scotch. Nothing is too good for you.’ She smooths her sari. ‘And also the situation is desperate.’

      My mother’s family were well-off when she was growing up, but Uncle Jat has taken ‘well-off’ to a new level. His dessert empire keeps going from strength to strength, providing desserts not only for Indian weddings and parties, but increasingly for big events like Wimbledon and Royal Ascot. Instead of distancing him from the rest of the family, this wealth has made him feel like he owns everyone. No, that is a mean thing to think. It’s more that he feels he has to take care of everyone, make sure that they are living their life correctly. He is of the mind that there is no problem that can’t be solved if you have money to throw at it. Uncle Jat and Auntie Pinky like to tell you where you are going wrong, and then be the ones to fix it.

      My mother Renu is crammed into a corner of the sofa, perched in about two inches of space. She is accusing me with her eyes. As far as she is concerned, if things have gone wrong in my life, it is no one’s fault but my own. She is wearing a plain navy sari today, probably to express that this is a sad, sombre day. An African Bee-Eater brooch holds her sari in place, given to her by one of her Ugandan students. She teaches Life in the UK classes, telling her students that people in this country eat with a knife and fork, that they don’t squat on toilet seats, that mince pies have no meat in them, and that Henry VIII beheaded his wives because divorce was not allowed back then. She tells them that the first fish and chip shop was opened in 1860 by a Jewish immigrant.

      Her chin is trembling and she’s doing her hand-flapping thing. ‘If you only thought of other people for once. What will happen now, what will become of you? What will Simon’s family think of us?’

      I incline my head to look at her. ‘That hand-flapping makes you look like a geisha.’

      She stops abruptly. Dad gives me a really, why? kind of look. He is back in his customary check shirt today, tucked neatly into his jeans, his brown belt tied a little too tight. His hair has been ruthlessly combed so that no stray strands can spring up. He is looking apprehensively at Mum. For someone who has written a book on Indian street theatre called Nautanki and Other North Indian Curiosities, who loves melodrama on the stage and on the page, he shies away from all forms of it in real life. My father, the great pacifier, the one who steps in as soon as he smells a storm brewing. The one who will do anything to keep at bay a painful truth.

      My mum has no such hang-ups. ‘Why did you do it? Why, Rilla, why? After everything we do for you, this is how you repay us. It is like a slap in the face.’

      ‘Yes,’ I start, ‘yes, it is definitely all about you—’

      Dad gives me a warning shake of the head. I roll my eyes, and slide down to the floor. Dad pats my mother’s arm.

      ‘The thing is, it doesn’t matter why she did it.’ Uncle Jat folds his hands together. ‘Let sleeping waters lie, I say. What we want to think about is how to fix it.’

      ‘We can invite them to dinner.’ Auntie Pinky has her plotting face on. ‘Rilla can cook for them, say sorry to them—’

      ‘I can offer Simon’s father shares in my company,’ Uncle Jat says.

      ‘All she needs to do is call Simon.’ My father looks from person to person, nodding his head. ‘He is a sensible boy, it can all be sorted out. If she calls Simon—’

      ‘If she says it is all her fault, that she is a stupid girl who has no more sense than a newborn sparrow, he will listen.’ Auntie Pinky slowly nods her head.

      ‘I am here, you know,’ I say mildly.

      ‘And while we’re at it,’ she looks sternly at me, ‘I’d like to know why you didn’t wear the earrings, bangles and two necklaces I gave you for the wedding. Not one bit of gold – what kind of bride wears bronze hoops? They will think we are paupers. With no respect.’

      I close my eyes for a second. The GIF seems to be here to make me feel bad. Well, most of the party is here for that reason. I look over at where my cousin Jharna is sitting. She is definitely only here to be on social media. And when I say here, I don’t mean in my flat, but on this earth. She is eighteen years old. She only ever looks at me with one eye. The other is reading her tweets, darting left and right, gobbling up news bites, 140-character morsels that tell her important items of news, like which one of her favourite celeb-crushes is just chillin’ in their PJs y’all and which is taking their hipster poodle out for a doggie manicure. Still, I can’t forget her text message warning me that the GIF was on its way, cavalry and all, and that I could run if I wanted to; I didn’t even know she cared. She is now stabbing at her phone, sitting on the floor with her knees tucked up under her chin. The position startles me. It reminds me of me, and then it reminds me suddenly and forcefully of my sister Rose. It catches me unawares, and a sharp pain hits me in the chest. Don’t you see, I want to say to everyone, my life has gone completely wrong, doesn’t anyone see? I look around for help, but no one is looking at me. They’re all tucking in to the cupcakes. I slump back against the wall.

      ‘Can’t you get your ass out of that phone?’ Auntie Pinky complains to her daughter after a while. She stands up, tugs at Jharna’s crop top for a second in a vain effort to make it longer, then starts tidying the flat. She picks up old tissue off the floor, wine glasses from a few days ago from behind the sofa. She tidies cushions (after she gives them a wary sniff), gets the dustpan and brush from the kitchen and starts clearing away wood dust. She drags the model village carefully under the rustic coffee table in the corner. Federico and I look sideways at each other but neither of us tries to stop her. It’s the first clean the living room has had in weeks. He makes a face, I shrug. Does this mean he has forgiven me for what I said to him earlier about his relationships?

      ‘How will you get a job, beta, if you’re always on your phone?’ Uncle Jat says to Jharna.

      ‘You didn’t have such a problem with it last week,’ Jharna responds.

      ‘I was looking for an old school friend from Delhi,’ Auntie Pinky expands, panting a little with the strain of bending and straightening, bending and straightening. ‘Jharna tracked her down. The girl can find a needle in a haystack as long as the haystack is on the WWW.’

      ‘Whatevs Muvs,’ Jharna says.

      Since her vocabulary is better than most people I know, I’m guessing she’s doing the teen lingo just to annoy her parents. She goes back to her phone, works furiously with her thumbs, and blows an enormous bubblegum bubble that nearly smothers her nose ring. She is wearing a crop top that says ‘Everybody Should Be a Feminist’, a pair of loose boyfriend jeans and a military-print hairband knotted in her hair.

      ‘How can you live like this?’ Auntie Pinky complains. ‘If you take these posters off the wall, Federico, I could give it a proper spring clean. Look at the cobwebs.’

      Federico looks like he wants to go and stand in front of his precious posters. Greenpeace, Janis Joplin, yin-and-yang, an X-Files ‘I Want to Believe’, an embossed Om. But he also doesn’t want Auntie Pinky to stop cleaning. I throw a cushion at him.

      ‘Oye, why are you hitting the poor boy?’ Auntie Pinky demands.

      ‘Spider,’ I mumble.

      ‘Where?’ Auntie Pinky shrieks.

      ‘It’s—’ I clear my throat, ‘disappeared under the sofa.’

      Auntie Pinky marches over to the sofa, stares for a second, then goes into a crouching position, armed with a patent leather pump. But she doesn’t stop