as when they were alive. It is as though they were traveling abroad.
I preferred John to be travelling abroad, to remain in the realms of desire.
To be desired, my old friend John Berger writes, is perhaps the closest anybody in this life can reach to feeling immortal.
I would have preferred to have John immortal and doubtless have a little of that immortality myself. Instead all I had was a half-empty shampoo bottle. Memory of Senses.
When I looked up the word ‘bereavement’ in the Oxford English Dictionary, it turned out to be etymologically linked to the old Germanic ‘reave’ – to plunder by force, to carry out raids in order to rob. I felt plundered. Be-Reft. My partner was gone. My lived past, which had been lived as a double act, had been ransacked, stolen. The story of my own life had to be rewritten. And I was guilty. Guilty of being a survivor. Literally. Before the late 1960s turned people like my parents – who had, against all the odds, made it through the war – into survivors, a survivor was simply someone who outlived another.
IN ONE OF HIS seminal insights, Freud linked the state of mourning to the condition of melancholia, which we would now call depression. The characteristics that mourning shared with depression include
a profoundly painful dejection, a cessation of interest in the outside world, loss of the capacity to love, inhibition of all activity, a lowering of the self-regarding feelings to a degree that finds utterance in self-reproaches and self-revilings, and culminates in a delusional expectation of punishment –
The singular difference is that in mourning ‘the lack of interest and turning away of activity’ common to depression has an exception when it comes to that connected with ‘thoughts of him’.
Both states are set in motion by loss.
In one of his understated asides, Freud notes, ‘It is really only because we know so well how to explain it that this attitude [in mourning] does not seem to us pathological.’ This is particularly the case if one considers that a clinging to the dead through the medium of a ‘hallucinatory wishful psychosis’ can be part of mourning, too.
In his ‘Thoughts on War and Death’ written in 1915, very soon after Mourning and Melancholia, he elaborated the inevitable ambivalence that unwittingly characterizes all our loves:
These loved ones are on the one hand an inner possession, components of our own ego; but on the other hand they are partly strangers, even enemies. With the exception of only a very few situations, there adheres to the tenderest and most intimate of our love-relations a small portion of hostility.
This small portion of hostility can quite easily grow large in the dead partner with whom we in part identify, just as children identify with their parents, take them in, often enough later on only to spit them out. It is these very parts in the other that then turn back on us rampantly, like an avenging conscience, to persecute us into abjection once they have been lost. Have gone.
The French psychoanalyst Jacques Lacan talked about such cruel and vindictive self-persecution as the work of an ‘obscene super-ego’, the super-ego being in Freudian terms that internalized, endlessly repetitive, sadistic and rancorous conscience – initially shaped out of our parents’ prohibitions and cultural settlements on good and bad – that yaps away at us like a small-town bully, belittling us, turning us into a nether likeness of Hamlet, one without poetry. In a wonderful riff on self-criticism, the analyst Adam Phillips evokes a Hamlet whose dangerous desire for vengeful murder is converted into a form of character assassination – his own: ‘the character assassination of everyday life, whereby we continually, if unconsciously, mutilate and deform our own character’.
The Hungarian-born Melanie Klein, so influential in understandings of psychoanalysis in Britain, thought of mourning as a reactivation of the inevitable early-childhood depression: the loss of the loved person, like the loss of internal ‘good objects’ in infancy, threatens a collapse. Mourning is thus a maddening process in which hatred, guilt and love oscillate until the ‘internal good objects’ can be reinstated and the dead person put to rest.
And all of this while we’re having a cup of coffee with a friend and talking about the weather. Stormy in these days of inner warming. Holding out hope, too, that those internal good objects come round.
Not that there’s a mother in sight anywhere.
THE WOMAN WHO is a simulacrum of me and not a dishevelled midnight gorgon, punished from all sides and punishing in turn, goes about her duties. She tries to be a good mother and grandmother; she deals with the bureaucracy of death and the lawyers who are its servants; she tries to concentrate on the minutiae of pensions and old share certificates more abstruse than incunabula. She writes bits – an artist’s catalogue preface, an essay for the BBC. She sits at a desk and finishes the book he hadn’t quite finished. She prepares the second for publication. She hunts for an archive for his work. She puts in train memorials and conferences. At these she manages more or less to utter a few lucid sequential sentences. Or at least she thinks she has for a moment, before going home to beat herself up.
The reality was that I could work on ‘thoughts connected to him’, as Freud called them, but not on much else for long spans consecutively. Not only had I been his first reader and editor for years, but the work allowed me to focus, more or less, on the public portions of him. The positive side effect was that I was able to concentrate on the parts of him I wasn’t so preoccupied with hating. This activity was, I imagine, an attempt to repair the destruction I had wrought on him and he on me.
Though I was still alive.
I wasn’t an altogether good enough mother, though. My daughter admonished me for being short-tempered with her and not sufficiently sensitive to her own grieving or, on one or two occasions, for erupting in negative asides about her beloved dad. I didn’t mean to. I wasn’t always aware that I had. But I evidently had. All this made me think about my own mother all those years ago after my father had died. I really did need to consider the generational cascade of repetitions or hauntings that are an all but inevitable part of family life.
My mother’s own display of tears had been confined, as far as I witnessed, to the deathbed. After that she had smiled in her usual sunny way through thick and thin and stayed cool, while I tumbled as rapidly as I could into bed with a man, as if to confirm the eternal strife between death and life.
Given that I had read so many novels in which families fall asunder as soon as the patriarch dies, his departure igniting siblings and their children to war, let alone newer and older wives, I had little excuse for straying into the trap of bickering and conflict with my own brood. But my inner madness came in unpredictable waves and sometimes bubbled over and out. The smiling coolness my daughter sometimes wondered at was the mirror image of my mother’s; the harsh wartime survival stories she told, in which my father appeared diminished, were perhaps the equivalent of my negative asides.
As I had for my own mother, my daughter often thought she knew what was best for me. I, too, had known better than my mother about the ways of the contemporary world and, in my assumptions of knowing, had been even more emphatic than my wonderful daughter. But I balked when it came to me. Though I obediently trailed off to see doctors when ordered to, made sure there was food in the fridge, and invited friends over one at a time, I also sensed that, just as I had, my daughter needed me at important points to maintain my maternal authority. Then, too, I wasn’t altogether ready for a full King Lear reversal. Yet at times, for the first six months after her father’s death, I seriously considered it. Giving in and giving up seemed very seductive.
I knew my daughter was suffering at the loss of her beloved dad, who had adored her in turn. I also knew that the loss had come at a particularly difficult time for her. His advice