that Richard inflicted on himself remained, it might not be easy to see after so many years of being chained to an oar.’
‘If he was a galley slave,’ Kathryn said. ‘He was but fifteen, sir. Might he not have been sold as a house slave?’ She had prayed so often that it might be so, otherwise there was little hope that Dickon would have survived.
‘It is possible—but if he was strong for his age he would more likely have been put to the oars. The rate of death amongst such unfortunates is high and anyone with the strength to pull an oar might be used if the Corsairs had lost some of their oarsmen.’
‘Yet that makes it all the more likely that the mark may still be there,’ Kathryn said. ‘For if he lives, it is unlikely that he was in the galleys.’
‘You speak truly, for I doubt that any man could survive ten years in the galleys,’ Lorenzo told her and the expression in his eyes sent a shiver down her spine. ‘We must hope that for at least some part of the time your cousin was more fortunate.’
Kathryn looked at him, seeing an odd expression in his eyes. What was he thinking now?
‘Would your friend in Granada help us to find Dickon?’ she asked.
‘Yes, that is possible,’ Lorenzo said. ‘I will write to him and ask if he will make inquiries, though after so long…’ His words drifted away and he lifted his shoulders in a gesture that made her want to defy him all the more.
‘You think it is impossible, don’t you?’ Kathryn saw the answer in his face. ‘But I don’t believe that Dickon is dead. I am certain he lives. I feel it in here.’ She put her hands to her breast, her face wearing an expression of such expectation, such hope, that he was moved. ‘As we journeyed here my feeling grew stronger. I believe that he is alive and may be closer than we think.’
‘All things are possible,’ Lorenzo said, for he found that he did not wish to dim the light in those beautiful eyes by telling her she was wrong. ‘My friend would tell you that it is the will of Allah, but I believe it is the will of man. If Dickon was strong enough, if he wanted to live badly enough, he would find a way to survive. And perhaps he might have been fortunate. Not all slaves are ill treated, Kathryn. Some masters are better than others.’
‘You speak as if you have some experience of these things, sir?’
Lorenzo smiled oddly. ‘Perhaps…’
Kathryn would have pressed for an answer, but he turned to Lord Mountfitchet and began to talk of Cyprus and the land most suitable for wine growing. Kathryn sat and listened, her first disgust of him waning a little as she realised that he was a man of knowledge and influence.
She could not condone what he did in the matter of the ransoms he demanded from the families of those he rescued, and yet she began to understand that it could be but a small part of his business and not the source of his vast wealth.
She could not like him, she decided, for he was too arrogant, too certain of his position, and he could not understand how she felt—how Lord Mountfitchet felt—about the loss of Dickon. But perhaps Uncle Charles was right and he would deal honestly with them.
Besides, what right had she to judge him when she did not know him?
Lorenzo turned his gaze on her again for a moment, and she felt that strange sensation that had almost made her faint when they first met. Why was it that she felt as if they had met before?
‘This is so beautiful,’ Kathryn exclaimed as they wandered about the square that was the centre of Venice. ‘Is it true that the Church of Saint Mark was built to house his body when it was brought from Alexandria?’
‘That is what I have been told,’ Lorenzo answered her though she had addressed her question to her aunt. ‘The building you see near by is the Palazzo Ducale—and over there is the Cathedral, which was first begun in the ninth century and rebuilt after a fire in the eleventh. Notice the architecture, which bears a distinctly Byzantine influence.’
‘It is very fine,’ Kathryn replied. ‘I had thought the people of Byzantium were barbarians, but it seems that they knew how to build.’
‘They knew many things,’ Lorenzo replied with a smile. ‘It was a great empire that demands our respect.’
‘You seem to know so much,’ she said, a little overcome by all the things he had told them as they explored the beautiful city of Venice and its waterways. ‘What, pray tell me, are those buildings over there?’
‘That is the Procuratie Vecchie, and used by the procurators or magistrates, from amongst whom the Doge is chosen, and is built, as you see, in the Italian style, as are many of the palaces themselves. And those columns were erected in the twelfth century. That one bears the winged lion of St Mark and the other portrays St Theodore on a crocodile.’ He looked at Kathryn, a faint smile on his lips. ‘Would you wish to visit the Bridge of Sighs—or would you prefer return to my home and take some refreshment?’
‘Tell me, why is it called the Bridge of Sighs?’
‘I imagine Signor Santorini has had enough of your questions for one day,’ Lady Mary said. ‘It was kind of him to accompany us, but perhaps like me he is ready to return home for some refreshment.’
‘Oh, forgive me,’ Kathryn said, for she was not in the least tired and might have carried on exploring for another hour or more. ‘Yes, we shall go home—at least, we shall return to your home, signor.’
‘It is also yours for the duration of your stay,’ Lorenzo said. On discovering the previous evening that the lodgings they had taken were less than they had hoped for, he had sent his servants to remove their baggage, insisting that they stay with him until they left for Cyprus. It was also his suggestion that he accompany Lady Mary and Kathryn on their tour of the city, for Lord Mountfitchet had other business and, despite Kathryn’s protests, he did not think it suitable that they should go alone. ‘And as to the matter of why the bridge has that name, it is because the palace connects to the prison and the bridge is the route by which prisoners are taken to the judgement hall.’
‘Ah, I see,’ Kathryn said and smiled. ‘I had thought it might have had a more romantic story attached to it.’
‘Perhaps a lover who had cast himself into the water after having his heart broken?’ Lorenzo laughed huskily. ‘I can see that you are a follower of the poets, Madonna. You have come to the right country, for this is a land of beauty and romance. You have only to look at our fine sculptures and paintings.’
She blushed, looking away from the mockery in his eyes, for her heart was behaving very oddly. ‘I have noticed some very fine paintings in your home, sir.’
‘Tell me, which ones do you admire?’
‘I noticed one that had wonderful colours…’ Kathryn wrinkled her brow. ‘It was in the great hall and I saw that the colours seemed to glow like jewels when the sunlight touched them. Most of the paintings I have been used to admiring were tempera, but I believe that one was done in oils, was it not?’
‘Indeed, you are right,’ he said. ‘The artist was a man called Giovanni Bellini and my father bought the painting some years ago. I have others that I have bought that you might like to see one day.’
‘Yes, I believe I should, if you have the time to spare, sir. I know you must be a very busy man and—Have a care, sir!’ Kathryn gave a little cry as she saw someone suddenly lunge at his back with what looked like a curved and deadly knife.
Lorenzo whirled round even as she spoke, catching the would-be assassin’s wrist as he raised his arm to strike. There was a sharp tussle and she heard something that sounded like a bone cracking, and then, before she knew what was happening, three men rushed up and overpowered the assassin, dragging him away with them.
‘Forgive us, Madonna,’ Lorenzo said and his face had become the customary hard mask that she found so disturbing, all trace of softness and laughter gone. ‘I believe your safety was not in doubt,