even to keeping account of all the costumes and properties, the casting of various roles. That could not be easy when the one person most meant to be impressed by these careful displays kept subverting them!
Nicolai had a hard enough time herding his own small troupe on their travels. He did not envy Sir Henry his task of shepherding an entire Court. “It must be a fine thing to have your own space for this great task, Sir Henry,” Nicolai said, nodding toward the new theatre.
“‘Tis not only my space, Master Ostrovsky. We must share it with the Master of the King’s Minstrels and his musicians,” Guildford answered. “But there is room for us to store our properties, which is a blessing. Usually they must be fetched from a great distance.”
Nicolai’s props were often stored in a painted wagon, with more dangerous items hidden among the masks and bells. Items for more—discreet tasks. But he merely nodded understandingly.
“We are very glad to welcome you here, Master Ostrovsky,” Guildford went on. His smooth tone gave no hint of curiosity about what Nicolai, a player and a Russian to boot, might be doing among the Spanish party. “Assistance with our revels is always greatly to be desired, and Señor Mendoza tells us you have much experience with Italian pageants. All things Italian are very fashionable, you know.”
“It is true I am recently come from Venice,” Nicolai answered.
“Ah, yes, the Venetians. They do enjoy their masquerades and fêtes, do they not? Excellent, excellent! I have so very many tasks, and most of my idiotish assistants can do naught unless I watch them at every moment.”
“I am happy to assist in any way I can, Sir Henry.” In Nicolai’s experience, it was often the actors at Court—both the professionals from the Office of the Revels and the courtiers who so often took on roles—who knew most of the secrets. The hidden plans and desires. If he could do what he did best, insinuate himself into a play, his task would be that much easier.
“The king has ordered a different entertainment for almost every evening. I will be happy of your assistance in directing some of our players.” Sir Henry shook his head, muttering, “The ladies all want to take part, but they do not want to work, you see. Merely gossip and giggle together without learning their lines and postures.”
Nicolai laughed. “I am told I work well with the ladies, Sir Henry.”
“I would wager you do. They always seek to impress a handsome face. Well, here we are at the theatre, then. Just long enough for a quick glance round, I think, before the sun quite vanishes.”
Sir Henry opened the tall double doors of the new theatre, the rich wood carved with vines and flowers, surmounted by the king’s Tudor roses and portcullises, the queen’s pomegranate of Granada and arrow-sheaf of Aragon.
How long, Nicolai wondered, would those badges remain, if the rumours were true? The tales of a certain Mistress Boleyn and the king’s anguish over his lack of a son. And what vast trouble would their removal cause?
Today, though, the pomegranates were firmly in place, boasting of a long, solid marriage, a firm dynasty. Sir Henry led Nicolai into the interior of the theatre, so new it still smelled of paint and sawdust. It was beautiful, unlike any place Nicolai had ever performed in before. Long, soaring, lit with a profusion of flickering torches, the theatre gave the impression of a celestial realm. The ceiling was painted the pale blue of a summer sky, while below was hung a transparent cloth painted in gold with stars, moons and the signs of the zodiac.
Seats rose in tiers along the walls, while at the far end a large proscenium arch marked the performance space. Workmen were still putting in place terracotta busts and statues.
“‘Tis a most glorious space, Sir Henry,” Nicolai said truthfully. “And yet you say it is just temporary?”
“Oh, I am sure we will find a use for it once the French depart,” Sir Henry said. “But it is all wood and gilt, meant to deceive.”
He led Nicolai behind the arch, where several trunks were stacked. Scrolls, lengths of bright satin, cushions and spangles spilled forth in a confusing jumble. As Sir Henry dug through the glittering array, a chorus of angelic voices rose up somewhere in the shadows, a tangle of silvery sound that grew and expanded, soaring up to the ceiling-sky. Nicolai turned his head to listen, enchanted.
“The chorus of the Chapel Royal,” Sir Henry said. “They are to give a recital after tonight’s banquet. Fortunately, they are not my responsibility. Ah, here we are!”
He drew out a scroll, untidily bound with a scrap of ribbon, and handed it to Nicolai. “This is to be the pageant to follow the king’s great tournament a few weeks hence. With your permission, Master Ostrovsky, I put you in charge of it.”
Nicolai quickly read over the programme. “The Castle Vert?”
“The Green Castle, yes. An old piece, perhaps, but always a Court favourite. As you see, there are roles for all of sixteen ladies.”
Sixteen? “Are the parts already cast?”
“Not at present. Lady Fitzwalter and Lady Elizabeth Howard must have a turn, of course. And Mistress Anne Boleyn, who at least knows how to sing and dance already. Oh, and they say there is a lady among the French who is uncommonly lovely. A veritable angel, according to Master Tilney. Perhaps it would be a diplomatic gesture to cast her as Beauty. But, Master Ostrovsky, I leave it all up to you. I must work on The Fortress Dangerous, which fortunately only calls for six ladies.”
Sir Henry clapped Nicolai affably on the arm, and turned to hurry off on some new task. “Good fortune, Master Ostrovsky, and my deepest thanks! I will send some of my staff to assist you on the morrow.”
Nicolai grinned ruefully, slapping the scroll against his palm. Fifteen English Court ladies, and one French angel, all vying for their selected parts. All of them with the force of family and faction behind them.
Oh, Marc, Nicolai thought. I hope you appreciate what I do for the sake of friendship!
The French delegation was to gather in Queen Katherine’s presence chamber before progressing to the great new banquet hall. Once Marguerite was bathed and dressed, in a gown of emerald green velvet over an embroidered petticoat of gold satin, her wide oversleeves turned back to reveal more gold and a sable trim, she joined the others in Claudine’s apartment to wait for Bishop Grammont and his officers, including Claudine’s husband, the Comte de Calonne.
A rest seemed to have done Claudine some good, Marguerite observed. She was not as pale, and even looked a bit rosy in her dark crimson silk gown, her stays loosely laced over her swelling belly. That was very good. If she was confined to her chamber, then Marguerite, her ostensible attendant, would be hard pressed to find excuses to go about in Court.
Claudine’s maid was putting the finishing touches to her gingery red hair, lowering a stiffened gold headdress into place. Marguerite’s own headdress was the newer, lighter nimbus shape, of green velvet trimmed with pearls, her silvery hair falling free down her back under the short, sheer gold veil.
Claudine’s gaze narrowed when she saw Marguerite in her fine raiment. “How very youthful you look, Mademoiselle Dumas,” she muttered.
“Merci,” Marguerite answered lightly, smoothing down her sleeves. “I am sure we will all put the English and their rustic garments to shame!”
“And especially the Spanish,” Claudine’s husband, the Comte de Calonne, said, as he came into the room with his own richly clad attendants. “Michel tells me they are all in black, like a flock of crows!”
Everyone laughed, and fell into their places to be led into the English queen’s presence. There could be no Spanish jests there, naturellement!
Marguerite did not know what she expected of this lady, who had been daughter to the legendary Ferdinand and Isabella of Spain, Queen of England for nearly twenty years. A lady renowned for her piety and great learning, beloved by her subjects. A woman who,