humanity, to become a representation of something other than who they truly are.’
Elidh was silent. For a moment, she mistook his meaning and thought he’d somehow guessed her ruse and seen through the disguise. Then she understood and the knife of guilt twisted a little deeper. She’d not come here to mislead this man. She hadn’t her father’s nerves for deep schemes. She tried to push the guilt away. An attractive man was showering her with attention. But that only made it worse. He was showering the Principessa with attention. Sutton Keynes would never look twice at plain, twiggy Elidh Easton, a girl who knew nothing about titles and fortunes, who was, in fact, the embodiment of what he professed to hate: a representation of something other than her true self.
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