has no time to visit tomorrow, so I am showing him the factory tonight.’
‘Shall I light you round, ma’am?’
‘No, that is quite all right, just give monsieur your lantern. We will let you know when we leave.’
She opened the door into the offices, nodding a dismissal to the old man. Jack followed her in and closed the door. ‘That was almost too easy,’ he observed.
‘What do you mean?’ Eva opened the heavy day book and began to scan it. ‘There is always just Georges on duty at night. Now, this is the outer office; I doubt if we’ll find anything in here and the day book seems innocuous.’
‘If you were operating a secret laboratory, would you leave just one old man on duty? He did not seem at all alarmed by our presence, so he cannot be in on the plot.’ Jack scanned the room, opened one or two drawers, then moved into the next room. ‘Therefore it must be well hidden.’
‘I see what you mean.’ Eva picked up her skirts and followed. ‘The laboratories are through here; I have the master key.’
One after another the doors swung open until she reached the last one. ‘We do not use this one any more. Oh, look—the lock has been changed.’ Suddenly the familiar surroundings of the factory, which she had often walked through at night without a qualm, seemed alien and full of menace. She found she had moved closer to Jack and bit her lip in vexation at the betraying sign of fear. ‘This key will not work on it.’ She held it out as though to explain her instinctive movement towards him.
‘I’ll have to pick it, then.’ Jack fished in his boot top and produced a bent piece of thin metal, then hunkered down and began to work on the lock. Eva picked up the lantern and came to hold it close. ‘No, I do not need the light, thank you. I do this by feel and by sound.’
She watched, fascinated by his utter concentration. Again, the image of a swordsman, balanced and focused, came to her as she studied, not his hands, but his profile. His eyes were closed, his face relaxed as though listening to music, hearing and analysing what he heard at the same time.
Dark lashes fanned over tanned cheekbones. She saw a small crescent scar at the corner of his eye and observed the darkening growth of evening stubble begin to shadow his jawline. He was a very masculine figure, she thought, aware of the ease with which he balanced, the way his breeches moulded tightly over well-muscled thighs, the warmth of his body as she stood close.
I am too used to courtiers, too used to velvets and satins and posturing politicians and officials. Even the officers wear uniforms that speak more of the ballroom than the battlefield. This man looks dangerous, feels dangerous. And the biggest danger was, Eva realised, dragging her gaze away from his body to concentrate on the movement of the picklock, that she found him exciting to be with. Infuriating, insolent, casual and peremptory—and exciting.
It was something she had been wary of, these two years of widowhood, letting herself get close to another man, allowing the chill of her lonely bed to drive her into some rash liaison. You overheard too many people sniggering behind their hands as they recounted the tale of yet another widow of high rank taking a lover. It was risky, demeaning and ruinous to the reputation, for the secret always seemed to get out and, of course, it was inevitably the woman who was the butt of the jokes and the object of censure.
This feeling of arousal, this sense of hazard, was simply due to the shock of Jack Ryder’s eruption into her life and the stress of her worries for the past weeks. Everything was heightened, from her fear, her anxiety, to her sensual instincts. That was all it was, all it could ever be.
‘Got it.’ The lock clicked and the door swung open. Inside was a room laid out as a drawing office, with two desks on one side, a wide, high table in the middle and two drawing slopes with stools on the other side. Along the back of the room was a range of chests fitted with wide drawers.
‘Not a scrap of paper.’ Jack pulled open the desk drawers. ‘Empty except for pens and ink and rulers.’
Together they went to stand in front of the chests. Eva reached out a hand and touched the dark wood, noticing how heavily the piece was made. ‘Look at the locks. I have never seen anything like that before.’
‘Neither have I, and I will tell you now, I cannot pick these.’ Jack straightened up from a minute inspection of the locks, each made of steel, with double keyholes and strange rods and bars on its surface.
‘We will just have to smash the chests, then,’ Eva said robustly. ‘There are fire axes in all the rooms. Look, here.’ She lifted the axe from the corner where it stood next to a pail of water and swung it experimentally. It was heavy.
‘If I do that, then there is no hiding the fact that we have been here.’ Jack leaned back against the chest, folded his arms and regarded her steadily.
‘Of course.’ That much was obvious.
‘When Prince Antoine discovers your disappearance from the castle he may give chase, he may not. It is unlikely to be a matter of such desperate urgency to him that he will throw great resources into the pursuit. But if he links your disappearance with a raid on his secret laboratory, he is going to tear the countryside apart to find you.’
‘But we must find the proof of what is going on.’ Eva knew she was frowning in puzzlement. Was he really asking her if she would put her personal safety before her duty?
‘We have enough to confirm that Prince Antoine is experimenting with explosives. My orders are to get you back safely, not to engage in espionage.’
‘Are you telling me that you will walk away from this?’ Eva demanded.
‘No, I am asking you whether you want to. It is your life. It is your son waiting in England.’
Eva found the axe was still dangling from her hand. She propped it against the nearest chest while she tried to sort through her thoughts. Jack was offering her the choice, as he would to another man. He was not trying to hide the dangers from her. He wasn’t happy about it, but she was here inside the factory with him because he was prepared to listen to her ideas.
‘If there is a risk that some weapon that might aid him falls into Napoleon’s hands, then I would never forgive myself,’ she said, meeting the cool grey eyes. ‘I married a ruler of a country, albeit a small one. This goes with the territory.’ And she knew that if her life was at risk, then so was Jack’s—at greater risk, in truth, because she was coming to realise that if Antoine wanted her, he would have to go through Jack to get to her.
His lips curved in a smile that held admiration and a certain wry acceptance that she had just raised the odds stacked against them and that the counters she was pushing on to the gaming table represented both their lives. He held out his hand for the axe. ‘Right, let’s get started.’
Eva picked up the rough wooden handle, set her teeth and tightened her fingers. ‘No, let me.’ She raised it, her arms aching at the weight, and smashed it into the first lock. Wood splintered and the jolt as the blade hit metal ran up her arm. ‘That is for Fréderic. How dare Antoine try to take what is my son’s? I wish he was here at this moment!’
Jack reached across and prised Eva’s fingers from around the axe handle. ‘Allow me. I fully appreciate your wish to decapitate your brother-in-law, but I think I may be faster at turning these into firewood.’
She nodded abruptly, letting him take the axe and stepping back, her eyes fixed on the chests with angry intensity. God, that’s a woman with backbone! he told himself as he set to work to hack the locks out of their setting. She should be the Regent, she deserved to be. The way he was addressing her, the approach he had taken to their relationship, was simply because he could not afford for her rank to stand in the way of the mission. It was not through any lack of respect, whatever she might believe.
What