Laurent de Sutter

After Law


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whether heeded or dismissively cast, made in theoretical studies of Law?

      By now, we know this much: the tyrant, whether on the loose or held in place, is always ready to pounce, breaking out of a republic of unchecked phantasms and into states of lawless abandon. According to the tag-team of Plato and Freud, one falls into tyranny when betraying the democratic model of paternal legacy, squeezing out the law internalized, honoured, remembered. Superego and the inheritance it implies are kicked to the curb, fully divested by the tyrant who, according to Plato, has snuffed out paternal mimesis and regulatory hand-downs.

      Jean-François Lyotard, for his part, takes up the juridical shortfall in The Differend, a theoretical rollout citing the need for a pushback on legal falsification, gestures that could not be registered by techniques of legal review: a nervous tic, a blush, a hysterical cough, yet another somatic outbreak such as hives, or the resolute silence of a torture victim. Lyotard folded these unlitigatable shudders into what he named a ‘phrasal regimen’. The phrasal regimen covers an entire syntax of extra-legal efforts to speak a truth before a court without reverting to a strictly coded and pre-authorized rhetoric. These efforts involve releasing new types of information on the semiotic build-up of a distressed body under interrogation, its attendant symptomatologies, including the inability to say what one has witnessed or recount the violence to which one has been made to succumb. In Masochism: Coldness and Cruelty, Gilles Deleuze outlines the masochist’s presuppositions of lawful adherence, whereas Jacques Lacan, in ‘Kant with Sade’, brings up the rear with his anal-sadistic location shot for the juridical disposition. There’s more to this line-up because the cartography of the legal impingement on our lives – intimate, body-bound and insidious – is as complicated as it is prevalent. In the wake of Kafka’s grammar of hypothetical speculation, it has become impossible, argues Lyotard, to prove one’s innocence. Kafka was already driving while Black, steering a minority’s literature of legal despair.

      Note

       1 NB. For the way in which ‘Law’ and ‘Right’ are used through this text, see the Translator’s Note.