Graham Harman

Art and Objects


Скачать книгу

far more advanced than the latter, who had shifted from mathematics to philosophy relatively late in his student career. Indeed, much of Husserl’s early work can be read as a protracted struggle with Twardowski’s doubling of object and content. What worried Husserl is that under this model, there was no way to reconcile the two realms in such a way as to make actual knowledge possible: a variant of the issue that bothered the German Idealists when reading Kant. As Husserl put it at the time, how can there be two Berlins, one of them a content inside the mind and the other an object outside it? In that case, there would be no way for the two Berlins ever to come into contact, and knowledge of Berlin would not be possible.6

      Over the next decade he continued to develop this model, culminating in his 1927 masterpiece Being and Time, regarded by many – myself included – as the most important philosophical work of the twentieth century.9 Here, Heidegger gives an even more detailed version of his tool-analysis. A hammer is usually not noticed, but silently relied upon as it works to help us achieve some more conscious ulterior purpose. It helps us to build a house, and the house in turn assists our aspiration to remain dry and warm, which in turn provides support for more intricate family life and personal health. All the items of equipment in our environment are locked together in a holistic system, so that in a sense there are no individual pieces of equipment at all. This situation of unconscious holism can be disrupted in a number of ways, with the most famous such case occurring when equipment breaks or fails. If the hammer shatters into pieces, is too heavy, or is otherwise ineffective, our attention is suddenly seized by this individual utensil. Only at this late and derivative stage does the hammer finally become an individual phenomenon viewed directly by the mind in Husserl’s sense.