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Dedication
To Luciana Sica, to her strength
In Praise of Forgiveness
Massimo Recalcati
Translated by Alice Kilgarriff
polity
First published in Italian as Non è più come prima. Copyright © 2014, Raffaello Cortina Editore. All rights reserved. Published by arrangement with The Italian Literary Agency. This English edition (c) Polity Press, 2020
Excerpts from REMEMBRANCE OF THINGS PAST, VOLUME III: THE CAPTIVE, THE FUGITIVE, THE PAST RECAPTURED by Marcel Proust, translated by C. K. Scott Moncrieff and Terence Kilmartin, and by Andreas Mayor, translation copyright © 1981 by Penguin Random House LLC and Chatto & Windus. Used by permission of Random House, an imprint and division of Penguin Random House LLC. All rights reserved.
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ISBN-13: 978-1-5095-3491-3
A catalogue record for this book is available from the British Library.
Library of Congress Cataloging-in-Publication Data
Names: Recalcati, Massimo, author. | Kilgarriff, Alice, translator.
Title: In praise of forgiveness / Massimo Recalcati ; translated by Alice Kilgarriff.
Other titles: Non è più come prima. English
Description: English edition. | Cambridge, UK ; Medford, MA, USA : Polity Press, 2020. | Summary: “An original reflection on betrayal and forgiveness in modern relationships”-- Provided by publisher.
Identifiers: LCCN 2019038645 (print) | LCCN 2019038646 (ebook) | ISBN 9781509534890 (hardback) | ISBN 9781509534906 (paperback) | ISBN 9781509534913 (epub)
Subjects: LCSH: Forgiveness. | Interpersonal relations.
Classification: LCC BF637.F67 R43 2020 (print) | LCC BF637.F67 (ebook) | DDC 158.2--dc23
LC record available at https://lccn.loc.gov/2019038645 LC ebook record available at https://lccn.loc.gov/2019038646 A catalogue record for this book is available from the British Library.
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Acknowledgements
I would like to thank my friend and editor Raffaello Cortina for having believed in me over these last few years, and Maria Egidi with whom I share a great deal of my working life and who, over ten years of working together, has supported me with patience, affection and happiness. Federica Manzon and Lucrezia Lerro for their friendship and for having read and commented upon the narrative parts of the book, giving me invaluable advice. My thanks also to Mauro Grimoldi for having listened to me discuss this book since its conception during our morning runs through Parco Sempione and elsewhere. Last but not least, Enzo Bianchi for his silent presence in me.
The most precious gift that marriage gave me was the constant impact of something very close and intimate, yet all the time unmistakably other, resistant – in a word, real.
C. S. Lewis, A Grief Observed
Introduction
The psychoanalyst hears the woes that accompany love lives on a daily basis: emotional isolation, sexual inhibitions and symptoms, the compulsive quest for relationships that fail to satisfy, the ensuing disappointment, the initial ecstasy of falling in love, infidelity, boredom, jealousy, a decline in desire, separation, abuse, the inability to love, the difficulty of finding the right man or woman. And yet today’s trials and tribulations of love seem to be different from those of the past. Sexual freedom and female emancipation, to cite just two of the most relevant phenomena of the last few decades, have upset a certain stereotype of amorous suffering. The desperate Platonism of those who, faced with a frustrating reality, cultivate their inhibited passions in secret has given way to a diffuse disinhibition and the multiplication of sexual and loving experiences in an entirely liberated way. Everything seems to be consumed far more quickly, without moral censure or obstacles. Criticism of any institutionalization of bonds between the sexes seems to have become the politically correct norm, whilst the collective cult of a love without ties is an illusion that has generated nothing more than will-o’-the-wisps. The invocation of absolute freedom and the intolerance shown to any form of bond that implies responsibility have led to a new master. We no longer have the master who carries the stick of prohibition, but one who demands an enjoyment that is always New and that consequently experiences a long-term relationship as a gas chamber killing off the mysterious fascination of desire. One father dies and another takes his place: the time of mourning is maniacally rejected as unnecessarily sad and extravagant. Rather than painfully processing the loss of a beloved object, it is preferable to replace it as quickly as possible, conforming to the dominant logic that governs the capitalist discourse: if an object no longer works, you mustn’t feel nostalgic about it! Exchange it for an upgraded model!
At a time in which everything seems to respond to the perverse siren song of the New, this book aims to be a song dedicated to love that resists and that persists in its vindication of the bond with what does not pass, with what is able to stand the test of time, with what cannot be consumed. It does not deal with those infatuations that burn out without a trace in just one night. It delves into that love that lasts a lifetime, that leaves its mark, that does not want to die, that disproves Freud’s cynical belief that love and desire are destined to lie apart because the existence of one (love) necessarily excludes that of the other (sexual desire).1 It looks at that love in which desire grows and does not fade with the passing of time because with it the horizons of the lovers’ bodies, and the world itself, are erotically expanded. That love in which the ecstasy of the encounter insists on repeating itself, on wanting the other again, on staying faithful to itself, in which the headiness is not diluted but gives meaning to time, rendering it eternal. This is a love animated by what the poet Paul Éluard, once cited by Jacques Lacan, defines ‘le dur désir du durer’ [‘the firm desire to endure’].2
This book asks what happens to these bonds when