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Museum Theory


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Pyramid of the Capitalist System, IWW poster, 1911

      16 16.1 Bunjil’s wing kinetic sculpture, First Peoples exhibition, Melbourne Museum

      17 16.2 Language map showing message sticks and the relationship to Country, First Peoples exhibition, Melbourne Museum

      18 16.3 Maree Clarke, Meen Warrann (smallpox), First Peoples exhibition, Melbourne Museum

      19 16.4 Treaty and Tanderrum section of “ Our Story,” First Peoples exhibition, Melbourne Museum

      20 19.1 A zombie of anatomy, Biomedical Center, Uppsala University

      21 19.2 Object landscape of the Swedish National Heritage Board, Stockholm, 1926

      22 19.3 Evolutionary walk, Swedish History Museum, shortly after opening in 1866

      23 19.4 Remains of the old anatomical collection of Uppsala University

      24 23.1 Lyndell Brown and Charles Green, The Vale of Kashmir, 1995

      25 23.2 Lyndell Brown and Charles Green, Afghan Traders, Tarin Kowt, Uruzgan Province, Afghanistan, 2007 – 2009

      26 23.3 Lyndell Brown and Charles Green, History Painting: Market, Tarin Kowt, Uruzgan Province, Afghanistan, 2008

      27 23.4 Lyndell Brown and Charles Green, Helicopter Landing, View from Roof of Morgue, Southern Iraq, 2007 – 2009

      28 23.5 Lyndell Brown and Charles Green, Styx, 2005

      29 23.6 Lyndell Brown and Charles Green, Hare Rama Hare Krishna, 2008 – 2009

      30 24.1 Poster distributed by Jeffrey Wiener’s family members in their search after 9/11

      31 24.2 Firefighter’s pry bar carried by Lt. Kevin Pfeifer, FDNY

      32 24.3 Michelle Guyton, interpretive scrapbook on September 11, 2001

      33 24.4 Comment card from September 11: Bearing Witness to History exhibition

      34 25.1 Sign, Devon North, Gippsland, February 8, 2009

      35 25.2 Poetry Tree, Strathewen, 2010, Museum Victoria

      36 25.3 Leadbeater’s possum nest box, Lake Mountain, 2010, Museum Victoria

      EDITORS

      Andrea Witcomb is a Professor of Cultural Heritage and Museum Studies at Deakin University and a Deputy Director (Research) of the Alfred Deakin Institute for Citizenship and Globalisation. Her research interests range across the museum and heritage fields and are informed by theoretical, historical, and professional practice concerns. She brings an interdisciplinary approach to her research, locating her work at the intersection of history, museology, and cultural studies. Her work is driven by a desire to understand the ways in which a range of heritage practices can be used to foster cross?cultural understandings and dialogue as well as the history of collecting as part of colonialism. Her work explores the uses of immersive interpretation strategies in museums and heritage sites, the role of memory and affect in people’s encounters with objects and displays, and, more recently, the place of collecting practices as an embodiment of colonial relations. Andrea is the author of Re-imagining the Museum: Beyond the Mausoleum (Routledge, 2003) and, with Chris Healy, the co-editor of South Pacific Museums: An Experiment in Culture (Monash University ePress, 2006). Her latest book, co?written with Kate Gregory, is From the Barracks to the Burrup: The National Trust in Western Australia (UNSW Press, 2010).

      Professor Andrea Witcomb

      Deputy Director (Research)

      Alfred Deakin Research Institute for Citizenship and Globalisation

      Deakin University

      Victoria, Australia

      Kylie Message is Professor of Public Humanities in the Humanities Research Centre at the Australian National University. Her research examines the relationships between cultural organisations, citizenship, government, and political reform movements. She has written extensively about the ways that museums across the world have been involved in and identified as sites of activism and controversy, and her research has made a significant contribution to the way various participants and stakeholders understand the political history and impact of culture. She is the author of Museums and Social Activism: Engaged Protest (Routledge, 2013); New Museums and the Making of Culture (Bloomsbury, 2006); and most recently, The Disobedient Museum: Writing at the Edge (Routledge, 2018); Museums and Racism (Routledge, 2018); and Archiving Activism: The Occupy Wall Street Collection (Routledge, 2019). She is the Founding Editor of Routledge’s ‘Museums in Focus’ book series.

      Professor Kylie Message

      ANU College of Arts and Social Sciences

      The Australian National University

      Canberra ACT, Australia

      GENERAL EDITORS

      Sharon Macdonald is Alexander van Humboldt Professor in Social Anthropology at the Humboldt University Berlin where she directs the Centre for Anthropological Research on Museums and Heritage–CARMAH. The centre works closely with a wide range of museums. Sharon has edited and coedited volumes include the Companion to Museum Studies (Blackwell, 2006); Exhibition Experiments (with Paul Basu; Blackwell, 2007); and Theorizing Museums (with Gordon Fyfe; Blackwell, 1996). Her authored books include Behind the Scenes at the Science Museum (Berg, 2002); Difficult Heritage: Negotiating the Nazi Past in Nuremberg and Beyond (Routledge, 2009); and Memorylands: Heritage and Identity in Europe Today (Routledge, 2013). Her current projects include Making Differences: Transforming Museums and Heritage in the 21stCentury.

      Professor Sharon Macdonald

      Alexander van Humboldt Professor in Social Anthropology

      Institute for European Ethnology

      Humboldt University of Berlin

      Berlin, Germany

      Helen Rees Leahy is Professor Emerita of Museology at the University of Manchester, where, between 2002 and 2017 she directed the Centre for Museology. Previously, Helen held a variety of senior posts in UK museums, including the Design Museum, Eureka! The Museum for Children, and the National Art Collections Fund. She has also worked as an independent consultant and curator, and has organized numerous exhibitions of art and design. She has published widely on practices of individual and institutional collecting, in both historical and contemporary contexts, including issues of patronage, display and interpretation. Her Museum Bodies: The Politics and Practices of Visiting and Viewing was published by Ashgate in 2012.

      Professor Emerita Helen Rees Leahy

      Centre for Museology

      School of Arts, Languages and Cultures

      University of Manchester

      Manchester, UK

      CONTRIBUTORS

      Ien Ang, University of Western Sydney, Australa

      Janice Baker, Curtin University, Australia

      Amelia Barikin, University of Queensland, Australia

      Jennifer Barrett, University of Sydney, Australia

      Tony Bennett, University of Western Sydney, Australia

      Lyndell Brown, University of Melbourne, Australia

      Shelley