Morgan Robertson

The Wreck of the Titan or, Futility


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wire terminating in a marked dial with a movable indicator, containing in its scope every order and answer required in handling the massive hulk, either at the dock or at sea—which eliminated, to a great extent, the hoarse, nerve-racking shouts of officers and sailors.

      From the bridge, engine-room, and a dozen places on her deck the ninety-two doors of nineteen water-tight compartments could be closed in half a minute by turning a lever. These doors would also close automatically in the presence of water. With nine compartments flooded the ship would still float, and as no known accident of the sea could possibly fill this many, the steamship Titan was considered practically unsinkable.

      Built of steel throughout, and for passenger traffic only, she carried no combustible cargo to threaten her destruction by fire; and the immunity from the demand for cargo space had enabled her designers to discard the flat, kettle-bottom of cargo boats and give her the sharp dead-rise—or slant from the keel—of a steam yacht, and this improved her behavior in a seaway. She was eight hundred feet long, of seventy thousand tons' displacement, seventy-five thousand horse-power, and on her trial trip had steamed at a rate of twenty-five knots an hour over the bottom, in the face of unconsidered winds, tides, and currents. In short, she was a floating city—containing within her steel walls all that tends to minimize the dangers and discomforts of the Atlantic voyage—all that makes life enjoyable.

      Unsinkable—indestructible, she carried as few boats as would satisfy the laws. These, twenty-four in number, were securely covered and lashed down to their chocks on the upper deck, and if launched would hold five hundred people. She carried no useless, cumbersome life-rafts; but—because the law required it—each of the three thousand berths in the passengers', officers', and crew's quarters contained a cork jacket, while about twenty circular life-buoys were strewn along the rails.

      In view of her absolute superiority to other craft, a rule of navigation thoroughly believed in by some captains, but not yet openly followed, was announced by the steamship company to apply to the Titan: She would steam at full speed in fog, storm, and sunshine, and on the Northern Lane Route, winter and summer, for the following good and substantial reasons: First, that if another craft should strike her, the force of the impact would be distributed over a larger area if the Titan had full headway, and the brunt of the damage would be borne by the other. Second, that if the Titan was the aggressor she would certainly destroy the other craft, even at half-speed, and perhaps damage her own bows; while at full speed, she would cut her in two with no more damage to herself than a paintbrush could remedy. In either case, as the lesser of two evils, it was best that the smaller hull should suffer. A third reason was that, at full speed, she could be more easily steered out of danger, and a fourth, that in case of an end-on collision with an iceberg—the only thing afloat that she could not conquer—her bows would be crushed in but a few feet further at full than at half speed, and at the most three compartments would be flooded—which would not matter with six more to spare.

      So, it was confidently expected that when her engines had limbered themselves, the steamship Titan would land her passengers three thousand miles away with the promptitude and regularity of a railway train. She had beaten all records on her maiden voyage, but, up to the third return trip, had not lowered the time between Sandy Hook and Daunt's Rock to the five-day limit; and it was unofficially rumored among the two thousand passengers who had embarked at New York that an effort would now be made to do so.

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      Eight tugs dragged the great mass to midstream and pointed her nose down the river; then the pilot on the bridge spoke a word or two; the first officer blew a short blast on the whistle and turned a lever; the tugs gathered in their lines and drew off; down in the bowels of the ship three small engines were started, opening the throttles of three large ones; three propellers began to revolve; and the mammoth, with a vibratory tremble running through her great frame, moved slowly to sea.

      East of Sandy Hook the pilot was dropped and the real voyage begun. Fifty feet below her deck, in an inferno of noise, and heat, and light, and shadow, coal-passers wheeled the picked fuel from the bunkers to the fire-hold, where half-naked stokers, with faces like those of tortured fiends, tossed it into the eighty white-hot mouths of the furnaces. In the engine-room, oilers passed to and fro, in and out of the plunging, twisting, glistening steel, with oil-cans and waste, overseen by the watchful staff on duty, who listened with strained hearing for a false note in the confused jumble of sound—a clicking of steel out of tune, which would indicate a loosened key or nut. On deck, sailors set the triangular sails on the two masts, to add their propulsion to the momentum of the record-breaker, and the passengers dispersed themselves as suited their several tastes. Some were seated in steamer chairs, well wrapped—for, though it was April, the salt air was chilly—some paced the deck, acquiring their sea legs; others listened to the orchestra in the music-room, or read or wrote in the library, and a few took to their berths—seasick from the slight heave of the ship on the ground-swell.

      The decks were cleared, watches set at noon, and then began the never-ending cleaning-up at which steamship sailors put in so much of their time. Headed by a six-foot boatswain, a gang came aft on the starboard side, with paint-buckets and brushes, and distributed themselves along the rail.

      "Davits an' stanchions, men—never mind the rail," said the boatswain. "Ladies, better move your chairs back a little. Rowland, climb down out o' that—you'll be overboard. Take a ventilator—no, you'll spill paint—put your bucket away an' get some sandpaper from the yeoman. Work inboard till you get it out o' you."

      The sailor addressed—a slight-built man of about thirty, black-bearded and bronzed to the semblance of healthy vigor, but watery-eyed and unsteady of movement—came down from the rail and shambled forward with his bucket. As he reached the group of ladies to whom the boatswain had spoken, his gaze rested on one—a sunny-haired young woman with the blue of the sea in her eyes—who had arisen at his approach. He started, turned aside as if to avoid her, and raising his hand in an embarrassed half-salute, passed on. Out of the boatswain's sight he leaned against the deck-house and panted, while he held his hand to his breast.

      "What is it?" he muttered, wearily; "whisky nerves, or the dying flutter of a starved love. Five years, now—and a look from her eyes can stop the blood in my veins—can bring back all the heart-hunger and helplessness, that leads a man to insanity—or this." He looked at his trembling hand, all scarred and tar-stained, passed on forward, and returned with the sandpaper.

      The young woman had been equally affected by the meeting. An expression of mingled surprise and terror had come to her pretty, but rather weak face; and without acknowledging his half-salute, she had caught up a little child from the deck behind her, and turning into the saloon door, hurried to the library, where she sank into a chair beside a military-looking gentleman, who glanced up from a book and remarked: "Seen the sea-serpent, Myra, or the Flying Dutchman? What's up?"

      "Oh, George—no," she answered in agitated tones. "John Rowland is here—Lieutenant Rowland. I've just seen him—he is so changed—he tried to speak to me."

      "Who—that troublesome flame of yours? I never met him, you know, and you haven't told me much about him. What is he—first cabin?"

      "No, he seems to be a common sailor; he is working, and is dressed in old clothes—all dirty. And such a dissipated face, too. He seems to have fallen—so low. And it is all since—"

      "Since you soured on him? Well, it is no fault of yours, dear. If a man has it in him he'll go to the dogs anyhow. How is his sense of injury? Has he a grievance or a grudge? You're badly upset. What did he say?"

      "I don't know—he said nothing—I've always been afraid of him. I've met him three times since then, and he puts such a frightful look in his eyes—and he was so violent, and headstrong, and so terribly angry—that time. He accused me of leading him on, and playing with him; and he said something about an immutable law of chance, and a governing balance of events—that I couldn't understand, only where he said that for all the