cornmeal cakes was still there.
There was another little pause here; the witness seemed to be through. Durham's crisp question cut the silence like a gash with a knife.
“Judge Priest, do you know the defendant at the bar, and if so, how well do you know him?”
“I was just comin' to that,” he answered with simplicity, “and I'm obliged to you for puttin' me back on the track. Oh, I know the defendant at the bar mighty well—as well as anybody on earth ever did know him, I reckin, unless 'twas his own maw and paw. I've known him, in fact, from the time he was born—and a gentler, better-disposed boy never grew up in our town. His nature seemed almost too sweet for a boy—more like a girl's—but as a grown man he was always manly, and honest, and fair—and not quarrelsome. Oh, yes, I know him. I knew his father and his mother before him. It's a funny thing too—comin' up this way—but I remember that his paw was marchin' right alongside of me the day we came through here in '64. He was wounded, his paw was, right at the edge of that little creek down yonder. He was wounded in the shoulder—and he never did entirely git over it.”
Again he stopped dead short, and he lifted his hand and tugged at the lobe of his right ear absently. Simultaneously Mr. Felsburg, who was sitting close to a window beyond the jury box, was also seized with nervousness, for he jerked out a handkerchief and with it mopped his brow so vigorously that, to one standing outside, it might have seemed that the handkerchief was actually being waved about as a signal.
Instantly then there broke upon the pause that still endured a sudden burst of music, a rollicking, jingling air. It was only a twenty-cent touth organ, three sleigh bells, and a pair of the rib bones of a beef-cow being played all at once by a saddle-colored negro man but it sounded for all the world like a fife-and-drum corps:
If you want to have a good time,
If you want to have a good time,
If you want to have a good time,
If you want to ketch the devil—
Jine the cavalree!
To some who heard it now the time was strange; these were the younger ones. But to those older men and those older women the first jubilant bars rolled back the years like a scroll.
If you want to have a good time,
If yu want to have a good time,
If you want to have a good time,
If you want to ride with Bedford—
Jine the cavalree!
The sound swelled and rippled and rose through the windows—the marching song of the Southern trooper—Forrest's men, and Morgan's, and Jeb Stuart's and Joe Wheeler's. It had in it the jingle of saber chains, the creak of sweaty saddle-girths, the nimble clunk of hurrying hoofs. It had in it the clanging memories of a cause and a time that would live with these people as long as they lived and their children lived and their children's children. It had in it the one sure call to the emotions and the sentiments of these people.
And it rose and rose and then as the unseen minstrel went slouching down Main Street, toward the depot and the creek it sank lower and became a thin thread of sound and then a broken thread of sound and then it died out altogether and once more there was silence in the court house of Forked Deer County.
Strangely enough not one listener had come to the windows to look out. The interruption from without had seemed part and parcel of what went on within. None faced to the rear, every one faced to the front.
There was Mr. Lukins now. As Mr. Lukins got upon his feet he said to himself in a tone of feeling that he be dad-fetched. But immediately changing his mind he stated that he would preferably be dad-blamed, and as he moved toward the bar rail one overhearing him might have gathered from remarks let fall that Mr. Lukins was going somewhere with the intention of being extensively dad-burned. But for all these threats Mr. Lukins didn't go anywhere, except as near the railing as he could press.
Nearly everybody else was standing up too. The state's attorney was on his feet with the rest, seemingly for the purpose of making some protest.
Had any one looked they might have seen that the ember in the smoldering eye of the old foreman had blazed up to a brown fire; that Juror No. 4, with utter disregard for expense, was biting segments out of the brim of his new brown-varnished straw hat; that No. 7 had dropped his crutches on the floor, and that no one, not even their owner, had heard them fall; that all the jurors were half out of their chairs. But no one saw these things, for at this moment there rose up Aunt Tilly Haslett, a dominant figure, her huge wide bade blocking the view of three or four immediately behind her.
Uncle Fayette laid a timid detaining hand upon her and seemed to be saying something protestingly.
“Turn loose of me, Fate Haslett!” she commanded. “Ain't you ashamed of yourse'f, to be tryin' to hold me back when you know how my only dear brother died a-followin' after Gineral Nathan Bedford Forrest. Turn loose of me!”
She flirted her great arm and Uncle Fayette spun flutteringly into the mass behind. The sheriff barred her way at the gate of the bar.
“Mizz Haslett,” he implored, “please, Mizz Haslett—you must keep order in the cote.” Aunt Tilly halted in her onward move, head up high and elbows out, and through her specs, blazing like burning-glasses, she fixed on him a look that instantly charred that, unhappy official into a burning red ruin of his own self-importance.
“Keep it yourse'f, High Sheriff Washington Nash, Esquire,” she bade him; “that's whut you git paid good money for doin'. And git out of my way! I'm a-goin' in there to that pore little lonesome thing settin' there all by herself, and there ain't nobody goin' to hinder me neither!”
The sheriff shrunk aside; perhaps it would be better to say he evaporated aside. And public opinion, reorganized and made over but still incarnate in Aunt Tilly Haslett, swept past the rail and settled like a billowing black cloud into a chair that the local attorney for the defense vacated just in time to save himself the inconvenience of having it snatched bodily from under him.
“There, honey,” said Aunt Tilly crooningly as she gathered the forlorn little figure of the prisoner's wife in her arms like a child and mothered her up to her ample bombazined bosom, “there now, honey, you jest cry on me.”
Then Aunt Tilly looked up and her specs were all blurry and wet. But she waved her palmleaf fan as though it had been the baton of a marshal.
“Now, Jedge,” she said, addressing the bench, “and you other gentlemen—you kin go ahead now.”
The state's attorney had meant evidently to make some sort of an objection, for he was upon his feet through all this scene. But he looked back before he spoke and what he saw kept him from speaking. I believe I stated earlier that he was a candidate for rejection. So he settled back down in his chair and stretched out his legs and buried his chin in the top of his limp white waistcoat in an attitude that he had once seen in a picture entitled, “Napoleon Bonaparte at St. Helena.”
“You may resume, Judge Priest,” said the trial judge in a voice that was not entirely free from huskiness, although its owner had been clearing it steadily for some moments.
“Thank you kindly, suh, but I was about through anyhow,” answered the witness with a bow, and for all his homeliness there was dignity and stateliness in it. “I merely wanted to say for the sake of completin' the record, so to speak, that on the occasion referred to them Yankees did not cross that bridge.” With the air of tendering and receiving congratulations Mr. Lukins turned to his nearest neighbor and shook hands with him warmly.
The witness got up somewhat stiffly, once more becoming a commonplace old man in a wrinkled black alpaca coat, and made his way back to his vacant place, now in the shadow of Aunt Tilly Haslett's form. As he passed along the front of the jury-box the foreman's crippled right hand came up in a sort of a clumsy salute, and the juror at the other end of the rear row—No. 12, the oldest juror—leaned forward as if to speak to him, but remembered in time where his present duty lay.