two days to fetch Honora. We need not dwell upon all that befell them. The first view of the Hudson, the first whiff of the salt air on this unwonted holiday, the sights of this crowded city of wealth—all were tempered by the thought of the child coming into their lives. They were standing on the pier when the windows were crimson in the early light, and at nine o'clock on that summer's morning the Albania was docked, and the passengers came crowding down the gang-plank. Prosperous tourists, most of them, with servants and stewards carrying bags of English design and checked steamer rugs; and at last a ruddy-faced bonne with streamers and a bundle of ribbons and laces—Honora—Honora, aged eighteen months, gazing at a subjugated world.
“What a beautiful child! exclaimed a woman on the pier.”
Was it instinct or premonition that led them to accost the bonne?
“Oui, Leffingwell!” she cried, gazing at them in some perplexity. Three children of various sizes clung to her skirts, and a younger nurse carried a golden-haired little girl of Honora's age. A lady and gentleman followed. The lady was beginning to look matronly, and no second glance was required to perceive that she was a person of opinion and character. Mr. Holt was smaller than his wife, neat in dress and unobtrusive in appearance. In the rich Mrs. Holt, the friend of the Randolph Leffingwells, Aunt Mary was prepared to find a more vapidly fashionable personage, and had schooled herself forthwith.
“You are Mrs. Thomas Leffingwell?” she asked. “Well, I am relieved.” The lady's eyes, travelling rapidly over Aunt Mary's sober bonnet and brooch and gown, made it appear that these features in Honora's future guardian gave her the relief in question. “Honora, this is your aunt.”
Honora smiled from amidst the laces, and Aunt Mary, only too ready to capitulate, surrendered. She held out her arms. Tears welled up in the Frenchwoman's eyes as she abandoned her charge.
“Pauvre mignonne!” she cried.
But Mrs. Holt rebuked the nurse sharply, in French—a language with which neither Aunt Mary nor Uncle Tom was familiar. Fortunately, perhaps. Mrs. Holt's remark was to the effect that Honora was going to a sensible home.
“Hortense loves her better than my own children,” said that lady.
Honora seemed quite content in the arms of Aunt Mary, who was gazing so earnestly into the child's face that she did not at first hear Mrs. Holt's invitation to take breakfast with them on Madison Avenue, and then she declined politely. While grossing on the steamer, Mrs. Holt had decided quite clearly in her mind just what she was going to say to the child's future guardian, but there was something in Aunt Mary's voice and manner which made these remarks seem unnecessary—although Mrs. Holt was secretly disappointed not to deliver them.
“It was fortunate that we happened to, be in Nice at the time,” she said with the evident feeling that some explanation was due. “I did not know poor Mrs. Randolph Leffingwell very—very intimately, or Mr. Leffingwell. It was such a sudden—such a terrible affair. But Mr. Holt and I were only too glad to do what we could.”
“We feel very grateful to you,” said Aunt Mary, quietly.
Mrs. Holt looked at her with a still more distinct approval, being tolerably sure that Mrs. Thomas Leffingwell understood. She had cleared her skirts of any possible implication of intimacy with the late Mrs. Randolph, and done so with a master touch.
In the meantime Honora had passed to Uncle Tom. After securing the little trunk, and settling certain matters with Mr. Holt, they said good-by to her late kind protectors, and started off for the nearest street-cars, Honora pulling Uncle Tom's mustache. More than one pedestrian paused to look back at the tall man carrying the beautiful child, bedecked like a young princess, and more than one passenger in the street cars smiled at them both.
CHAPTER II. PERDITA RECALLED
Saint Louis, or that part of it which is called by dealers in real estate the choice residence section, grew westward. And Uncle Tom might be said to have been in the vanguard of the movement. In the days before Honora was born he had built his little house on what had been a farm on the Olive Street Road, at the crest of the second ridge from the river. Up this ridge, with clanking traces, toiled the horse-cars that carried Uncle Tom downtown to the bank and Aunt Mary to market.
Fleeing westward, likewise, from the smoke, friends of Uncle Tom's and Aunt Mary's gradually surrounded them—building, as a rule, the high Victorian mansions in favour at that period, which were placed in the centre of commodious yards. For the friends of Uncle Tom and Aunt Mary were for the most part rich, and belonged, as did they, to the older families of the city. Mr. Dwyer's house, with its picture gallery, was across the street.
In the midst of such imposing company the little dwelling which became the home of our heroine sat well back in a plot that might almost be called a garden. In summer its white wooden front was nearly hidden by the quivering leaves of two tall pear trees. On the other side of the brick walk, and near the iron fence, was an elm and a flower bed that was Uncle Tom's pride and the admiration of the neighbourhood. Honora has but to shut her eyes to see it aflame with tulips at Eastertide. The eastern wall of the house was a mass of Virginia creeper, and beneath that another flower bed, and still another in the back-yard behind the lattice fence covered with cucumber vine. There were, besides, two maples and two apricot trees, relics of the farm, and of blessed memory. Such apricots! Visions of hot summer evenings come back, with Uncle Tom, in his seersucker coat, with his green watering-pot, bending over the beds, and Aunt Mary seated upright in her chair, looking up from her knitting with a loving eye.
Behind the lattice, on these summer evenings, stands the militant figure of that old retainer, Bridget the cook, her stout arms akimbo, ready to engage in vigorous banter should Honora deign to approach.
“Whisht, 'Nora darlint, it's a young lady yell be soon, and the beaux a-comin' 'round!” she would cry, and throw back her head and laugh until the tears were in her eyes.
And the princess, a slim figure in an immaculate linen frock with red ribbons which Aunt Mary had copied from Longstreth's London catalogue, would reply with dignity:
“Bridget, I wish you would try to remember that my name is Honora.”
Another spasm of laughter from Bridget.
“Listen to that now!” she would cry to another ancient retainer, Mary Ann, the housemaid, whose kitchen chair was tilted up against the side of the woodshed. “It'll be Miss Honora next, and George Hanbury here to-day with his eye through a knothole in the fence, out of his head for a sight of ye.”
George Hanbury was Honora's cousin, and she did not deem his admiration a subject fit for discussion with Bridget.
“Sure,” declared Mary Ann, “it's the air of a princess the child has.”
That she should be thought a princess did not appear at all remarkable to Honora at twelve years of age. Perdita may have had such dreams. She had been born, she knew, in some wondrous land by the shores of the summer seas, not at all like St. Louis, and friends and relatives had not hesitated to remark in her hearing that she resembled—her father—that handsome father who surely must have been a prince, whose before-mentioned photograph in the tortoise-shell frame was on the bureau in her little room. So far as Randolph Leffingwell was concerned, photography had not been invented for nothing. Other records of him remained which Honora had likewise seen: one end of a rose-covered villa—which Honora thought was a wing of his palace; a coach and four he was driving, and which had chanced to belong to an Englishman, although the photograph gave no evidence of this ownership. Neither Aunt Mary nor Uncle Tom had ever sought—for reasons perhaps obvious—to correct the child's impression of an extraordinary paternity.
Aunt Mary was a Puritan of Southern ancestry, and her father had been a Presbyterian minister, Uncle Tom was a member of the vestry of a church still under Puritan influences. As a consequence