the South it is not unusual to give boys' names to girls, so it happens that George is the real name of the woman who wrote Emmy Lou. George Madden was born in Louisville, Kentucky, May 3, 1866. She attended the public schools in Louisville, but on account of ill health did not graduate. She married Atwood R. Martin, and they made their home at Anchorage, a suburb of Louisville. Here in an old house surrounded by great catalpa trees, with cardinals nesting in their branches, she was recovering from an illness, and to pass the time began to write a short story. The title was "How They Missed the Exposition"; when it was sent away, and a check for seventy-five dollars came in payment, she was encouraged to go on. Her next work was the series of stories entitled Emmy Lou, Her Book and Heart. This at once took rank as one of the classics of school-room literature. It had a wide popularity in this country, and was translated into French and German. One of the pleasant tributes paid to the book was a review in a Pittsburgh newspaper which took the form of a letter to Emmy Lou. It ran in part as follows:
Dear Little Emmy Lou:
I have read your book, Emmy Lou, and am writing this letter to tell you how much I love you. In my world of books I know a great assembly of lovely ladies, Emmy Lou, crowned with beauty and garlanded with grace, that have inspired poets to song and the hearts of warriors to battle, but, Emmy Lou, I love you better than them all, because you are the dearest little girl I ever met.
I felt very sorry for you when the little boy in the Primer World, who could so glibly tell the teacher all about the mat and the bat and the black rat and the fat hen, hurt your chubby fist by snapping an india-rubber band. I do not think he atoned quite enough when he gave you that fine new long slate pencil, nor when he sent you your first valentine. No, he has not atoned quite enough, Emmy Lou, but now that you are Miss McLaurin, you will doubtless even the score by snapping the india-rubber band of your disdain at his heart. But only to show him how it stings, and then, of course, you'll make up for the hurt and be his valentine—won't you, Emmy Lou? …
And when, at twelve years, you find yourself dreaming, Emmy Lou, and watching the clouds through the schoolroom window, still I love you, Emmy Lou, for your conscience, which William told about in his essay. You remember, the two girls who met a cow.
"Look her right in the face and pretend we aren't afraid," said the biggest girl. But the littlest girl—that was you—had a conscience. "Won't it be deceiving the cow?" she wanted to know. Brave, honest Emmy Lou!
Yes, I love you, Emmy Lou, better than all the proud and beauteous heroines in the big grown-up books, because you are so sunshiny and trustful, so sweet and brave—because you have a heart of gold, Emmy Lou. And I want you to tell George Madden Martin how glad I am that she has told us all about you, the dearest little girl since Alice dropped down into Wonderland.
George Seibel.
The book is more than a delightful piece of fiction. Through its faithful study of the development of a child's mind, and its criticism of the methods employed in many schools, it becomes a valuable contribution to education. As such it is used in the School of Pedagogy of Harvard University.
George Madden Martin told more about Emmy Lou in a second book of stories entitled Emmy Lou's Road to Grace, which relates the little girl's experience at home and in Sunday school. Other works from her pen are: A Warwickshire Lad, the story of William Shakespeare's early life; The House of Fulfillment, a novel; Abbie Ann, a story for children; Letitia; Nursery Corps, U. S. A., a story of a child, also showing various aspects of army life; Selina, the story of a young girl who has been brought up in luxury, and finds herself confronted with the necessity of earning a living without any equipment for the task. None of these has equalled the success of her first book, but that is one of the few successful portrayals of child life in fiction.
JUST KIDS
That part of New York City known as the East Side, the region south of Fourteenth Street and east of Broadway, is the most densely populated square mile on earth. Its people are of all races; Chinatown, Little Hungary and Little Italy elbow each other; streets where the signs are in Hebrew characters, theatres where plays are given in Yiddish, notices in the parks in four or five languages, make one rub his eyes and wonder if he is not in some foreign land. Into this region Myra Kelly went as a teacher in the public school. Her pupils were largely Russian Jews, and in a series of delightfully humorous stories she has drawn these little citizens to the life.
THE LAND OF HEART'S DESIRE
BY
Myra Kelly
Isaac Borrachsohn, that son of potentates and of Assemblymen, had been taken to Central Park by a proud uncle. For weeks thereafter he was the favorite bard of the First Reader Class and an exceeding great trouble to its sovereign, Miss Bailey, who found him now as garrulous as he had once been silent. There was no subject in the Course of Study to which he could not correlate the wonders of his journey, and Teacher asked herself daily and in vain whether it were more pedagogically correct to encourage "spontaneous self-expression" or to insist upon "logically essential sequence."
But the other members of the class suffered no such uncertainty. They voted solidly for spontaneity in a self which found expression thus:
"Und in the Central Park stands a water-lake, und in the water-lake stands birds—a big all of birds—und fishes. Und sooner you likes you should come over the water-lake you calls a bird, und you sets on the bird, und the bird makes go his legs, und you comes over the water-lake."
"They could be awful polite birds," Eva Gonorowsky was beginning when Morris interrupted with:
"I had once a auntie und she had a bird, a awful polite bird; on'y sooner somebody calls him he couldn't to come the while he sets in a cage."
"Did he have a rubber neck?" Isaac inquired, and Morris reluctantly admitted that he had not been so blessed.
"In the Central Park," Isaac went on, "all the birds is got rubber necks."
"What color from birds be they?" asked Eva.
"All colors. Blue und white und red und yellow."
"Und green," Patrick Brennan interjected determinedly. "The green ones is the best."
"Did you go once?" asked Isaac, slightly disconcerted.
"Naw, but I know. Me big brother told me."
"They could to be stylish birds, too," said Eva wistfully. "Stylish und polite. From red und green birds is awful stylish for hats."
"But these birds is big. Awful big! Mans could ride on 'em und ladies und boys."
"Und little girls, Ikey? Ain't they fer little girls?" asked the only little girl in the group. And a very small girl she was, with a softly gentle voice and darkly gentle eyes fixed pleadingly now upon the bard.
"Yes," answered Isaac grudgingly; "sooner they sets by somebody's side little girls could to go. But sooner nobody holds them by the hand they could to have fraids over the rubber-neck-boat-birds und the water-lake, und the fishes."
"What kind from fishes?" demanded Morris Mogilewsky, monitor of Miss Bailey's gold fish bowl, with professional interest.
"From gold fishes und red