230
|
Chateaubriand
|
240
|
Bishop Cumberland
|
247
|
Comte’s Philosophy
|
250
|
Goethe
|
261
|
Hazlitt’s “Liber Amoris”
|
263
|
Francis Horner, “The Nightingale”
|
267
|
Thackeray’s “English Humourists”
|
271
|
Notes on Art:—
|
|
Analogies
|
276
|
Definition of Art
|
279
|
No Patriotic Art
|
280
|
Verse and Colour
|
280
|
Dutch Pictures
|
281
|
Morals in Art
|
283
|
Physiognomy of Hands
|
288
|
Mozart and Chopin
|
289
|
Music
|
293
|
Rachel, the Actress
|
294
|
English and German Actresses
|
298
|
Character of Imogen
|
303
|
Shakspeare Club
|
305
|
“Maria Maddalena”
|
305
|
The Artistic Nature
|
307
|
Woman’s Criticism
|
309
|
Artistic Influences
|
310
|
The Greek Aphrodite
|
311
|
Love, in the Greek Tragedy
|
312
|
Wilkie’s Life and Letters
|
313
|
Wilhelm Schadow
|
317
|
Artist Life
|
321
|
Materialism in Art
|
323
|
A Fragment on Sculpture, and on certain Characters in History and Poetry, considered as Subjects for Modern Art
|
326
|
|
Helen of Troy
|
332
|
Penelope—Laodamia
|
336
|
Hippolytus
|
339
|
Iphigenia
|
343
|
Eve
|
347
|
Adam
|
350
|
Angels
|
351
|
Miriam—Ruth
|
354
|
Christ—Solomon—David
|
355
|
Hagar—Rebecca—Rachel—Queen of Sheba
|
356
|
Lady Godiva
|
357
|
Joan of Arc
|
359
|
Characters from Shakspeare
|
364
|
Characters from Spenser
|
366
|
From Milton. The Lady—Comus—Satan
|
367
|
From the Italian and Modern Poets
|
370
|
LIST OF ETCHINGS.
Table of Contents
1.
|
Fruits and Flowers. After an old drawing.
|
2.
|
Out of my garden.
|
3.
|
Virgin Martyrs. Thought. Memory. Fancy. After Benedetto
|