Judith would not let him escape so easily; she went to him, as he avoided her, and found him seated in a corner turning his pipe about. He had been afraid of striking a light, lest he should call her attention to his presence.
“Oh, my dear, come in here into the workshop to me! This is an honor, an unexpected pleasure. Jamie and I have been drudging like slaves all day, and we’re fagged—fagged to the ends of our fingers and toes.”
“Mr. Menaida, I am sorry to say it, but if such a thing happens again as has taken place this evening, Jamie and I must leave your house. I thank you with an overflowing heart for your goodness to us; but I must consider Jamie above everything else, and I must see that he be not exposed to temptation.”
“Where will you take him?”
“I cannot tell; but I must shield him.”
“There, there, not a word! It shall never happen again. Now let by-gones be by-gones, and play me something of Beethoven, while I sit here and listen in the twilight.”
“No, Mr. Menaida, I cannot. I have not the spirit to do it. I can think only of Jamie.”
“So you punish me!”
“Take it so. I am sorry; but I cannot do otherwise.”
“Now, look here! Bless my soul! I had almost forgotten it. Here is a note for you, from the Captain, I believe.” He went to the chimney-piece and took down a scrap of paper, folded and sealed.
Judith looked at it and went to the window, broke the seal, and opened the paper. She read—
“Why do you not come and see me? You do not care for what you have done. They call me cruel; but you are that.—C. C.”
CHAPTER X.
EGO ET REGINA MEA.
The strange, curt note from Cruel Coppinger served in a measure to divert the current of Judith’s thoughts from her trouble about Jamie. It was, perhaps, as well, or she would have fretted over that throughout the night, not only because of Jamie, but because she felt that her father had left his solemn injunction on her to protect and guide her twin-brother, and she knew that whatsoever harm, physical or moral, came to him, argued a lack of attention to her duty. Her father had not been dead many days, and already Jamie had been led from the path she had undertaken to keep him in.
But when she began to worry herself about Jamie, the bold characters, “C. C.,” with which the letter was signed, rose before her, and glowed in the dark as characters of fire.
She had gone to her bedroom, and had retired for the night, but could not sleep. The moon shone through the lattice into her chamber, and on the stool by the window lay the letter, where she had cast it. Her mind turned to it.
Why did Coppinger call her cruel? Was she cruel? Not intentionally so. She had not wilfully injured him. He did not suppose that. He meant that she was heartless and indifferent in letting him suffer without making any inquiry concerning him.
He had injured himself by coming to Polzeath to see her the day following his accident. Uncle Zachie had assured her of that.
She went on in her busy mind to ask why he had come to see her? Surely there had been no need for him to do so! His motive—the only motive she could imagine—was a desire to relieve her from anxiety and distress of mind; a desire to show her that he bore no ill-will toward her for what she had done. That was generous and considerate of him. Had he not come she certainly would have been unhappy and in unrest, would have imagined all kinds of evil as likely to ensue through his hostility—for one thing, her aunt’s dismissal from her post might have been expected.
But Coppinger, though in pain, and at a risk to his health, had walked to where she was lodging to disabuse her of any such impression. She was grateful to him for so doing. She felt that such a man could not be utterly abandoned by God, entirely void of good qualities, as she had supposed, viewing him only through the representations of his character and the tales circulating relative to his conduct that had reached her.
A child divides mankind into two classes—the good and the bad, and supposes that there is no debatable land between them, where light and shade are blended into neutral tint; certainly not that there are blots on the white leaf of the lives of the good, and luminous glimpses in the darkness of the histories of the bad. As they grow older they rectify their judgments, and such a rectification Judith had now to make.
She was assisted in this by compassion for Coppinger, who was in suffering, and by self-reproach, because she was the occasion of this suffering.
What were the exact words Captain Cruel had employed? She was not certain; she turned the letter over and over in her mind, and could not recall every expression, and she could not sleep till she was satisfied.
Therefore she rose from bed, stole to the window, took up the letter, seated herself on the stool, and conned it in the moonlight. “Why do you not come and see me? You do not care for what you have done.” That was not true; she was greatly troubled at what she had done. She was sick at heart when she thought of that scene in the lane, when the black mare was leaping and pounding with her hoofs, and Coppinger lay on the ground. One kick of the hoof on his head, and he would have been dead. His blood would have rested on her conscience, never to be wiped off. Horrible was the recollection now, in the stillness of the night. It was marvellous that life had not been beaten out of the prostrate man, that, dragged about by the arm, he had not been torn to pieces, that every bone had not been shattered, that his face had not been battered out of recognition. Judith felt the perspiration stand on her brow at the thought. God had been very good to her in sending His angel to save Coppinger from death and her from blood-guiltiness. She slid to her knees at the window, and held up her hands, the moonlight illuminating her white upturned face, as she gave thanks to Heaven that no greater evil had ensued from her inconsidered act with the button-basket than a couple of broken bones.
Oh! it was very far indeed from true that she did not care for what she had done. Coppinger must have been blind indeed not to have seen how she felt her conduct. His letter concluded: “They call me cruel; but you are that.” He meant that she was cruel in not coming to the Glaze to inquire after him. He had thought of her trouble of mind, and had gone to Polzeath to relieve her of anxiety, and she had shown no consideration for him—or not in like manner.
She had been very busy at the rectory. Her mind had been concerned with her own affairs, that was her excuse. Cruel she was not. She took no pleasure in his pain. But she hesitated about going to see him. That was more than was to be expected of a young girl. She would go on the morrow to Coppinger’s house, and ask to speak to her aunt; that she might do, and from Aunt Dionysia she would learn in what condition Captain Cruel was, and might send him her respects and wishes for his speedy recovery.
As she still knelt in her window, looking up through the diamond panes into the clear, gray-blue sky, she heard a sound without, and, looking down, saw a convoy of horses pass, laden with bales and kegs, and followed or accompanied by men wearing slouched hats. So little noise did the beasts make in traversing the road, that Judith was convinced their hoofs must be muffled in felt. She had heard that this was done by the smugglers. It was said that all Coppinger’s horses had their boots drawn on when engaged in conveying run goods from the place where stored to their destination.
These were Coppinger’s men, this his convoy, doubtless. Judith thrust the letter from her. He was a bad man, a very bad man; and if he had met with an accident, it was his due, a judgment on his sins. She rose from her knees, turned away, and went back to her bed.
Next day, after a morning spent at the rectory, in the hopes that her aunt might arrive and obviate the need of her going in quest of her, Judith, disappointed in this hope, prepared to walk to Pentyre. Mrs. Dionysia had not acted with kindness toward her. Judith felt this, without allowing herself to give to the feeling