was the sustainer of the great building, He secured its stability; and just as the sacrifice haunts the building reared on it, so was the idea of Christ to enter into and haunt all history, all mythology, all religion.
We see, moreover, the appropriateness of the symbol of Christ as the chief Corner-stone, and of the Apostles as foundation stones of the Church; they are, as it were, the pise blocks, living stones, on whom the whole superstructure of the spiritual city is reared.
With extraordinary vividness, moreover, does the full significance of the old ecclesiastical hymn for the Dedication of a Church come out when we remember this wide-spread, deeply-rooted, almost ineradicable belief.
“Blessèd city, heavenly Salem,
Vision dear of peace and love,
Who of living stones upbuilded,
Art the joy of heaven above.
Many a blow and biting sculpture
Polished well those stones elect,
In their places now compacted
By the heavenly Architect.
Christ is made the sure foundation
And the precious corner-stone,
Who, the twofold walls uniting,
Binds them closely into one.”
II.
On Gables.
The tourist on the Rhine, as a matter of duty, visits in Cologne three points of interest, in addition to providing himself with a little box of the world-famous Eau, at the real original Maria Farina’s factory. After he has “done” the Cathedral, and the bones of the Eleven Thousand Virgins, he feels it incumbent on him to pay a visit to the horses’ heads in the market-place, looking out of an attic window.
Fig. 2.—THE HORSES’ HEADS, COLOGNE.
Myths attach equally to the Minster, the Ursuline relics, and to the horses’ heads. The devil is said to have prophesied that the cathedral would never be completed, yet lo! it is finished to the last stone of the spires! The bones of the eleven thousand virgins have been proved to have come from an old neglected cemetery, broken into when the mediæval walls of Cologne were erected. It will be shown that the heads of the two grey mares near the Church of the Apostles have a very curious and instructive history attaching to them, and that, though the story that accounts for their presence on top of a house is fabulous, their presence is of extreme interest to the antiquary.
The legend told of these particular heads is shortly this:[4] Richmod of Adocht was a wealthy citizen’s wife at Cologne. She died in 1357, and was buried with her jewelry about her. At night the sexton opened her grave, and, because he could not remove the rings, cut her finger. The blood began to flow, and she awoke from her cataleptic fit. The sexton fled panic-stricken. She then walked home, and knocked at her door, and called up the apprentice, who, without admitting her, ran upstairs to his master, to tell him that his wife stood without. “Pshaw!” said the widower, “as well make me believe that my pair of greys are looking out of the attic window.” Hardly were the words spoken, than, tramp—tramp—and his horses ascended the staircase, passed his door, and entered the garret. Next day every passer-by saw their heads peering from the window. The greatest difficulty was experienced in getting the brutes downstairs again. As a remembrance of this marvel, the horses were stuffed, and placed where they are now to be seen.
Such is the story as we take it from an account published in 1816. I had an opportunity a little while ago of examining the heads. They are of painted wood.
The story of the resuscitation of the lady is a very common one, and we are not concerned with this part of the myth. That which occupies us is the presence of the horses’ heads in the window. Now, singularly enough, precisely the same story is told of other horses’ heads occupying precisely similar positions in other parts of Germany. We know of at least a dozen.[5] It seems therefore probable that the story is of later origin, and grew up to account for the presence of the heads, which the popular mind could not otherwise explain. This conjecture becomes a certainty when we find that pairs of horses’ heads were at one time a very general adornment of gable ends, and that they are so still in many places.
Fig. 3.—GABLE OF A FARM-HOUSE IN MECKLENBURG.
In Mecklenburg, Pomerania, Luneburg, Holstein, it is still customary to affix carved wooden horse-heads to the apex of the principal gable of the house. There are usually two of these, back to back, the heads pointed in opposite directions. In Tyrol, the heads of chamois occupy similar positions. The writer of this article was recently in Silesia, and sketched similar heads on the gables of wooden houses of modern construction in the “Giant Mountains.” They are also found in Russia.
Fig. 4.—ANCIENT GERMAN HOUSE.
Originally, in Germany, Norway, Sweden, Denmark, and indeed England, all houses were built of timber, and those which were not of circular form, with bee-hive roofs, had gables. Unfortunately, we have but one very early representation of a Teutonic village, and that is on the Antonine column at Rome. One of the bas-reliefs there shows us the attack by Romans on a German village. The houses are figured as built of wattled sides, and thatched over. Most are of bee-hive shape, but one, that of the chief, is oblong and gabled. The soldiers are applying torches to the roofs, and, provokingly enough, we cannot see the gable of the quadrangular house, because it is obscured by the figure of a German warrior who is being killed by a Roman soldier. Though this representation does not help us much, still there is abundance of evidence to show that the old German houses—at least, those of the chiefs—were like the dwellings of the Scandinavian Bonders, with oblong walls with gables, and with but a single main front and gable a-piece. The Icelandic farmhouses perpetuate the type to the present day, with some modifications. These dwellings have lateral walls of stone and turf scarcely six feet high, and from six to ten feet thick, to bank out the cold. On these low parallel walls rest the principals of the roof, which is turf-covered. The face of the house is to the south, it is the only face that shows; the back is banked up like the sides, so that from every quarter but one a house looks like a grassy mound. The front consists of two or more wooden gables, and is all of wood, often painted red. Originally, we know, there was but a single gable. At present the subsidiary gable is low, comparatively insignificant, and contains the door. Now the old Anglo-Saxon, Norse, and German houses of the chiefs were all originally constructed on the same principle, and the timber and plaster gable fronts of our old houses, the splendid stone and brick-gabled faces of the halls of the trade guilds in the market-place at Brussels, and the wonderful stepped and convoluted house-fronts throughout Holland and Germany, are direct descendants of the old rude oblong house of our common forefathers.
We come now to another point, the gable apex. A gable, of course, is and must be an inverted v,
