The Web of Life. Robert Herrick

very definite after all: he let fall, casually, the fact that good men for office work—men of experience who were skilful and tactful—were rare. He had just lost a valuable doctor from his staff.

      When the men returned to the drawing-room, Parker Hitchcock and his cousin took themselves off. The Lindsays went soon after. Sommers, who had regained his good sense; tried to make his apologies to Miss Hitchcock.

      "Don't go yet," she answered cordially. "They will all be disposed of soon, and we can have that talk. Go and look at my prints."

      In a few moments she came up behind him as he was studying the brush work of a little canvas. "I have been thinking of what you said at the table, Dr. Sommers. I have tried to think what you mean, but I can't."

      Her eyes opened in frank, tolerant inquiry. Sommers had seen her like this a few times, and always with a feeling of nearness.

      "I don't believe that I can make you understand," he began.

      "Try!"

      "The feelings that make us act are generally too vague to be defended. All that I could do would be to describe a mood, a passion that takes me now and then, and makes me want to smash things."

      She nodded her head comprehendingly.

      "Yes, I know that."

      "Not from the same reason," Sommers laughed.

      "I will tell you what it is: you think the rich are unfair. You didn't like

       Uncle Brome's talk about the Pullman people."

      "No, and more than that," he protested; "I don't know anything about the

       Pullman matter; but I hate the—successful. I guess that's about it."

      "You think they are corrupt and luxurious and all that?"

      As she spoke she waved one hand negligently toward the Aurora in the hall.

       They both laughed at the unspoken argument.

      "If you feel like that here—"

      "I feel that way pretty much all the time in America," he said bluntly. "It isn't this house or that, this man's millions or that man's; it's the whole thing."

      Miss Hitchcock looked nonplussed.

      "Life is based on getting something others haven't—as much of it as you can and as fast as you can. I never felt that so constantly as I have the last few months. Do you think," he went on hastily, "that Lindsay, that any doctor, can earn fifty thousand a year?"

      "I don't know. I hate views." Her voice sounded weary and defeated.

      Sommers rose to his feet, exclaiming, "I thought there were some pretty definite ones, this evening."

      Miss Hitchcock started, but refused to take the challenge.

      They faced each other for a moment without speaking. Sommers could see that his blundering words had placed him in a worse position than before. At the same time he was aware that he regretted it; that "views" were comparatively unimportant to a young woman; and that this woman, at least, was far better than views.

      "Good night," she murmured, lowering her eyes as she gave him her hand. He hesitated a moment, searching for an intelligent word, but finally he turned away without any further attempt to explain himself.

      It was good to be out in the soft March night, to feel once more the free streets, which alone carry the atmosphere of unprivileged humanity. The mood of the evening was doubtless foolish, boyish, but it was none the less keen and convincing. He had never before had the inner, unknown elements of his nature so stirred; had never felt this blind, raging protest. It was a muddle of impressions: the picture of the poor soul with his clamor for a job; the satisfied, brutal egotism of Brome Porter, who lived as if life were a huge poker game; the overfed, red-cheeked Caspar, whom he remembered to have seen only once before, when the young polo captain was stupid drunk; the silly young cub of a Hitchcock. Even the girl was one of them. If it weren't for the women, the men would not be so keen on the scent for gain. The women taught the men how to spend, created the needs for their wealth. And the social game they were instituting in Chicago was so emptily imitative, an echo of an echo!

      There was Carson: he was your image of modern power—the lean, hungry, seamed face, surmounted by a dirty-gray pall. He was clawing his way to the top of the heap.

      Sommers stopped to laugh at himself. His fury was foolish, a mere generalization of discontent from very little data. Still, it was a relief to be out in the purring night sounds. He had passed from the affluent stone piles on the boulevard to the cheap flat buildings of a cross street. His way lay through a territory of startling contrasts of wealth and squalor. The public part of it—the street and the sidewalks—was equally dirty and squalid, once off the boulevard. The cool lake wind was piping down the cross streets, driving before it waste paper and dust. In his preoccupation he stumbled occasionally into some stagnant pool.

      Should he take Lindsay's job, if he had the chance? Obstinately his mind reverted to a newspaper paragraph that had caught his eye months before: on the occasion of some disturbance over women students in the Western Medical College, Dr. Lindsay had told the men that "physicians should be especially considerate of women, if for no other reason, because their success in their profession would depend very largely on women." Certainly, if he had to decide to-night, he would rather return to Marion, Ohio, than join his staff. Such a retreat from the glories of Chicago would be inconceivable to old Hitchcock and to the girl. He reflected that he should not like to put himself away from her forever.

      St. Isidore's loomed ahead in the quiet street, its windows dark except for the night light in the ward kitchens. He should like to turn in there for a few minutes, to see how the fellow was coming on. The brute ought not to pull through. But it was too late: a new regime had begun; his little period of sway had passed, leaving as a last proof of his art this human jetsam saved for the nonce. And there rose in his heated mind the pitiful face of a resolute woman, questioning him: "You held the keys of life and death. Which have you given me?"