made several attempts to attract the notice of the Princess, but she, with her heart elsewhere, paid very little attention. Next month the Prince Regent, discovering that his daughter was having secret meetings with Prince Augustus, suddenly appeared upon the scene and, after dismissing her household, sentenced her to a strict seclusion in Windsor Park. 'God Almighty grant me patience!' she exclaimed, falling on her knees in an agony of agitation: then she jumped up, ran down the backstairs and out into the street, hailed a passing cab, and drove to her mother's house in Bayswater. She was discovered, pursued, and at length, yielding to the persuasions of her uncles, the Dukes of York and Sussex, of Brougham, and of the Bishop of Salisbury, she returned to Carlton House at two o'clock in the morning. She was immured at Windsor, but no more was heard of the Prince of Orange. Prince Augustus, too, disappeared. The way was at last open to Prince Leopold of Saxe-Coburg.[1]
This Prince was clever enough to get round the Regent, to impress the Ministers, and to make friends with another of the Princess's uncles, the Duke of Kent. Through the Duke he was able to communicate privately with the Princess, who now declared that he was necessary to her happiness. When, after Waterloo, he was in Paris, the Duke's aide-de-camp carried letters backwards and forwards across the Channel. In January 1816 he was invited to England, and in May the marriage took place.[2]
The character of Prince Leopold contrasted strangely with that of his wife. The younger son of a German princeling, he was at this time twenty-six years of age; he had served with distinction in the war against Napoleon; he had shown considerable diplomatic skill at the Congress of Vienna;[3] and he was now to try his hand at the task of taming a tumultuous Princess. Cold and formal in manner, collected in speech, careful in action, he soon dominated the wild, impetuous, generous creature by his side. There was much in her, he found, of which he could not approve. She quizzed, she stamped, she roared with laughter; she had very little of that self-command which is especially required of princes; her manners were abominable. Of the latter he was a good judge, having moved, as he himself explained to his niece many years later, in the best society of Europe, being in fact 'what is called in French de la fleur des pois.' There was continual friction, but every scene ended in the same way. Standing before him like a rebellious boy in petticoats, her body pushed forward, her hands behind her back, with flaming cheeks and sparkling eyes, she would declare at last that she was ready to do whatever he wanted. 'If you wish it, I will do it,' she would say. 'I want nothing for myself,' he invariably answered; 'when I press something on you, it is from a conviction that it is for your interest and for your good.'[4]
Among the members of the household at Claremont, near Esher, where the royal pair were established, was a young German physician, Christian Friedrich Stockmar. He was the son of a minor magistrate in Coburg, and, after taking part as a medical officer in the war, he had settled down as a doctor in his native town. Here he had met Prince Leopold, who had been struck by his ability, and, on his marriage, brought him to England as his personal physician. A curious fate awaited this young man; many were the gifts which the future held in store for him—many and various—influence, power, mystery, unhappiness, a broken heart. At Claremont his position was a very humble one; but the Princess took a fancy to him, called him 'Stocky,' and romped with him along the corridors. Dyspeptic by constitution, melancholic by temperament, he could yet be lively on occasion, and was known as a wit in Coburg. He was virtuous, too, and observed the royal ménage with approbation. 'My master,' he wrote in his diary, 'is the best of all husbands in all the five quarters of the globe; and his wife bears him an amount of love, the greatness of which can only be compared with the English national debt.' Before long he gave proof of another quality—a quality which was to colour the whole of his life—cautious sagacity. When, in the spring of 1817, it was known that the Princess was expecting a child, the post of one of her physicians-in-ordinary was offered to him, and he had the good sense to refuse it. He perceived that his colleagues would be jealous of him, that his advice would probably not be taken, but that, if anything were to go wrong, it would be certainly the foreign doctor who would be blamed. Very soon, indeed, he came to the opinion that the low diet and constant bleedings, to which the unfortunate Princess was subjected, were an error; he drew the Prince aside, and begged him to communicate this opinion to the English doctors; but it was useless. The fashionable lowering treatment was continued for months. On November 5, at nine o'clock in the evening, after a labour of over fifty hours, the Princess was delivered of a dead boy. At midnight her exhausted strength gave way. Then, at last, Stockmar consented to see her; he went in, and found her obviously dying, while the doctors were plying her with wine. She seized his hand and pressed it. 'They have made me tipsy,' she said. After a little he left her, and was already in the next room when he heard her call out in her loud voice 'Stocky! Stocky!' As he ran back the death-rattle was in her throat. She tossed herself violently from side to side; then suddenly drew up her legs, and it was over.
The Prince, after hours of watching, had left the room for a few moments' rest; and Stockmar had now to tell him that his wife was dead. At first he could not be made to realise what had happened. On their way to her room he sank down on a chair while Stockmar knelt beside him: it was all a dream; it was impossible. At last, by the bed, he, too, knelt down and kissed the cold hands. Then rising and exclaiming, 'Now I am quite desolate. Promise me never to leave me,' he threw himself into Stockmar's arms.[5]
II
The tragedy at Claremont was of a most upsetting kind. The royal kaleidoscope had suddenly shifted, and nobody could tell how the new pattern would arrange itself. The succession to the throne, which had seemed so satisfactorily settled, now became a matter of urgent doubt.
George III was still living, an aged lunatic, at Windsor, completely impervious to the impressions of the outer world. Of his seven sons, the youngest was of more than middle age, and none had legitimate offspring. The outlook, therefore, was ambiguous. It seemed highly improbable that the Prince Regent, who had lately been obliged to abandon his stays, and presented a preposterous figure of debauched obesity,[6] could ever again, even on the supposition that he divorced his wife and re-married, become the father of a family. Besides the Duke of Kent, who must be noticed separately, the other brothers, in order of seniority, were the Dukes of York, Clarence, Cumberland, Sussex, and Cambridge; their situations and prospects require a brief description. The Duke of York, whose escapades in times past with Mrs. Clarke and the army had brought him into trouble, now divided his life between London and a large, extravagantly ordered and extremely uncomfortable country house where he occupied himself with racing, whist, and improper stories. He was remarkable among the princes for one reason: he was the only one of them—so we are informed by a highly competent observer—who had the feelings of a gentleman. He had been long married to the Princess Royal of Prussia, a lady who rarely went to bed and was perpetually surrounded by vast numbers of dogs, parrots, and monkeys.[7] They had no children. The Duke of Clarence had lived for many years in complete obscurity with Mrs. Jordan, the actress, in Bushey Park. By her he had had a large family of sons and daughters, and had appeared, in effect, to be married to her, when he suddenly separated from her and offered to marry Miss Wykeham, a crazy woman of large fortune, who, however, would have nothing to say to him. Shortly afterwards Mrs. Jordan died in distressed circumstances in Paris.[8] The Duke of Cumberland was probably the most unpopular man in England. Hideously ugly, with a distorted eye, he was bad-tempered and vindictive in private, a violent reactionary in politics, and was subsequently suspected of murdering his valet and of having carried on an amorous intrigue of an extremely scandalous kind.[