simplicity such as that (a little subsequent to the last extract given) where Lancelot, having forgotten to take leave of the Queen on going to his first adventure, and having returned to do so, kneels to her, receives her hand to raise him from the ground, "and much was his joy to feel it bare in his." But the beauty of what follows is incontestable, and that Guinevere was "exceeding wise in love" is certain.]
The scene of the kiss.
"Ha!" said she then, "I know who you are—Lancelot of the Lake is your name." And he was silent. "They know it at court," said she, "this sometime. Messire Gawain was the first to bring your name there. … " Then she asked him why he had allowed the worst man in the world to lead him by the bridle. "Lady," said he, "as one who had command neither of his heart nor of his body." "Now tell me," said she, "were you at last year's assembly?" "Yes, Lady," said he. "And what arms did you bear?" "Lady, they were all of vermilion." "By my head," said she, "you say true. And why did you do such deeds at the meeting the day before yesterday?" Then he began to sigh very very deeply. And the Queen cut him short as well, knowing how it was with him.
"Tell me," she said, "plainly, how it is. I will never betray you. But I know that you did it for some lady. Now, tell me, by the faith you owe me, who she is." "Ah, Lady," said he, "I see well that it behoves me to speak. Lady, it is you." "I!" said she. "It was not for me you took the spears that my maiden brought you. For I took care to put myself out of the commission." "Lady," said he, "I did for others what I ought, and for you what I could." "Tell me, then, for whom have you done all the things that you have done?" "Lady," said he, "for you." "How," said she, "do you love me so much?" "So much, Lady, as I love neither myself nor any other." "And since when have you loved me thus?" "Since the hour when I was called knight and yet was not one."[52] "Then, by the faith you owe me, whence came this love that you have set upon me?" Now as the Queen said these words it happened that the Lady of the Puy of Malahault[53] coughed on purpose, and lifted her head, which she had held down. And he understood her now, having oft heard her before: and looked at her and knew her, and felt in his heart such fear and anguish that he could not answer the Queen. Then began he to sigh right deeply, and the tears fell from his eyes so thick, that the garment he wore was wet to the knees. And the more he looked at the Lady of Malahault the more ill at ease was his heart. Now the Queen noticed this and saw that he looked sadly towards the place where her ladies were, and she reasoned with him. "Tell me," she said, "whence comes this love that I am asking you about?" and he tried as hard as he could to speak, and said, "Lady, from the time I have said." "How?" "Lady, you did it, when you made me your friend, if your mouth lied not." "My friend?" she said; "and how?" "I came before you when I had taken leave of my Lord the King all armed except my head and my hands. And then I commended you to God, and said that, wherever I was, I was your knight: and you said that you would have me to be your knight and your friend. And then I said, 'Adieu, Lady,' and you said, 'Adieu, fair sweet friend.' And never has that word left my heart, and it is that word that has made me a good knight and valiant—if I be so: nor ever have I been so ill-bested as not to remember that word. That word comforts me in all my annoys. That word has kept me from all harm, and freed me from all peril, and fills me whenever I hunger. Never have I been so poor but that word has made me rich." "By my faith," said the Queen, "that word was spoken in a good hour, and God be praised when He made me speak it. Still, I did not set it as high as you did: and to many a knight have I said it, when I gave no more thought to the saying. But your thought was no base one, but gentle and debonair; wherefore joy has come to you of it, and it has made you a good knight. Yet, nevertheless, this way is not that of knights who make great matter to many a lady of many a thing which they have little at heart. And your seeming shows me that you love one or other of these ladies better than you love me. For you wept for fear and dared not look straight at them: so that I well see that your thought is not so much of me as you pretend. So, by the faith you owe the thing you love best in the world, tell me which one of the three you love so much?" "Ah! Lady," said he, "for the mercy of God, as God shall keep me, never had one of them my heart in her keeping." "This will not do," said the Queen, "you cannot dissemble. For many another such thing have I seen, and I know that your heart is there as surely as your body is here." And this she said that she might well see how she might put him ill at ease. For she thought surely enough that he meant no love save to her, or ill would it have gone on the day of the Black Arms.[54] And she took a keen delight in seeing and considering his discomfort. But he was in such anguish that he wanted little of swooning, save that fear of the ladies before him kept him back. And the Queen herself perceived it at the sight of his changes of colour, and caught him by the shoulder that he might not fall, and called to Galahault. Then the prince sprang forward and ran to his friend, and saw that he was disturbed thus, and had great pain in his own heart for it, and said, "Ah, Lady! tell me, for God's sake, what has happened." And the Queen told him the conversation. "Ah, Lady!" said Galahault, "mercy, for God's sake, or you may lose me him by such wrath, and it would be too great pity." "Certes," said she, "that is true. But know you why he has done such feats of arms?" "Nay, surely, Lady," said he. "Sir," said she, "if what he tells me is true, it was for me." "Lady," said he, "as God shall keep me, I can believe it. For just as he is more valiant than other men, so is his heart truer than all theirs." "Verily," said she, "you would say well that he is valiant if you knew what deeds he has done since he was made knight," and then she told him all the chivalry of Lancelot … and how he had done it all for a single word of hers [Galahault tells her more, and begs mercy for L.]. "He could ask me nothing," sighed she, "that I could fairly refuse him, but he will ask me nothing at all." … "Lady," said Galahault, "certainly he has no power to do so. For one loves nothing that one does not fear." [And then comes the immortal kiss, asked by the Prince, delayed a moment by the Queen's demur as to time and place, brought on by the "Galeotto"-speech. "Let us three corner close together as if we were talking secrets," vouchsafed by Guinevere in the words, "Why should I make me longer prayer for what I wish more than you or he?" Lancelot still hangs back, but the Queen "takes him by the chin and kisses him before Galahault with a kiss long enough" so that the Lady of Malahault knows it.] And then said the Queen, who was a right wise and gracious lady, "Fair sweet friend, so much have you done that I am yours, and right great joy have I thereof. Now see to it that the thing be kept secret, as it should be. For I am one of the ladies of the world who have the fairest fame, and if my praise grew worse through you, then it would be a foul and shameful thing."
Some further remarks on the novel character of the story.
A little more comment on this cento, and especially on the central passage of it, can hardly be, and ought certainly not to be, avoided in such a work as this, even if, like most summaries, it be something of a repetition. It must surely be obvious to any careful reader that here is something much more than—unless his reading has been as wide elsewhere as it is careful here—he expected from Romance in the commoner and half-contemptuous acceptation of that word. Lancelot he may, though he should not, still class as a mere amoureux transi—a nobler and pluckier Silvius in an earlier As Yon Like It, and with a greater than Phoebe for idol. Malory ought to be enough to set him right there: he need even not go much beyond Tennyson, who has comprehended Lancelot pretty correctly, if not indeed pretty adequately. But Malory has left out a great deal of the information which would have enabled his readers to comprehend Guinevere; and Tennyson, only presenting her in parts, has allowed those parts, especially the final and only full presentation, great as it is, to be too much influenced by his certainly unfortunate other presentation of Arthur as a blameless king.
I do not say that the actual creator of the Vulgate Guinevere, whoever he was, has wrought her into a novel-character of the first class. It would have been not merely a miracle (for miracles often happen), but something more, if he had. If you could take Beatrix Esmond at a better time, Argemone Lavington raised to a higher power, and the spirit of all that is best and strongest and least purely paradoxical in Meredith's heroines, and work these three graces into one woman, adding the passion of Tennyson's own Fatima and the queenliness of Helen herself, it might be something like the achieved Guinevere who is still left to the reader's imagination to achieve. But the Unknown has given the hints