The griffin classics

Leaves of Grass


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is without name—it is a word unsaid,

       It is not in any dictionary, utterance, symbol.

       Something it swings on more than the earth I swing on,

       To it the creation is the friend whose embracing awakes me.

       Perhaps I might tell more. Outlines! I plead for my brothers and sisters.

       Do you see O my brothers and sisters?

       It is not chaos or death—it is form, union, plan—it is eternal

       life—it is Happiness.

       51

       The past and present wilt—I have fill'd them, emptied them.

       And proceed to fill my next fold of the future.

       Listener up there! what have you to confide to me?

       Look in my face while I snuff the sidle of evening,

       (Talk honestly, no one else hears you, and I stay only a minute longer.)

       Do I contradict myself?

       Very well then I contradict myself,

       (I am large, I contain multitudes.)

       I concentrate toward them that are nigh, I wait on the door-slab.

       Who has done his day's work? who will soonest be through with his supper?

       Who wishes to walk with me?

       Will you speak before I am gone? will you prove already too late?

       52

       The spotted hawk swoops by and accuses me, he complains of my gab

       and my loitering.

       I too am not a bit tamed, I too am untranslatable,

       I sound my barbaric yawp over the roofs of the world.

       The last scud of day holds back for me,

       It flings my likeness after the rest and true as any on the shadow'd wilds,

       It coaxes me to the vapor and the dusk.

       I depart as air, I shake my white locks at the runaway sun,

       I effuse my flesh in eddies, and drift it in lacy jags.

       I bequeath myself to the dirt to grow from the grass I love,

       If you want me again look for me under your boot-soles.

       You will hardly know who I am or what I mean,

       But I shall be good health to you nevertheless,

       And filter and fibre your blood.

       Failing to fetch me at first keep encouraged,

       Missing me one place search another,

       I stop somewhere waiting for you.

      BOOK IV. CHILDREN OF ADAM

      To the Garden the World

      To the garden the world anew ascending,

       Potent mates, daughters, sons, preluding,

       The love, the life of their bodies, meaning and being,

       Curious here behold my resurrection after slumber,

       The revolving cycles in their wide sweep having brought me again,

       Amorous, mature, all beautiful to me, all wondrous,

       My limbs and the quivering fire that ever plays through them, for

       reasons, most wondrous,

       Existing I peer and penetrate still,

       Content with the present, content with the past,

       By my side or back of me Eve following,

       Or in front, and I following her just the same.

      From pent-up aching rivers,

       From that of myself without which I were nothing,

       From what I am determin'd to make illustrious, even if I stand sole

       among men,

       From my own voice resonant, singing the phallus,

       Singing the song of procreation,

       Singing the need of superb children and therein superb grown people,

       Singing the muscular urge and the blending,

       Singing the bedfellow's song, (O resistless yearning!

       O for any and each the body correlative attracting!

       O for you whoever you are your correlative body! O it, more than all

       else, you delighting!)

       From the hungry gnaw that eats me night and day,

       From native moments, from bashful pains, singing them,

       Seeking something yet unfound though I have diligently sought it

       many a long year,

       Singing the true song of the soul fitful at random,

       Renascent with grossest Nature or among animals,

       Of that, of them and what goes with them my poems informing,

       Of the smell of apples and lemons, of the pairing of birds,

       Of the wet of woods, of the lapping of waves,

       Of the mad pushes of waves upon the land, I them chanting,

       The overture lightly sounding, the strain anticipating,

       The welcome nearness, the sight of the perfect body,

       The swimmer swimming naked in the bath, or motionless on his back

       lying and floating,

       The female form approaching, I pensive, love-flesh tremulous aching,

       The divine list for myself or you or for any one making,

       The face, the limbs, the index from head to foot, and what it arouses,

       The mystic deliria, the madness amorous, the utter abandonment,

       (Hark close and still what I now whisper to you,

       I love you, O you entirely possess me,

       O that you and I escape from the rest and go utterly off, free and lawless,

       Two hawks in the air, two fishes swimming in the sea not more

       lawless than we;)

       The furious storm through me careering, I passionately trembling.

       The oath of the inseparableness of two together, of the woman that

       loves me and whom I love more than my life, that oath swearing,

       (O I willingly stake all for you,

       O let me be lost if it must be so!

       O you and I! what is it to us what the rest do or think?

       What is all else to us? only that we enjoy each other and exhaust

       each other if it must be so;)

       From the master, the pilot I yield the vessel to,

       The general commanding me, commanding all, from him permission taking,

       From time the programme hastening, (I have loiter'd too long as it is,)

       From sex, from the warp and from the woof,

       From privacy, from frequent repinings alone,

       From plenty of persons near and yet the right person not near,

       From the soft sliding of hands over me and thrusting of fingers

       through my hair and beard,

       From the long sustain'd kiss upon the