Robert W. Chambers

Ailsa Paige


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of an oriole aloft in the silver maple in front of the stoop.

      He was a shy bird even though there were no imported sparrows to drive this lovely native from the trees of a sleepy city; and he sat very still in the top branches, clad in his gorgeous livery of orange and black, and scarcely stirred save to slant his head and peer doubtfully at last year's cocoons, which clung to the bark like shreds of frosted cotton.

      Very far away, from somewhere in the harbour, a deep sound jarred the silence. Ailsa raised her head, needle suspended, listened for a moment, then resumed her embroidery with an unconscious sigh.

      Her sister-in-law glanced sideways at her.

      "I was thinking of Major Anderson, Celia," she said absently.

      "So was I, dear. And of those who must answer for his gove'nment's madness—God fo'give them."

      There was no more said about the Major or his government. After a few moments Ailsa leaned back dreamily, her gaze wandering around the sunny walls of the room. In Ailsa Paige's eyes there was always a gentle caress for homely things. Just now they caressed the pictures of "Night" and "Morning," hanging there in their round gilt frames; the window boxes where hyacinths blossomed; the English ivy festooned to frame the window beside her sister-in-law's writing-desk; the melancholy engraving over the fireplace—"The Motherless Bairn"—a commonplace picture which harrowed her, but which nobody thought of discarding in a day when even the commonplace was uncommon.

      She smiled in amused reminiscence of the secret tears she had wept over absurd things—of the funerals held for birds found dead—of the "Three Grains of Corn" poem which, when a child, elicited from her howls of anguish.

      Little golden flashes of recollection lighted the idle path as her thoughts wandered along hazy ways which led back to her own nursery days; and she rested there, in memory, dreaming through the stillness of the afternoon.

      She missed the rattle and noise of New York. It was a little too tranquil in Fort Greene Place; yet, when she listened intently, through the city's old-fashioned hush, very far away the voices of the great seaport were always audible—a ceaseless harmony of river whistles, ferry-boats signalling on the East River, ferry-boats on the North River, perhaps some mellow, resonant blast from the bay, where an ocean liner was heading for the Narrows. Always the street's stillness held that singing murmur, vibrant with deep undertones from dock and river and the outer sea.

      Strange spicy odours, too, sometimes floated inland from the sugar wharves, miles away under the Heights, to mingle with the scent of lilac and iris in quiet, sunny backyards where whitewashed fences reflected the mid-day glare, and cats dozed in strategical positions on grape trellis and tin roofs of extensions, prepared for war or peace, as are all cats always, at all times.

      "Celia!"

      Celia Craig looked up tranquilly.

      "Has anybody darned Paige's stockings?"

      "No, she hasn't, Honey-bell. Paige and Marye must keep their stockings da'ned. I never could do anything fo' myse'f, and I won't have my daughters brought up he'pless."

      Ailsa glanced humorously across at her sister-in-law.

      "You sweet thing," she said, "you can do anything, and you know it!"

      "But I don't like to do anything any mo' than I did befo' I had to," laughed Celia Craig; and suddenly checked her mirth, listening with her pretty close-set ears.

      "That is the do'-bell," she remarked, "and I am not dressed."

      "It's almost too early for anybody to call," said Ailsa tranquilly.

      But she was wrong, and when, a moment later, the servant came to announce Mr. Berkley, Ailsa regarded her sister-in-law in pink consternation.

      "I did not ask him," she said. "We scarcely exchanged a dozen words. He merely said he'd like to call—on you—and now he's done it, Celia!"

      Mrs. Craig calmly instructed the servant to say that they were at home, and the servant withdrew.

      "Do you approve his coming—this way—without anybody inviting him?" asked Ailsa uneasily.

      "Of co'se, Honey-bell. He is a Berkley. He should have paid his respects to us long ago."

      "It was for him to mention the relationship when I met him. He did not speak of it, Celia."

      "No, it was fo' you to speak of it first," said Celia Craig gently.

       "But you did not know that."

      "Why?"

      "There are reasons, Honey-bud."

      "What reasons?"

      "They are not yo' business, dear," said her sister-in-law quietly.

      Ailsa had already risen to examine herself in the mirror. Now she looked back over her shoulder and down into Celia's pretty eyes—eyes as unspoiled as her own.

      In Celia Craig remained that gracious and confident faith in kinship which her Northern marriage had neither extinguished nor chilled. The young man who waited below was a Berkley, a kinsman. Name and quality were keys to her hospitality. There was also another key which this man possessed, and it fitted a little locked compartment in Celia Craig's heart. But Ailsa had no knowledge of this. And now Mrs. Craig was considering the advisability of telling her—not all, perhaps—but something of how matters stood between the House of Craig and the House of Berkley. But not how matters stood with the House of Arran.

      "Honey-bud," she said, "you must be ve'y polite to this young man."

      "I expect to be. Only I don't quite understand why he came so unceremoniously——"

      "It would have been ruder to neglect us, little Puritan! I want to see Connie Berkley's boy. I'm glad he came."

      Celia Craig, once Celia Marye Ormond Paige, stood watching her taller sister-in-law twisting up her hair and winding the thick braid around the crown of her head a la coronal. Little wonder that these two were so often mistaken for own sisters—the matron not quite as tall as the young widow, but as slender, and fair, and cast in the same girlish mould.

      Both inherited from their Ormond ancestry slightly arched and dainty noses and brows, delicate hands and feet, and the same splendid dull-gold hair—features apparently characteristic of the line, all the women of which had been toasts of a hundred years ago, before Harry Lee hunted men and the Shadow of the Swamp Fox flitted through the cypress to a great king's undoing.

      Ailsa laid a pink bow against her hair and glanced at her sister-in-law for approval.

      "I declare. Honey-bud, you are all rose colour to-day," said Celia Craig, smiling; and, on impulse, unpinned the pink-and-white cameo from her own throat and fastened it to Ailsa's breast.

      "I reckon I'll slip on a gay gown myse'f," she added mischievously. "I certainly am becoming ve'y tired of leaving the field to my sister-in-law, and my schoolgirl daughters."

      "Does anybody ever look at us after you come into a room?" asked Ailsa, laughing; and, turning impulsively, she pressed Celia's pretty hands flat together and kissed them. "You darling," she said. An unaccountable sense of expectancy—almost of exhilaration was taking possession of her. She looked into the mirror and stood content with what she saw reflected there.

      "How much of a relation is he, Celia?" balancing the rosy bow with a little cluster of pink hyacinth on the other side.

      Celia Craig, forefinger crooked across her lips, considered aloud.

      "His mother was bo'n Constance Berkley; her mother was bo'n Betty Ormond; her mother was bo'n Felicity Paige; her mother——"

      "Oh please! I don't care to know any more!" protested Ailsa, drawing her sister-in-law before the mirror; and, standing behind her, rested her soft, round chin on her shoulder, regarding the two reflected faces.

      "That," observed the pretty Southern matron, "is conside'd