Johnson blushed purple. He saw Margaret was keen, and suspected him. He did the wisest thing under the circumstances, trusted to deeds not words. He insisted on their coming home with him at once, and he would show them whether they were welcome to Rotterdam or not.
"Who doubts it, cousin? Who doubts it?" said the scholar.
Margaret thanked him graciously, but demurred to go just now: said she wanted to hear the minstrels again. In about a quarter of an hour Johnson renewed his proposal, and bade her observe that many of the guests had left. Then her real reason came out.
"It were ill manners to our friend: and he will lose us. He knows not where we lodge in Rotterdam, and the city is large, and we have parted company once already."
"Oh!" said Johnson, "we will provide for that. My young man, ahem! I mean my secretary, shall sit here and wait, and bring him on to my house: he shall lodge with me and with no other."
"Cousin, we shall be too burdensome."
"Nay, nay; you shall see whether you are welcome, or not, you and your friends, and your friends' friends if need be: and I shall hear what the princess would with him."
Margaret felt a thrill of joy that Gerard should be lodged under the same roof with her; then she had a slight misgiving. "But if your young man should be thoughtless, and go play, and Gerard miss him?"
"He go play? He leave that spot where I put him? and bid him stay? Ho! Stand forth, Hans Cloterman."
A figure clad in black serge and dark violet hose arose, and took two steps and stood before them without moving a muscle: a solemn, precise young man, the very statue of gravity and starched propriety. At his aspect Margaret, being very happy, could hardly keep her countenance. But she whispered Johnson, "I would put my hand in the fire for him. We are at your command, cousin, as soon as you have given him his orders."
Hans was then instructed to sit at the table and wait for Gerard, and conduct him to Ooster-Waagen Straet. He replied, not in words, but by calmly taking the seat indicated, and Margaret, Peter, and William Johnson went away together.
"And, indeed, it is time you were abed, father, after all your travel," said Margaret. This had been in her mind all along.
Hans Cloterman sat waiting for Gerard, solemn and business-like. The minutes flew by, but excited no impatience in that perfect young man. Johnson did him no more than justice when he laughed to scorn the idea of his secretary leaving his post, or neglecting his duty, in pursuit of sport or out of youthful hilarity and frivolity.
As Gerard was long in coming, the patient Hans—his employer's eye being no longer on him—improved the time by quaffing solemnly, silently, and at short but accurately measured intervals, goblets of Corsican wine. The wine was strong, so was Cloterman's head: and Gerard had been gone a good hour ere the model secretary imbibed the notion that Creation expected Cloterman to drink the health of all good fellows, and "nommément" of the Duke of Burgundy there present. With this view he filled bumper nine, and rose gingerly but solemnly and slowly. Having reached his full height, he instantly rolled upon the grass, goblet in hand, spilling the cold liquor on more than one ankle—whose owners frisked—but not disturbing a muscle in his own long face, which, in the total eclipse of reason, retained its gravity, primness, and infallibility.
The seneschal led Gerard through several passages to the door of the pavilion, where some young noblemen, embroidered and feathered, sat sentinel, guarding the heir-apparent, and playing cards by the red light of torches their servants held. A whisper from the seneschal, and one of them rose reluctantly, stared at Gerard with haughty surprise, and entered the pavilion. He presently returned, and, beckoning the pair, led them through a passage or two and landed them in an ante-chamber, where sat three more young gentlemen, feathered, furred, and embroidered like pieces of fancy work, and deep in that instructive and edifying branch of learning, dice.
"You can't see the princess—it is too late," said one.
Another followed suit:—
"She passed this way but now with her nurse. She is gone to bed, doll and all. Deuce-ace again!"
Gerard prepared to retire. The seneschal, with an incredulous smile, replied:—
"The young man is here by the countess's orders; be so good as conduct him to her ladies."
On this a superb Adonis rose, with an injured look, and led Gerard into a room where sat or lolloped eleven ladies, chattering like magpies. Two, more industrious than the rest, were playing cat's-cradle with fingers as nimble as their tongues. At the sight of a stranger all the tongues stopped like one piece of complicated machinery, and all the eyes turned on Gerard, as if the same string that checked the tongues had turned the eyes on. Gerard was ill at ease before, but this battery of eyes discountenanced him, and down went his eyes on the ground. Then the cowards finding, like the hare who ran by the pond and the frogs scuttled into the water, that there was a creature they could frighten, giggled and enjoyed their prowess. Then a duenna said, severely, "Mesdames!" and they were all abashed at once as though a modesty string had been pulled. This same duenna took Gerard, and marched before him in solemn silence. The young man's heart sank, and he had half a mind to turn and run out of the place. "What must princes be," he thought, "when their courtiers are so freezing? Doubtless they take their breeding from him they serve." These reflections were interrupted by the duenna suddenly introducing him into a room where three ladies sat working, and a pretty little girl tuning a lute. The ladies were richly but not showily dressed, and the duenna went up to the one who was hemming a kerchief, and said a few words in a low tone. This lady then turned towards Gerard, with a smile, and beckoned him to come near her. She did not rise, but she laid aside her work, and her manner of turning towards him, slight as the movement was, was full of grace and ease and courtesy. She began a conversation at once.
"Margaret Van Eyck is an old friend of mine, sir, and I am right glad to have a letter from her hand, and thankful to you, sir, for bringing it to me safely. Marie, my love, this is the young gentleman who brought you that pretty miniature."
"Sir, I thank you a thousand times," said the young lady.
"I am glad you feel her debtor, sweetheart, for our friend could have us to do him a little service in return."
"I will do anything on earth for him," replied the young lady with ardour.
"Anything on earth is nothing in the world," said the Countess of Charolois, quietly.
"Well, then, I will——What would you have me to do, sir?"
Gerard had just found out what high society he was in. "My sovereign demoiselle," said he, gently and a little tremulously, "where there have been no pains there needs no reward."
"But we must obey mamma. All the world must obey mamma."
"That is true. Then, our demoiselle, reward me, if you will, by letting me hear the stave you were going to sing and I did interrupt it."
"What, you love music, sir?"
"I adore it."
The little princess looked inquiringly at her mother, and received a smile of assent. She then took her lute and sang a romaunt of the day. Although but twelve years old, she was a well-taught and painstaking musician. Her little claw swept the chords with courage and precision, and struck out the notes of the arpeggio clear, and distinct, and bright, like twinkling stars; but the main charm was her voice. It was not mighty, but it was round, clear, full, and ringing like a bell. She sang with a certain modest eloquence, though she knew none of the tricks of feeling. She was too young to be theatrical, or even sentimental, so nothing was forced—all gushed. Her little mouth seemed the mouth of Nature. The ditty, too, was as pure as its utterance. As there were none of those false divisions—those whining slurs, which are now sold so dear by Italian songsters, though every jackal in India delivers them gratis to his customers all night, and sometimes gets shot for them, and always deserve it—so there were no cadences and fiorituri, the trite, turgid, and feeble expletives of song, the skim milk, with which mindless musicians and mindless writers