Гарриет Бичер-Стоу

Agnes of Sorrento


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The light that came in from the joint reflection of sea and sky gave a golden and picturesque coloring to the simple and bare furniture, and in sunny weather she often sat there, just as a lizard lies upon a wall, with the simple, warm, delightful sense of living and being amid scenes of so much beauty. Of the life that people lived in the outer world, the struggle, the hope, the fear, the vivid joy, the bitter sorrow, Sister Theresa knew nothing. She could form no judgment and give no advice founded on any such experience.

       The only life she knew was a certain ideal one, drawn from the legends of the saints; and her piety was a calm, pure enthusiasm which had never been disturbed by a temptation or a struggle. Her rule in the Convent was even and serene; but those who came to her flock from the real world, from the trials and temptations of a real experience, were always enigmas to her, and she could scarcely comprehend or aid them.

      In fact, since in the cloister, as everywhere else, character will find its level, it was old Jocunda who was the real governess of the Convent. Jocunda was originally a peasant woman, whose husband had been drafted to some of the wars of his betters, and she had followed his fortunes in the camp. In the sack of a fortress, she lost her husband and four sons, all the children she had, and herself received an injury which distorted her form, and so she took refuge in the Convent. Here her energy and savoir-faire rendered her indispensable in every department. She made the bargains, bought the provisions (being allowed to sally forth for these purposes), and formed the medium by which the timid, abstract, defenseless nuns accomplished those material relations with the world with which the utmost saintliness cannot afford to dispense. Besides and above all this, Jocunda's wide experience and endless capabilities of narrative made her an invaluable resource for enlivening any dull hours that might be upon the hands of the sisterhood; and all these recommendations, together with a strong mother-wit and native sense, soon made her so much the leading spirit in the Convent that Mother Theresa herself might be said to be under her dominion.

      "So, so," she said to Agnes, when she had closed the gate after Elsie—"you never come empty-handed. What lovely oranges!—worth double any that one can buy of anybody else but your grandmother."

      "Yes, and these flowers I brought to dress the altar."

       "Ah, yes! Saint Agnes has given you a particular grace for that," said Jocunda.

      "And I have brought a ring for her treasury," said Agnes, taking out the gift of the Cavalier.

      "Holy Mother! here is something, to be sure!" said Jocunda, catching it eagerly. "Why, Agnes, this is a diamond—and as pretty a one as ever I saw. How it shines!" she added, holding it up. "That's a prince's present. How did you get it?"

      "I want to tell our mother about it," said Agnes.

      "You do?" said Jocunda. "You'd better tell me. I know fifty times as much about such things as she."

      "Dear Jocunda, I will tell you, too; but I love Mother Theresa, and I ought to give it to her first."

      "As you please, then," said Jocunda. "Well, put your flowers here by the fountain, where the spray will keep them cool, and we will go to her."

       THE DAY AT THE CONVENT

       Table of Contents

      The Mother Theresa sat in a sort of withdrawing-room, the roof of which rose in arches, starred with blue and gold like that of the cloister, and the sides were frescoed with scenes from the life of the Virgin. Over every door, and in convenient places between the paintings, texts of Holy Writ were illuminated in blue and scarlet and gold, with a richness and fancifulness of outline, as if every sacred letter had blossomed into a mystical flower. The Abbess herself, with two of her nuns, was busily embroidering a new altar-cloth, with a lavish profusion of adornment; and, from time to time, their voices rose in the musical tones of an ancient Latin hymn. The words were full of that quaint and mystical pietism with which the fashion of the times clothed the expression of devotional feeling:—

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