ancestor's writings, he answered (though doubtless without any intentional comment on his ancestor's reputation) that in his happier days he had several of De Foe's works; but that he never could keep a copy of "Robinson Crusoe;" "there were so many borrowers of the book in Hungerford Market alone." Charles Knight, the publisher and antiquarian, instituted the fund, and the money was raised by him chiefly among literary men.
The most sentimental and picturesque interest attaches itself to the extensive series of buildings on the south side of Fleet Street, familiarly known as the Temple. Here Goldsmith is buried beside the curious and interesting Temple Church. The other of the four great Inns of Court are Lincoln's Inn in Chancery Lane and Gray's Inn in Holborn. Allied with the four great inns were the more or less subsidiary Inns of Chancery, all situated in the immediate neighbourhood, one of which, at least, being intimately associated with Dickens' life in London—Furnival's Inn, which, with Thavie's Inn, was attached to Lincoln's Inn. Here Dickens lived in 1835 at No. 15, and here also he lived subsequent to his marriage with Catherine Hogarth in the following year. It was at this time that the first number of "Pickwick" was written and published. The building itself was pulled down sometime during the past few years.
Comprising several squares and rows, what is commonly referred to as the Temple, belongs to the members of two societies, the Inner and Middle Temple, consisting of "benchers," barristers, and students. This famous old place, taken in its completeness, was, in 1184, the metropolitan residence of the Knights Templars, who held it until their downfall in 1313; soon afterward it was occupied by students of the law; and in 1608 James I. presented the entire group of structures to the "benchers" of the two societies, who have ever since been the absolute owners. The entrance to Inner Temple, from Fleet Street, is nothing more than a mere gateway; the entrance to Middle Temple is more pretentious, and was designed by Sir Christopher Wren.
Here in the heart of the great world of London exists, as in no other city on the globe, a quiet and leafy suburb, peopled only by those whose vocation is not of the commonalty. Its very environment is inspiring to great thoughts and deeds, and small wonder it is that so many master minds have first received their stimulus amid the shady walks and rather gloomy buildings of the Temple.
True it is that they are gloomy, on the outside at least—dull brick rows with gravelled or flagged courtyards, but possessing withal a geniality which many more glaring and modern surroundings utterly lack.
The stranger, for sightseeing, and the general public, to take advantage of a short cut to the river, throng its walks during the busy hours around noontime. All sorts and conditions of men hurry busily along in a never-ending stream, but most to be remarked is the staid and earnest jurist, his managing clerk, or the aspiring bencher, as his duties compel him to traverse this truly hallowed ground.
By nightfall the atmosphere and associations of the entire Temple take on, if possible, a more quiet and somnolescent air than by day. It must, if report be true, be like a long-deserted city in the small hours of the night. A group of chambers, called rather contemptuously Paper Buildings, is near the river and is a good example of revived Elizabethan architecture. A new Inner Temple Hall was formally opened in 1870, by the Princess Louise. In October, 1861, when the Prince of Wales was elected a bencher of the Middle Temple, the new Library was formally opened. The Temple Church, as seen from the river, with its circular termination, like nothing else in the world except Charlemagne's church at Aix la Chapelle, is one of the most interesting churches in London. All the main parts of the structure are as old as the time of the Knights Templars; but restorations of the middle nineteenth century, when the munificent sum of £70,000 was spent, are in no small way responsible for its many visible attributes which previously had sadly fallen to decay. There are two portions, the Round Church and the Choir, the one nearly 700 years old and the other more than 600. The chief distinguishing features of the interior are the monumental effigies, the original sculptured heads in the Round Church, the triforium, and the fittings of the Choir. The north side of the church has been opened out by the removal of the adjoining buildings where, in the churchyard, is the grave of Oliver Goldsmith, who died in chambers (since pulled down) in Brick Court. The Temple Gardens, fronting the river, are laid out as extensive shrub and tree-bordered lawns, which are generously thrown open to the public in the summer. A more charming sylvan retreat, there is not in any city in the world.
In the good old times, legal education and hospitality went hand in hand, and the halls of the different Inns of Court were, for several centuries, a kind of university for the education of advocates, subject to this arrangement. The benchers and readers, being the superiors of each house, occupied, on public occasions of ceremony, the upper end of the hall, which was raised on a daïs, and separated from the rest of the building by a bar. The next in degree were the utter barristers, who, after they had attained a certain standing, were called from the body of the hall to the bar (that is, to the first place outside the bar), for the purpose of taking a principal part in the mootings or exercises of the house; and hence they probably derived the name of utter or outer barristers. The other members of the inn, consisting of students of the law under the degree of utter barristers, took their places nearer to the centre of the hall, and farther from the bar, and, from this manner of distribution, appear to have been called inner barristers. The distinction between utter and inner barristers is, at the present day, wholly abolished; the former being called barristers generally, and the latter falling under the denomination of students; but the phrase "called to the bar" still holds and is recognized throughout the English-speaking world.
The general rule, as to qualification, in all the Inns of Court, is, that a person, in order to entitle himself to be called to the bar, must be twenty-one years of age, have kept twelve terms, and have been for five, or three years, at least, a member of the society. The keeping of terms includes dining a certain number of times in the hall, and hence the pleasantry of eating the way to the bar; the preparatory studies being now private. Of the great business of refection, the engraving herewith shows the most dignified scene—the Benchers' Dinner; the benchers, or "antients," as they were formerly called, being the governors of the inn, at the Temple called the Parliament. The Middle Temple hall surpasses the halls of the other societies in size and splendour. Begun in 1562, and finished about ten years afterward, it is 100 feet long, 40 feet wide, and upwards of 60 feet in height. The roof and panels are finely decorated, and the screen at the lower end is beautifully carved. There are a few good pictures: amongst others, one of Charles I. on horseback, by Vandyke; also portraits of Charles II., Queen Anne, George I., and George II.
Lincoln's Inn was once the property of Henry De Lacy, Earl of Lincoln. It became an Inn of Court in 1310. The New Hall and Library, a handsome structure after the Tudor style, was opened in 1845. The Chapel was built in 1621–23, by Inigo Jones, who laid out the large garden in Lincoln's Inn Fields, close by, in 1620. Lord William Russell was beheaded here in 1683. In Lincoln's Inn are the Chancery and Equity Courts. Lincoln's Inn vied with the Temple in the masques and revels of the time of James I.
Gray's Inn, nearly opposite the north end of Chancery Lane, once belonged to the Lords Gray of Wilton. Most of its buildings—except its hall, with its black oak roof—are of comparatively modern date. In Gray's Inn lived the great Lord Bacon, a tree planted by whom, in the quaint old garden of the Inn, could, in Dickens' time, yet be seen—propped up by iron stays. To-day a diligent search and inquiry does not indicate its whereabouts, which is another manifestation of the rapidity of the age in which we live.
The nine Inns of Chancery allied with the four Inns of Court, the Inner and Middle Temple, Lincoln's Inn and Gray's Inn, are Clifford's Inn, Clement's Inn, Lyons' Inn, New Inn, Furnival's Inn, Thavie's Inn, Sergeant's Inn, Staple Inn, and Barnard's Inn, all of which were standing in Dickens' day, but of which only Staple Inn and Sergeant's Inn have endured, Clement's Inn having only recently (1903) succumbed to the house-breaker.
Staple Inn, in Holborn, "the fayrest inne of Chancerie," is one of the quaintest, quietest, and most interesting corners of mediæval London left to us.
Nathaniel Hawthorne, describing his first wanderings in London, said, "I went astray in Holborn through an arched entrance over which was Staple Inn, and here likewise seemed to be offices; but in a court opening inwards from this, there was a surrounding seclusion of quiet dwelling-houses,