seems to have been revived by Yuryaku. He caused it to be inflicted on one of the ladies-in-waiting and her paramour, who had forestalled him in the girl's affections. The first instance is mentioned in the annals of the Empress Jingo, but the victim was a Korean and the incident happened in war. To Yuryaku was reserved the infamy of employing such a penalty in the case of a woman. Highly placed personages were often allowed to expiate an offence by performing the religious rite of harai (purification), the offender defraying all expenses.
ARCHITECTURE
As Chinese literature became familiar and as the arts of the Middle Kingdom and Korea were imported into Japan, the latter's customs naturally underwent some changes. This was noticeable in the case of architecture. Lofty buildings, as has been already stated, began to take the place of the partially subterranean muro. The annals make no special reference to the authors of this innovation, but it is mentioned that among the descendants of the Chinese, Achi, and the Korean, Tsuka, there were men who practised carpentry. Apparently the fashion of high buildings was established in the reign of Anko when (A.D. 456) the term ro or takadono (lofty edifice) is, for the first time, applied to the palace of Anko in Yamato. A few years later (468), we find mention of two carpenters,* Tsuguno and Mita, who, especially the latter, were famous experts in Korean architecture, and who received orders from Yuryaku to erect high buildings. It appears further that silk curtains (tsumugi-kaki) came into use in this age for partitioning rooms, and that a species of straw mat (tatsu-gomo) served for carpet when people were hunting, travelling, or campaigning.
*It should be remembered that as all Japanese edifices were made of timber, the carpenter and the architect were one and the same.
SHIPS
Occasional references have been made already to the art of shipbuilding in Japan, and the facts elicited may be summed up very briefly. They are that the first instance of naming a ship is recorded in the year A.D. 274, when the Karano (one hundred feet long) was built to order of the Emperor Ojin by the carpenters of Izu promontory, which place was famed for skill in this respect; that the general method of building was to hollow out tree-trunks,* and that the arrival of naval architects from Shiragi (A.D. 300) inaugurated a superior method of construction, differing little from that employed in later ages.
*Such dug-outs were named maruki-bune, a distinguishing term which proves that some other method of building was also employed.
VEHICLES
A palanquin (koshi) used by the Emperor Ojin (A.D. 270–310) was preserved in the Kyoto palace until the year 1219, when a conflagration consumed it. The records give no description of it, but they say that Yuryaku and his Empress returned from a hunting expedition on a cart (kuruma), and tradition relates that a man named Isa, a descendant in the eighth generation of the Emperor Sujin, built a covered cart which was the very one used by Yuryaku. It is, indeed, more than probable that a vehicle which had been in use in China for a long time must have become familiar to the Japanese at an early epoch.
MEDICAL ART
For relief in sickness supplication to the gods and the performance of religious rites were chiefly relied on. But it is alleged* that medicines for internal and external use were in existence and that recourse to thermal springs was commonly practised from remote times.
*By the Nihon Bummei Shiryaku.
PICTORIAL ART
While Yuryaku was on the throne, Korea and China sent pictorial experts to Japan. The Korean was named Isuraka, and the Chinese, Shinki. The latter is said to have been a descendant of the Emperor Wen of the Wei dynasty. His work attracted much attention in the reign of Muretsu, who bestowed on him the uji title of Ooka no Obito. His descendants practised their art with success in Japan, and from the time of the Emperor Tenchi (668–671) they were distinguished as Yamato no eshi (painters of Yamato).
POETRY
If we credit the annals, the composition of poetry commenced in the earliest ages and was developed independently of foreign influences. From the sovereign down to the lowest subject, everyone composed verses. These were not rhymed; the structure of the Japanese language does not lend itself to rhyme. Their differentiation from prose consisted solely in the numerical regularity of the syllables in consecutive lines; the alternation of phrases of five and seven syllables each. A tanka (short song) consisted of thirty-one syllables arranged thus, 5, 7, 5, 7, and 7; and a naga-uta (long song) consisted of an unlimited number of lines, all fulfilling the same conditions as to number of syllables and alternation of phrases. No parallel to this kind of versification has been found yet in the literature of any other nation. The Chronicles and the Records abound with tanka and naga-uta, many of which have been ascribed by skeptics to an age not very remote from the time when those books were compiled. But the Japanese themselves think differently. They connect the poems directly with the events that inspired them. Further reference to the subject will be made hereafter. Here it will suffice to note that the composing of such verselets was a feature of every age in Japan.
UTA-GAKI
A favourite pastime during the early historic period was known as uta-gaki or uta-kai. In cities, in the country, in fields, and on hills, youths and maidens assembled in springtime or in autumn and enjoyed themselves by singing and dancing. Promises of marriage were exchanged, the man sending some gifts as a token, and the woman, if her father or elder brother approved, despatching her head-ornament (oshiki no tamakatsura) to her lover. On the wedding day it was customary for the bride to present "table-articles" (tsukue-shiro) to the bridegroom in the form of food and drink. There were places specially associated in the public mind with uta-gaki—Tsukuba Mountain in Hitachi, Kijima-yama in Hizen, and Utagaki-yama in Settsu. Sometimes men of noble birth took part in this pastime, but it was usually confined to the lower middle classes. The great festival of bon-odori, which will be spoken of by and by, is said to be an outgrowth of the uta-gaki.
SUPERSTITIONS
No influences of alien character affected the religious beliefs of the Japanese during the period we are now considering (fourth, fifth, and sixth centuries). The most characteristic feature of the time was a belief in the supernatural power of reptiles and animals. This credulity was not limited to the uneducated masses. The Throne itself shared it. Yuryaku, having expressed a desire to see the incarnated form of the Kami of Mimoro Mountain, was shown a serpent seventy feet long. In the same year a group of snakes harrassed a man who was reclaiming a marsh, so that he had to take arms against them and enter into a compact of limitations and of shrine building. Other records of maleficent deities in serpent shape were current, and monkeys and dragons inspired similar terror. Of this superstition there was born an evil custom, the sacrifice of human beings to appease the hostile spirits. The Kami of Chusan in Mimasaka province was believed to be a giant ape, and the Kami of Koya, a big reptile. The people of these two districts took it in turn to offer a girl at the shrines of those Kami, and in the province of Hida another colossal monkey was similarly appeased. There were further cases of extravagant superstition.
ARTS AND CRAFTS
Of the development of sericulture and of the arts of weaving and ceramics in this era enough has already been written; but, as showing the growth of refinement, it may be noted that among the articles ordered by the Emperor Yuryaku were a silk hat and a sashiha, or round fan with a long handle. The colour of the fan was purple, and it is said to have been hung up as an ornament in the palace.
FORM OF GOVERNMENT
The original form of government under the Yamato seems to have been feudal. The heads of uji were practically feudal chiefs. Even orders from the Throne had to pass through the uji no Kami in order to reach the people. But from the time of Nintoku (313–349) to that of Yuryaku (457–479), the Court wielded much power, and the greatest among the uji chiefs found