643.
*These were called usu. They were, in fact, hairpins, generally shaped like a flower.
MUSIC AND AMUSEMENTS
It has already been recorded that, in the middle of the sixth century, musicians were sent from the Kudara Court to the Yamato, and since these are said to have taken the place of others then sojourning in Japan, the fact is established that such a visit was not then without precedent. Music, indeed, may be said to have benefitted largely by the advent of Buddhism, for the services of the latter required a special kind of music. The first foreign teacher of the art was a Korean, Mimashi, who went to Japan in A.D. 612, after having studied both music and dancing for some years in China. A dwelling was assigned to him at Sakurai (in Yamato) and he trained pupils. At the instance of Prince Shotoku and for the better performance of Buddhist services, various privileges were granted to the professors of the art. They were exempted from the discharge of official duties and their occupation became hereditary. Several ancient Japanese books contain reference to music and dancing, and in one work* illustrations are given of the wooden masks worn by dancers and the instruments used by musicians of the Wu (Chinese) school. These masks were introduced by Mimashi and are still preserved in the temple Horyu-ji.
*The Horyu-ji Shizai-cho, composed in A.D. 747.
In the matter of pastimes, a favourite practice, first mentioned in the reign of the Empress Suiko, was a species of picnic called "medicine hunting" (kusuri-kari). It took place on the fifth day of the fifth month. The Empress, her ladies, and the high functionaries, all donned gala costumes and went to hunt stags, for the purpose of procuring the young antlers, and to search for "deer-fungus" (shika-take), the horns and the vegetables being supposed to have medical properties. All the amusements mentioned in previous sections continued to be followed in this era, and football is spoken of as having inaugurated the afterwards epoch-making friendship between Prince Naka and Kamatari. It was not played in the Occidental manner, however. The game consisted in kicking a ball from player to player without letting it fall. This was apparently a Chinese innovation. Here, also, mention may be made of thermal springs. Their sanitary properties were recognized, and visits were paid to them by invalids. The most noted were those of Dogo, in Iyo, and Arima, in Settsu. The Emperor Jomei spent several months at each of these, and Prince Shotoku caused to be erected at Dogo a stone monument bearing an inscription to attest the curative virtues of the water.
CONDITION OF THE PEOPLE
That Buddhism obtained a firm footing among the upper classes during the first century after its introduction must be attributed in no small measure to the fact that the throne was twice occupied by Empresses in that interval. The highly decorative aspects of the creed appealing to the emotional side of woman's nature, these Imperial ladies encouraged Buddhist propagandism with earnest munificence. But the mass of the people remained, for the most part, outside the pale. They continued to believe in the Kami and to worship them. Thus, when a terribly destructive earthquake* occured in 599, it was to the Kami of earthquakes that prayers were offered at his seven shrines in the seven home provinces (Kinai), and not to the Merciful Buddha, though the saving grace of the latter had then been preached for nearly a cycle. The first appeal to the foreign deity in connexion with natural calamity was in the opening year (642) of the Empress Kogyoku's reign when, in the presence of a devastating drought, sacrifices of horses and cattle to the Shinto Kami, changes of the market-places,** and prayers to the river gods having all failed to bring relief, an imposing Buddhist service was held in the south court of the Great Temple. "The images of Buddha, of the bosatsu, and of the Four Heavenly Kings were magnificently adorned; a multitude of priests read the Mahayana Sutra, and the o-omi, Soga no Emishi, held a censer, burned incense, and prayed." But there was no success; and not until the Empress herself had made a progress to the source of a river and worshipped towards the four quarters, did abundant rain fall.
*Only three earthquakes are recorded up to the year A.D. 645, and the second alone (A.D. 599) is described as destructive.
**This was a Chinese custom, as was also the sacrificial rite mentioned in the same context.
Such an incident cannot have contributed to popularize the Indian creed. The people at large adhered to their traditional cult and were easily swayed by superstitions. The first half of the seventh century was marked by abnormal occurrences well calculated to disturb men's minds. There were comets (twice); there was a meteor of large dimensions; there were eclipses of the sun and moon; there were occultations of Venus; there was snow in July and hail "as large as peaches" in May, and there was a famine (621) when old people ate roots of herbs and died by the wayside, when infants at the breast perished with their mothers, and when thieves and robbers defied authority. It is not, perhaps, surprising in such circumstances, and when witches and wizards abounded, that people fell into strange moods, and were persuaded to regard a caterpillar as the "insect of the everlasting world," to worship it, and to throw away their valuables in the belief that riches and perpetual youth would be thus won. A miyatsuko, by name Kawakatsu, had the courage to kill the designing preacher of this extravagance, and the moral epidemic was thus stayed.
ENGRAVING: ONE OF THE STATUES OF "SHITENNO" IN THE KAIDAN-IN, TODAIJI
(Tembyo Sculpture, Eighth Century)
ENGRAVING: UTENSILS USED IN THE TEA CEREMONY (CHA-NO-YU)
CHAPTER XV
THE DAIKA REFORMS
THE THIRTY-SIXTH SOVEREIGN, THE EMPEROR KOTOKU (A.D. 645–654)
AFTER the fall of the Soga and the abdication of the Empress Kogyoku, her son, Prince Naka, would have been the natural successor, and such was her own expressed wish. But the prince's procedure was largely regulated by Kamatari, who, alike in the prelude and in the sequel of this crisis, proved himself one of the greatest statesmen Japan ever produced. He saw that the Soga influence, though broken, was not wholly shattered, and he understood that the great administrative reform which he contemplated might be imperilled were the throne immediately occupied by a prince on whose hands the blood of the Soga chief was still warm. Therefore he advised Prince Naka to stand aside in favour of his maternal uncle, Prince Karu, who could be trusted to co-operate loyally in the work of reform and whose connexion with the Soga overthrow had been less conspicuous. But to reach Prince Karu it was necessary to pass over the head of another prince, Furubito, Naka's half-brother, who had the full sympathy of the remnant of the Soga clan, his mother having been a daughter of the great Umako. The throne was therefore offered to him. But since the offer followed, instead of preceding the Empress' approval of Prince Karu, Furubito recognized the farce, and knowing that, though he might rule in defiance of the Kamatari faction, he could not hope to rule with its consent, he threw away his sword and declared his intention of entering religion.
Very soon the Buddhist monastery at Yoshino, where he received the tonsure, became a rallying point for the Soga partisans, and a war for the succession seemed imminent. Naka, however, now Prince Imperial, was not a man to dally with such obstacles. He promptly sent to Yoshino a force of soldiers who killed Furubito with his children and permitted his consorts to strangle themselves. Prince Naka's name must go down to all generations as that of a great reformer, but it is also associated with a terrible injustice. Too readily crediting a slanderous charge brought against his father-in-law, Kurayamada, who had stood at his right hand in the great coup d'etat of 645, he despatched a force to seize the alleged traitor. Kurayamada fled to a temple, and there, declaring that he would "leave the world, still cherishing fidelity in his bosom," he committed suicide, his wife and seven children sharing his fate. Subsequent examination of his effects established his innocence, and his daughter, consort of Prince Naka, died of grief.
THE DAIKA, OR "GREAT CHANGE"
Not for these things, however, but for sweeping reforms in the administration of the empire is the reign of Kotoku memorable. Prince Naka and Kamatari, during the