was put up, said he couldn’t parceque je l’ai connu poirier.’ ”
“Some one spoke to old Lady Salisbury[7] of Adam’s words—‘The woman tempted me, and I did eat.’ ‘Shabby fellow,’ she said.”
“Lady Anne Barnard[8] was at a party in France, and her carriage never came to take her away. A certain Duke who was there begged to have the honour of taking her home, and she accepted, but on the way felt rather awkward and thought he was too affectionate and gallant. Suddenly she was horrified to see the Duke on his knees at the bottom of the carriage, and was putting out her hands and warding him off, when he exclaimed, ‘Taisez-vous, Madame, voilà le bon Dieu qui passe.’ It was a great blow to her vanity.”
“Old Lord Malmesbury[9] used to invent the most extraordinary stories and tell them so well; indeed, he told them till he quite believed them. One was called ‘The Bloody Butler,’ and was about a butler who drank the wine and then filled the bottles with the blood of his victims. Another was called ‘The Moth-eaten Clergyman;’ it was about a very poor clergyman, a Roman he was, who had some small parish in Southern Germany, and was a very good man, quite excellent, absolutely devoted to the good of his people. There was, however, one thing which militated against his having all the influence amongst his flock which he ought to have had, and this was that he was constantly observed to steal out of his house in the late evening with two bags in his hand, and to bury the contents in the garden; and yet when people came afterwards by stealth and dug for the treasure, they found nothing at all, and this was thought, well … not quite canny.
“Now the diocesan of that poor clergyman, who happened to be the Archbishop of Mayence, was much distressed at this, that the influence of so good a man should thus be marred. Soon afterwards he went on his visitation tour, and he stopped at the clergyman’s house for the night. He arrived with outriders, and two postillions, and four fat horses, and four fat pug-dogs, which was not very convenient. However, the poor clergyman received them all very hospitably, and did the best he could for them. But the Archbishop thought it was a great opportunity for putting an end to all the rumours that were about, and with a view to this he gave orders that the doors should be fastened and locked, so that no one should go out.
“When morning came, the windows of the priest’s house were not opened, and no one emerged, and at last the parishioners became alarmed, for there was no sound at all. But when they broke open the doors, volleys upon volleys of moths of every kind and hue poured out; but of the poor clergyman, or of the Archbishop of Mayence, or of the outriders and postillions, or of the four fat horses, or of the four pug-dogs, came out nothing at all, for they were all eaten up. For the fact was that the poor clergyman really had the most dreadful disease which bred myriads of moths; if he could bury their eggs at night, he kept them under, but when he was locked up, and he could do nothing, they were too much for him. Now there is a moral in this story, because if the people and the Archbishop had looked to the fruits of that excellent man’s life, and not attended to foolish reports with which they had no concern whatever, these things would never have happened.
“These were the sort of things Lord Malmesbury used to invent. Canning used to tell them to us.”
“I call the three kinds of Churchism—Attitudinarian, Latitudinarian, and Platitudinarian.”
To Miss Wright.
“Holmhurst, June 12, 1871.—In a few days’ solitude what a quantity of work I have gone through; and work which carries one back over a wide extent of the far long-ago always stretches out the hours, but how interesting it makes them! I quite feel that I should not have lived through the first year of my desolation without the companionship of this work of the ‘Memorials,’ which my darling so wisely foresaw and prepared for me. Daily I miss her more. Now that the flowers are blooming around, and the sun shining on the lawn, and the leaves out on the ash-tree in the shade of which she used to sit, it seems impossible not to think that the suffering present must be a dream and that she is only ‘not yet come out;’ and what the empty room, the unused pillow are, whence the sunshine of my life came, I cannot say. On Thursday I am going for one day to Hurstmonceaux, to our sacred spot. The cross is to be put up then. It is very beautiful, and is only inscribed:—
MARIA HARE,
Nov. 22, 1798. Nov. 13, 1870.
Until the Daybreak.
No other words are needed there; all the rest is written in the hearts of the people who loved her.
“I have been thinking lately how all my life hitherto has been down a highway. There was no doubt as to where the duties were; there could be no doubt whence the pleasures, certainly whence the sorrows would come. Now there seem endless byways to diverge upon. But all the interest of life must be on its highway: the byways may be beautiful and attractive, but never interesting.”
“Sept. 26.—I much enjoyed my Peakirk visit to charming people (Mr. and Mrs. James) and a curious place—an oasis in the Fens, the home of St. Pega (sister of St. Guthlac), whose hermitage with its battered but beautiful cross still remains. I saw Burleigh, like a Genoese palace inside; and yesterday made a fatiguing but worth while pilgrimage, for love of Mary Queen of Scots, to Fotheringhay. One stone, but only one, remains of the castle which was the scene of her sufferings; so people wondered at my going so far. ‘Why cannot you let bygones be bygones?’ said young W. to me. However, the church is very curious, and contains inscriptions to a whole party of Plantagenets—Richard, Earl of Cornwall; Cicely, Duchess of York; Edward, father of Edward IV.—for Fotheringhay, now a hamlet in the fen, was once an important place: the death of Mary wrought the curse which became its ruin.”
I have said little for many years of the George Sheffield who was the dearest friend of my boyhood. He had been attaché at Munich, Washington, Constantinople, and was now at Paris as secretary to Lord Lyons. In this my first desolate year he also had a sorrow, which wonderfully reunited us, and we became perhaps greater friends than we had been before. Another of whom I saw much at this time was Charlie Dalison. A younger son of a Kentish squire of good family, he went—like the young men of olden time—to London to seek his fortunes, and simply by his good looks, winning manners, and incomparable self-reliance became the most popular young man in party-giving London society; but he had many higher qualities.
I needed all the support my friends could give me, for the family feud about the “Memorials” was not the only trouble that pressed upon me at this time.
It will be recollected that, in my sister’s death-bed will, she had bequeathed to me her claims to a portrait by Sir Joshua Reynolds. It was the very fact of this bequest which in 1871 made my poor Aunt Eleanor (Miss Paul) set up a counter-claim to the picture, which was valued at £2000.
Five-and-twenty years before, the picture had been entrusted for a time to Sir John Paul, who unfortunately, from some small vanity, allowed it to be exhibited in his own name instead of that of the owner. But I never remember the time when it was not at Hurstmonceaux after 1845, when it was sent there. Sir Joshua Reynolds, who was an intimate family friend, painted it in the house of Bishop Shipley, when my father was two and a half years old. It was painted for my great-aunt Lady Jones, widow of the famous Orientalist. Lady Jones adopted her nephew Augustus Hare, and brought him up as her own son, but, as she died intestate, her personalty passed, not to him, but to her only surviving sister, Louisa Shipley. Miss Shipley lived many years, and bequeathed the portrait to her youngest nephew, Marcus Hare. But Marcus gave up his legacy to my Uncle Julius, who always possessed the picture in my boyhood, when it hung over the dining-room chimney-piece at Hurstmonceaux Rectory. Uncle Julius bequeathed the portrait, with all else he possessed, to his widow, who transferred the picture at once to my adopted mother, as being the widow of the adopted son of Lady Jones.
The claim of the opposite party to the picture was that Mrs. Hare (“Italima”)