Thoughts on the Education of Daughters. Mary Wollstonecraft

learnt them, that were quite at a loss when put out of the beaten track. If the understanding is not exercised, the memory will be employed to little purpose.

      Girls learn something of music, drawing, and geography; but they do not know enough to engage their attention, and render it an employment of the mind. If they can play over a few tunes to their acquaintance, and have a drawing or two (half done by the master) to hang up in their rooms, they imagine themselves artists for the rest of their lives. It is not the being able to execute a trifling landscape, or any thing of the kind, that is of consequence—These are at best but trifles, and the foolish, indiscriminate praises which are bestowed on them only produce vanity. But what is really of no importance, when considered in this light, becomes of the utmost, when a girl has a fondness for the art, and a desire of excellence. Whatever tends to make a person in some measure independent of the senses, is a prop to virtue. Amusing employments must first occupy the mind; and as an attention to moral duties leads to piety, so whoever weighs one subject will turn to others, and new ideas will rush into the mind. The faculties will be exercised, and not suffered to sleep, which will give a variety to the character.

      Dancing and elegance of manners are very pleasing, if too great a stress is not laid on them. These acquirements catch the senses, and open the way to the heart; but unsupported by solid good qualities, their reign is short.

      The lively thoughtlessness of youth makes every young creature agreeable for the time; but when those years are flown, and sense is not substituted in the stead of vivacity, the follies of youth are acted over, and they never consider, that the things which please in their proper season, disgust out of it. It is very absurd to see a woman, whose brow time has marked with wrinkles, aping the manners of a girl in her teens.

      I do not think it foreign to the present subject to mention the trifling conversations women are mostly fond of. In general, they are prone to ridicule. As they lay the greatest stress on manners, the most respectable characters will not escape its lash, if deficient in this article. Ridicule has been, with some people, the boasted test of truth—if so, our sex ought to make wonderful improvements; but I am apt to think, they often exert this talent till they lose all perception of it themselves. Affectation, and not ignorance, is the fair game for ridicule; and even affectation some good-natured persons will spare. We should never give pain without a design to amend.

      Exterior accomplishments are not to be despised, if the acquiring of them does not satisfy the possessors, and prevent their cultivating the more important ones.

      ARTIFICIAL MANNERS.

      IT may be thought, that artificial manners and exterior accomplishments are much the same; but I think the former take a far wider range, and are materially different. The one arises from affectation, and the other seems only an error in judgment.

      The emotions of the mind often appear conspicuous in the countenance and manner. These emotions, when they arise from sensibility and virtue, are inexpressibly pleasing. But it is easier to copy the cast of countenance, than to cultivate the virtues which animate and improve it.

      How many people are like whitened sepulchres, and careful only about appearances! yet if we are too anxious to gain the approbation of the world, we must often forfeit our own.

      How bewitching is that humble softness of manners which humility gives birth to, and how faint are the imitations of affectation! That gentleness of behaviour, which makes us courteous to all, and that benevolence, which makes us loth to offend any, and studious to please every creature, is sometimes copied by the polite; but how aukward is the copy! The warmest professions of regard are prostituted on all occasions. No distinctions are made, and the esteem which is only due to merit, appears to be lavished on all—Nay, affection is affected; at least, the language is borrowed, when there is no glow of it in the heart. Civility is due to all, but regard or admiration should never be expressed when it is not felt.

      As humility gives the most pleasing cast to the countenance, so from sincerity arises that artlessnes of manners which is so engaging. She who suffers herself to be seen as she really is, can never be thought affected. She is not solicitous to act a part; her endeavour is not to hide; but correct her failings, and her face has of course that beauty, which an attention to the mind only gives. I never knew a person really ugly, who was not foolish or vicious; and I have seen the most beautiful features deformed by passion and vice. It is true, regular features strike at first; but it is a well ordered mind which occasions those turns of expression in the countenance, which make a lasting impression.

      Feeling is ridiculous when affected; and even when felt, ought not to be displayed. It will appear if genuine; but when pushed forward to notice, it is obvious vanity has rivalled sorrow, and that the prettiness of the thing is thought of. Let the manners arise from the mind, and let there be no disguise for the genuine emotions of the heart.

      Things merely ornamental are soon disregarded, and disregard can scarcely be borne when there is no internal support.

      To have in this uncertain world some stay, which cannot be undermined, is of the utmost consequence; and this stay it is, which gives that dignity to the manners, which shews that a person does not depend on mere human applause for comfort and satisfaction.