William Howitt

Homes and Haunts of the Most Eminent British Poets (Vol. 1&2)


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before his Homer was out he numbered among his acquaintance and friends every great and distinguished name of the time—Swift, Bolingbroke, Gay, Addison, Steele, Congreve, Mr. Secretary Craggs, Lord Halifax, Prior, Mallet, Arbuthnot, Parnell, Lord Oxford, Garth, Rowe, Lady Mary Wortley Montagu, &c. All this Pope had accomplished by the age of twenty-seven, and while at Binfield. Binfield will, therefore, always remain a place of lively interest to the lovers of our national literature, and especially to the admirers of the polished, acute, logical, and moral intellect of Pope.

      Binfield lies near Wokingham, and about two miles north of Cæsar's camp, a pleasant village, surrounded with handsome houses, and in the midst of the tract called the Royal Hunt. The house in which Pope's father, and Pope too, resided, till he went to Twickenham, is a small, neat brick house, on the side of the London road. Within about half a mile of this house, and within a retired part of the forest, on the edge of a common, is the spot where, it is said, Pope used to compose many of his verses; on a large tree are inscribed, in capital letters, the words, Here Pope sung: this sentence used to be annually refreshed at the expense of a lady of Wokingham. There used also to be a seat under this tree, but that has long disappeared; the fact is, however, that tradition likes to fix on some particular spot, and especially some tree, as a particular object of a poet's attachment; it is a palpable affair, and satisfies the ordinary mind; but Pope, no doubt, especially when planning and working out his poem of Windsor Forest, used to ramble all through these scenes, and they may all be considered as associated with his memory and genius.

      Of the town life of Pope we find but few traces, considering the well-known times, and the personages among whom he moved. Where his settled lodgings were I find no exact mention; he was sometimes at friends' houses, or at that of Jervas, the painter, which was probably near St. James's Park; as when Mr. Blount writes to Pope, in 1716, endeavoring to persuade him to make a journey to the Continent with him, he exhorts him to leave "laziness and the elms of St. James's Park." Now this summer Jervas was on a visit to Swift in Ireland, and during his absence Pope made use of his house as his town sojourn; it was exactly at the crisis of Pope's removal from Binfield to Twickenham, and no doubt was a great convenience to him till his own house was fully ready for him. His description of this house, in a letter to Jervas, will be well remembered by the readers of his letters: "As to your inquiry about your house, when I came within the walls, they put me in mind of those of Carthage, where you find, like the wandering Trojan,

      'Animum picturâ pascit inani;'

      for the spacious mansion, like a Turkish caravansera, entertains the vagabonds with bare lodgings. I rule the family very ill, keep bad hours, and lend out your pictures about the town. See what it is to have a poet in your house. Frank, indeed, does all he can in such circumstances; for, considering he has a wild beast in it, he constantly keeps the door chained: every time it is opened the links rattle, the rusty hinges roar. The house seems so sensible that you are all its support, that it is ready to drop in your absence; but I still trust myself under its roof, as depending that Providence will preserve so many Raphaels, Titians, and Guidos as are lodged in your cabinet. Surely the sins of one poet can hardly be so heavy as to bring an old house over the heads of so many painters. In a word, your house is falling; but what of that? I am only a lodger!"

      This was mere pleasant badinage. During Jervas's absence, Pope made a journey on horseback to Oxford, a place he was fond of visiting; and his account of his journey, and mode of passing his time there, given in a letter to Martha Blount, is a pleasant near peep into his life. "Nothing could have more of that melancholy which once used to please me than my last day's journey; for, after having passed through my favorite woods in the forest, with a thousand reveries of past pleasures, I rode over hanging hills, whose tops were edged with groves, and whose feet watered with winding rivers, listening to the falls of cataracts below, and the murmuring of the winds above. The gloomy verdure of Stonor succeeded to these, and then the shades of the evening overtook me: the moon rose in the clearest sky I ever saw, by whose solemn light I passed on slowly without company, or any interruption to the range of my thoughts. About a mile before I reached Oxford, all the bells rang out in different notes; the clocks of every college answered one another, and sounded forth, some in deeper, some in softer tones, that it was eleven at night. All this was no ill preparation to the life I have since led among these old walls, memorable galleries, stone porticoes, students' walks, and solitary scenes of the University. I wanted nothing but a black gown and a salary to be as mere a book-worm as any there. I conformed myself to college hours, was rolled up in books, lay in the most dusky parts of the University, and was as dead to the world as any hermit of the desert. If any thing was alive or awake in me, it was a little vanity, such as even those good men used to entertain when the monks of their own order extolled their piety and abstraction; for I found myself received with a sort of respect which the idle part of mankind, the learned, pay to their own species; who are as considerable here as the busy, the gay, and the ambitious are in your world. Indeed, I was treated in such a manner, that I could not but sometimes ask myself, in my mind, what college I was founder of, or what library I had built. Methinks I do very ill to return to the world again—to leave the only place where I make a figure; and from seeing myself seated with dignity in the most conspicuous shelves of a library, put myself into the abject posture of lying at a lady's feet in St. James's Square."

      There is a good deal of the poetical and picturesque in this account, as in another, of a ride to Oxford about two years before, there is of the picturesque and ludicrous. Pope and his cotemporaries, Swift, Addison, and Steele, have made immortal the triad of great publishers of their day—Tonson, Lintot, and Curll. Curll issued to the light a stolen volume of Pope's letters, to the poet's astonishment; and, on Pope's very natural anger, with very bibliopolical coolness, replied, that Mr. Pope ought to be very much obliged to him for making them known, for they did him so much credit. Jacob Tonson was the John Murray of his day; he turned out the most splendid editions of standard works, and was, moreover, the secretary of the great political Whig, or Kit-cat Club, of which the dukes of Somerset, Richmond, Grafton, Devonshire, and Marlborough; the Earls of Dorset, Sunderland, Manchester, Wharton, and Kingston; Lords Halifax and Somers; Sir Richard Steele, Addison, Congreve, Garth, Mainwaring, Pulteney, and many other distinguished men, were members. These, such was the munificence of the great bibliopole, he employed Sir Godfrey Kneller to paint for him, of a size to admit of representing the heads, and which has since been called the kit-cat size. Munificent, however, as he was, Lintot soon out-bid him for Pope's Homer, and made his fortune by it.

      Of Lintot's active schemes to turn a penny, the ride just mentioned to Oxford affords a curious example. Pope had borrowed a horse of Lord Burlington, and set out alone. He had most likely mentioned his going in Lintot's shop, for he had but just entered Windsor Forest, when who should come trotting up behind at a smart rate but Bernard Lintot. Pope had an instant feeling of Lintot's design, and in a letter to Lord Burlington gave a humorous and characteristic account of the singular conversation which took place between them. Pope had observed that Lintot, who was more accustomed to get astride of authors than of horses, sat uneasily in his saddle, for which he expressed some solicitude, when Lintot proposed that, as they had the day before them, it would be pleasant to sit a while under the woods. When they had alighted, "See here," said Lintot, "what a mighty pretty Horace I have in my pocket! What if you amused yourself in turning an ode till we mount again? Lord! if you pleased, what a clever miscellany you might make at leisure hours." "Perhaps I may," said Pope, "if we ride on; the motion is an aid to my fancy; a round trot very much awakens my spirits; then jog on apace, and I'll think as hard as I can." Silence ensued for a full hour, after which Lintot stopped short, and broke out, "Well, sir, how far have you gone?" "Seven miles," answered Pope. "Zounds! sir," exclaimed Lintot, "I thought you had done seven stanzas. Oldsworth in a ramble round Wimbledon Hill would translate a whole ode in this time. I'll say that for Oldsworth, though I lost by his Timothys, he translates an ode of Horace the quickest of any man in England. I remember Dr. King would write verses in a tavern three hours after he could not speak; and there is Sir Richard, in that rumbling old chariot of his, between Fleet-street and St. Giles's Pound, shall make you half a Job." Pope jogged on to Oxford, and dropped Lintot as soon as he could.

      We may imagine Pope, during his occasional visits to London, looking in at Lintot's to see what was coming out new, or spending a morning with Swift at his lodgings; with Bolingbroke; or with