and arbitrary selfishness had nearly worn her to the death; and when these were aggravated by fears for her reputation, and then by the appearance of a rival on the scene, that she extorted from him a marriage, which was still kept a profound secret, unacknowledged, and which left her just in the position she was in before, that of a mere companion in presence of a third party, when he chose. The rival just mentioned was a Miss Vanhomrigh, the daughter of a widow lady, whose house he frequented during his life in London. This young lady, to whom he, on his uniform plan, which tended to prevent unpleasant claims by the evidence of letters, gave the name of Vanessa, as he termed himself Cadenus, was high-spirited and accomplished. When Swift, in his usual manner, had for a long time paid every marked attention to Miss Vanhomrigh, and was regarded both by herself and the whole family as an acknowledged lover, yet never came to plain terms, the young lady came boldly to them herself. The gay deceiver was thunderstruck: he had for a few years been living in the most intimate state of confidence with Stella, as her affianced lover; she had all the claims of honor and affection upon him that a wife could have; for, though maintaining the strictest propriety of life under the closest care of Mrs. Dingley, she was devoting her time, her thoughts, the very flower of her life, and the hazard of her good name, to his social happiness. This plain dealing, therefore, on the part of Vanessa, was an embarrassing blow. "We can not doubt," says Scott, "that he actually felt" the shame, disappointment, guilt, surprise, "expressed in his celebrated poem, though he had not the courage to take the open and manly course of avowing those engagements with Stella, or other impediments, which prevented his accepting the hand and fortune of her rival."
The fox, in fact, was taken in his wiles. He had got more on his hands than, with all his cunning, he knew how to manage. His selfish tyranny had been able to control, and put off poor Stella, but Vanessa was a different kind of subject, and put the wretched shuffler into great alarm and anxiety. He retired to Ireland; but this did not mend the matter: it tended rather to make it worse; for Miss Vanhomrigh had property there, and speedily announced to the guilty dean her presence in Dublin. He was now in as pretty a fix as one could wish such a double-dealer to be. "The claims of Stella," says Scott, "were preferable in point of date, and to a man of honor and good faith, in every respect inimitable. She had resigned her country, her friends, and even hazarded her character, in hope of one day being united to Swift. But if Stella had made the greater sacrifice, Vanessa was the more important victim. She had youth, fortune, fashion; all the acquired accomplishments and information in which Stella was deficient; possessed at least as much wit, and certainly higher powers of imagination. She had, besides, enjoyed the advantage of having in a manner compelled Swift to hear and reply to the language of passion. There was in her case no Mrs. Dingley, no convenient third party, whose presence in society and community in correspondence necessarily imposed upon both a restraint, convenient perhaps to Swift, but highly unfavorable to Stella."
The consequences were such as might be expected. Swift endeavored to temporize and amuse Miss Vanhomrigh, and to get her to return to England, but in vain. She never ceased to press, to her, the important question, and to keep him in what he used to call a "quickset hedge." She importuned him with complaints of cruelty and neglect, and it was obvious that any decisive measure to break this acquaintance would be attended with some such tragic consequence as, though late, at length concluded their story. He was thus compelled to assume a demeanor of kindness and affection to Vanessa, which, of course, soon was reported to Stella, and began to produce in her the most fatal symptoms. Her heart was wrung by fears and jealousies; her health gave way; and Swift was compelled to a private marriage, in order not to clog his conscience with her murder. The conditions of this marriage were, that it should continue a strict secret from the public, and that they should continue to live separately, and in the same guarded manner as before. The grand business of his life now was to soothe and wheedle Vanessa, and to play the hypocrite lover to her while he was the husband of another woman; a fine situation for a clergyman and a dean! This, we may believe, with a woman of Miss Vanhomrigh's temperament, was no easy task. His next plan was to get rid of her by inducing her to marry some one else, and for this purpose he presented to her Dean Winter, a gentleman of character and fortune, and Dr. Price, afterward Archbishop of Cashel. It was in vain; she rejected such offers peremptorily, and at length, as if to hide her vexation and seek repose in nature, she retired to Marley Abbey, her house and property near Celbridge. But the dreams of love and jealousy pursued her thither with only the more force. She heard whispers of Stella being actually the wife of Swift, and she determined to know the truth. For this purpose she wrote at once to Stella, and put the plain question to her. The result of this was rapid and startling. In a few days she saw the dean descend from his horse at her gate, and advance to her door dark and fierce as a thunder-cloud. He entered, threw down a letter upon the table before her, and with a look black as night, stalked out again without a word, mounted, and rode away. As soon as Miss Vanhomrigh recovered in some degree from her terror and amazement, she took up the letter, opened it, and found it her own to Stella!
Stella herself confirmed the fatal truth by a candid avowal and Miss Vanhomrigh sank under the shock. For eight years, trusting probably to the promises of Swift, and the apparently failing health of Stella, she had maintained the unequal contest with her deep-rooted passion and Swift's mysterious conduct, but this revelation of his villainy was her death. However, she lived only to revoke in haste her will, which had been made in favor of Swift, and to leave her fortune to Mr. Marshall, afterward one of the judges of the Court of Common Pleas in Ireland, and Dr. Berkeley, the celebrated philosopher, and afterward Bishop of Cloyne; and to command the publication of all the letters which had passed between Swift and herself, as well as the celebrated poem of Cadenus and Vanessa.
Stella died in 1727–8, having borne the secret and corroding suffering of the position imposed by the selfishness of Swift for upward of thirty years. Mrs. Whiteway, a lady who was on terms of great intimacy with Swift, and spent much time at the deanery of St. Patrick's, stated, that when Stella was on her death-bed, she expostulated with Swift on his having kept their marriage unnecessarily secret, and expressed her fear that it might leave a stain on her reputation, to which Swift replied, "Well, my dear, if you wish it, it shall be owned." Stella replied, "It is too late!"
Scott says "he received this report of Mrs. Whiteway with pleasure, as vindicating the dean from the charge of cold-blooded and hard-hearted cruelty to the unfortunate Stella, when on the verge of existence." How does it vindicate him from any such charge? The avowal was never made by him; and so dubious was the very fact of the marriage left, as far as any act of Swift's was concerned, that its very existence has since been strenuously denied, especially by Mr. Monck Mason in his History of St. Patrick's Cathedral. The simple truth is, that the whole of Swift's conduct to Stella for thirty-three years was a piece of "cold-blooded and hard-hearted cruelty," which admits of no defense. Such was the treatment which all ladies who manifested an attachment to Swift received at his hands; is it any wonder that such a man went mad?
These circumstances have given a singular character to the biography of Swift; the letters of Stella and Vanessa, which have been published, convert it, by their passion and heart-eloquence, into a species of romance; in which, however, Swift himself plays the part of a very clever, witty, and domineering, but certainly not attractive hero. Moorpark will always possess an interest connected with Stella. It was amid its pleasant groves that, young, beautiful, and confiding, she indulged with Swift in those dreams of after life which he was so bitterly to falsify. There is a cavern about three quarters of a mile from the mansion, called Mother Ludlam's Hole, which the country tradition represents as having been a frequent resort of Swift and Stella in their walks. It lies half way down the side of the hill, covered with wood toward the southern extremity of the park. It seems to have been hewn out of the sandstone rock, and to have increased considerably in its dimensions since it was described by Grose. The greatest height of this excavation may be about twelve feet, and its breadth twenty, but at the distance of about thirty feet from the entrance it becomes so low and narrow as to be passable only by a person crawling on his hands and knees. From the bottom of the cave issues a small, clear stream, and two stone benches have been placed for the accommodation of visitors. The gloom and uncertain depth of the grotto, the sound of the water, and the beauty of the surrounding solitary scene, surveyed through the dark arched entrance, shagged with weeds and the roots of trees, give the spot an impressive effect. Grose gives a jocose account of the origin of the name of the cave.