is buried in Richmond Church, at the west end of the north aisle. There is a square brass tablet, well secured into the wall with ten large screws, bearing this inscription:
"In the earth below this Tablet
Are the remains of
James Thomson,
Author of the beautiful Poems entitled The Seasons, Castle of Indolence,
&c., &c., who died at Richmond on the 27th day of August,
and was buried here on the 29th, old style, 1748. The Earl
of Buchan, unwilling that so good a man and sweet a poet
should be without a memorial, has denoted the place
of his interment for the satisfaction of his admirers,
in the year of our Lord, 1792."
"Father of light and life, thou Good Supreme!
O teach me what is good; teach me myself!
Save me from folly, vanity, and vice,
From every low pursuit! and feed my soul
With knowledge, conscious peace, and virtue pure,
Sacred, substantial, never-fading bliss!"—Winter, p. 144.
WILLIAM SHENSTONE.
No poet of the same pretensions has been so much known through his residence as Shenstone. Without the Leasowes he would have been nothing. His elegies and pastorals would have lain on the dustiest of book-shelves, and his Schoolmistress, by far the best of his productions, would hardly have retained vitality enough to make herself noticeable in the crowd of poetical characters. The Leasowes was the chief work of Shenstone's life, and it is the chief means of that portion of immortality which he possesses. Into every quarter of the kingdom the fame of this little domain has penetrated. Nature there formed the grand sub-stratum of his art, and nature is always beautiful. But I do confess, that in the Leasowes I have always found so much ado about nothing; such a parade of miniature cascades, lakes, streams conveyed hither and thither; surprises in the disposition of woods and the turn of walks, with a seat placed here, and another there; with inscriptions, Latin and English; and piping Fauns fauning upon you in half a dozen places, that I have heartily wished myself out upon a good rough heath, with the winds blowing away the cobwebs of so many conceits from my brain.
In the days of Shenstone there prevailed the falsest notions of life and poetry. If poetry be indeed "the eloquence of truth," as Campbell beautifully pronounced it—if great passions, great sentiments, great wrestlings with our destinies, and conflicts for the good of others—if these constitute the sublimity of duty, and give occasion for the sublimity of poetry, how poor a delusion was that which led one to dream and drone in some fantastic retirement; to whimper over petty troubles, and waste the intellect on petty themes; exalting mole-hills into mountains, and the stings of a morbid selfishness into picturesque sorrows, when they should have been up and doing, dragging out to the light of day, like Crabbe, all the wretchedness and the wrong of social life, or breathing into the trumpet of a generous indignation the notes that rouse the world to a higher tone and task.
The remarks of Dr. Johnson appear to me, in the case of Shenstone, who was amiable but trifling, as very just: "Now was excited his delight in rural pleasures and his ambition of rural elegance. He began, from the time of occupying his own estate, to point his prospects, to diversify his surface, to entangle his walks, and to wind his waters, which he did with such judgment and such fancy as made his little domain the envy of the great and the admiration of the skillful; a place to be visited by travelers, and copied by designers. Whether to plant a walk in undulating curves, and to place a bench at every turn where there is an object to catch the view; to make water run where it will be heard, and to stagnate where it will be seen; to leave intervals where the eye will be pleased, and to thicken the plantation where there is something to be hidden, demand any great powers of mind, I will not inquire; perhaps a sullen and surly spectator may think such performances rather the sport than the business of human reason. But it must be at least confessed that to embellish the form of nature is an innocent amusement, and some praise must be allowed by the most supercilious observer to him who does best what such multitudes are contending to do well."
This seems to me the precise merit of Shenstone. He introduced a better taste in landscape gardening, though his taste was often questionable, and may be ranked with Browne and Kent. He was a man of taste rather than of genius, and may claim a full alliance with the lovers of nature, but is as far from the association with great poets—with such men as Milton or Shakspeare, Burns or Elliott, as the glow-worm is with the comet. Poetry is not only the highest art, but, next to religion itself, the most divine principle on earth. It is a religion itself, or, rather, forms part and parcel of that of Christ; for its object is to stimulate virtue, abash vice, raise the humble, abase the proud, call forth the most splendid qualities of the soul, and pour love like a river over the earth till it fills every house, and leaves behind it a fertility like that which follows the inundations of the Nile. We do injustice to Shenstone when we place him beside the giants, and thus provokingly display his true proportions.
"The pleasure of Shenstone," continues Johnson, "was all in his eye; he valued what he valued merely for its looks; nothing raised his indignation more than to ask if there were any fishes in his water.
"His house was mean, and he did not improve it; his care was of his grounds. When he came home from his walks, he might find his floors flooded by a shower through the broken roof, but could spare no money for its reparation. In time, his expenses brought clamors about him that overpowered the lamb's bleat and the linnet's song, and his groves were haunted by beings very different to fauns and fairies. He spent his estate in adorning it, and his death was probably hastened by his anxieties. He was a lamp that spent its oil in blazing. * * * He died at the Leasowes, of a putrid fever, in 1763, and was buried by the side of his brother in Halesowen churchyard.
"He was never married, though he might have obtained the lady, whoever she was, to whom his Pastoral Ballad was addressed. He is represented by his friend Dodsley as a man of great tenderness and generosity, kind to all that were within his influence, but if once offended, not easily appeased; inattentive to economy, and careless of his expenses. In his person he was larger than the middle size, with something clumsy in his form; very negligent of his clothes, and remarkable for wearing his gray hair in a particular manner; for he held that the fashion was no rule of dress, and that every man was to suit his appearance to his natural form. His mind was not very comprehensive, nor his curiosity active; he had no value for those parts of knowledge which he had not himself cultivated."
Gray visited the Leasowes, and his opinion of Shenstone was very similar to that of Johnson. "I have read, too, an octavo volume of Shenstone's letters. Poor man! he was always wishing for money, for fame, and other distinctions; and his whole philosophy consisted in living against his will in retirement, and in a place which his taste had adorned, but which he only enjoyed when people of note came to see and commend it. His correspondence is about nothing else but this place and his own writings, with two or three neighboring clergymen, who wrote verses too."
I have ascertained the present condition of the Leasowes through an intelligent friend who visited it the other day at my request. The Leasowes is about six or seven miles distant from Birmingham, on the road to Kidderminster, and about four miles from Hagley, in the parish of Halesowen. Arriving at Halesowen, you have to descend a long and steep hill, from the top of which you have a view of the Bromsgrove, Clent, and Dudley hills, which are in the immediate neighborhood—Hagley Park being situated on one of the Clent hills—and of the Clee hills in the distance; these form a boundary between the counties of Hereford and Salop. About half way down this descent, which is a mile long, you turn to the left down a shady lane; this leads to the Leasowes, and in some degree partakes of the character of the place; winding continually, yet still