The griffin classics

The Collected Works of Honore de Balzac


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the patience of the fifteenth-century artisan. Such curiosities did more to enrich their fortunate owners than the signs of “Providence,” “Good-faith,” “Grace of God,” and “Decapitation of John the Baptist,” which may still be seen in the Rue Saint-Denis.

      However, our stranger was certainly not standing there to admire the cat, which a minute’s attention sufficed to stamp on his memory. The young man himself had his peculiarities. His cloak, folded after the manner of an antique drapery, showed a smart pair of shoes, all the more remarkable in the midst of the Paris mud, because he wore white silk stockings, on which the splashes betrayed his impatience. He had just come, no doubt, from a wedding or a ball; for at this early hour he had in his hand a pair of white gloves, and his black hair, now out of curl, and flowing over his shoulders, showed that it had been dressed a la Caracalla, a fashion introduced as much by David’s school of painting as by the mania for Greek and Roman styles which characterized the early years of this century.

      In spite of the noise made by a few market gardeners, who, being late, rattled past towards the great market-place at a gallop, the busy street lay in a stillness of which the magic charm is known only to those who have wandered through deserted Paris at the hours when its roar, hushed for a moment, rises and spreads in the distance like the great voice of the sea. This strange young man must have seemed as curious to the shopkeeping folk of the “Cat and Racket” as the “Cat and Racket” was to him. A dazzlingly white cravat made his anxious face look even paler than it really was. The fire that flashed in his black eyes, gloomy and sparkling by turns, was in harmony with the singular outline of his features, with his wide, flexible mouth, hardened into a smile. His forehead, knit with violent annoyance, had a stamp of doom. Is not the forehead the most prophetic feature of a man? When the stranger’s brow expressed passion the furrows formed in it were terrible in their strength and energy; but when he recovered his calmness, so easily upset, it beamed with a luminous grace which gave great attractiveness to a countenance in which joy, grief, love, anger, or scorn blazed out so contagiously that the coldest man could not fail to be impressed.

      He was so thoroughly vexed by the time when the dormer-window of the loft was suddenly flung open, that he did not observe the apparition of three laughing faces, pink and white and chubby, but as vulgar as the face of Commerce as it is seen in sculpture on certain monuments. These three faces, framed by the window, recalled the puffy cherubs floating among the clouds that surround God the Father. The apprentices snuffed up the exhalations of the street with an eagerness that showed how hot and poisonous the atmosphere of their garret must be. After pointing to the singular sentinel, the most jovial, as he seemed, of the apprentices retired and came back holding an instrument whose hard metal pipe is now superseded by a leather tube; and they all grinned with mischief as they looked down on the loiterer, and sprinkled him with a fine white shower of which the scent proved that three chins had just been shaved. Standing on tiptoe, in the farthest corner of their loft, to enjoy their victim’s rage, the lads ceased laughing on seeing the haughty indifference with which the young man shook his cloak, and the intense contempt expressed by his face as he glanced up at the empty window-frame.

      At this moment a slender white hand threw up the lower half of one of the clumsy windows on the third floor by the aid of the sash runners, of which the pulley so often suddenly gives way and releases the heavy panes it ought to hold up. The watcher was then rewarded for his long waiting. The face of a young girl appeared, as fresh as one of the white cups that bloom on the bosom of the waters, crowned by a frill of tumbled muslin, which gave her head a look of exquisite innocence. Though wrapped in brown stuff, her neck and shoulders gleamed here and there through little openings left by her movements in sleep. No expression of embarrassment detracted from the candor of her face, or the calm look of eyes immortalized long since in the sublime works of Raphael; here were the same grace, the same repose as in those Virgins, and now proverbial. There was a delightful contrast between the cheeks of that face on which sleep had, as it were, given high relief to a superabundance of life, and the antiquity of the heavy window with its clumsy shape and black sill. Like those day-blowing flowers, which in the early morning have not yet unfurled their cups, twisted by the chills of night, the girl, as yet hardly awake, let her blue eyes wander beyond the neighboring roofs to look at the sky; then, from habit, she cast them down on the gloomy depths of the street, where they immediately met those of her adorer. Vanity, no doubt, distressed her at being seen in undress; she started back, the worn pulley gave way, and the sash fell with the rapid run, which in our day has earned for this artless invention of our forefathers an odious name, Fenetre a la Guillotine. The vision had disappeared. To the young man the most radiant star of morning seemed to be hidden by a cloud.

      During these little incidents the heavy inside shutters that protected the slight windows of the shop of the “Cat and Racket” had been removed as if by magic. The old door with its knocker was opened back against the wall of the entry by a man-servant, apparently coeval with the sign, who, with a shaking hand, hung upon it a square of cloth, on which were embroidered in yellow silk the words: “Guillaume, successor to Chevrel.” Many a passer-by would have found it difficult to guess the class of trade carried on by Monsieur Guillaume. Between the strong iron bars which protected his shop windows on the outside, certain packages, wrapped in brown linen, were hardly visible, though as numerous as herrings swimming in a shoal. Notwithstanding the primitive aspect of the Gothic front, Monsieur Guillaume, of all the merchant clothiers in Paris, was the one whose stores were always the best provided, whose connections were the most extensive, and whose commercial honesty never lay under the slightest suspicion. If some of his brethren in business made a contract with the Government, and had not the required quantity of cloth, he was always ready to deliver it, however large the number of pieces tendered for. The wily dealer knew a thousand ways of extracting the largest profits without being obliged, like them, to court patrons, cringing to them, or making them costly presents. When his fellow-tradesmen could only pay in good bills of long date, he would mention his notary as an accommodating man, and managed to get a second profit out of the bargain, thanks to this arrangement, which had made it a proverb among the traders of the Rue Saint-Denis: “Heaven preserve you from Monsieur Guillaume’s notary!” to signify a heavy discount.

      The old merchant was to be seen standing on the threshold of his shop, as if by a miracle, the instant the servant withdrew. Monsieur Guillaume looked at the Rue Saint-Denis, at the neighboring shops, and at the weather, like a man disembarking at Havre, and seeing France once more after a long voyage. Having convinced himself that nothing had changed while he was asleep, he presently perceived the stranger on guard, and he, on his part, gazed at the patriarchal draper as Humboldt may have scrutinized the first electric eel he saw in America. Monsieur Guillaume wore loose black velvet breeches, pepper-and-salt stockings, and square toed shoes with silver buckles. His coat, with square-cut fronts, square-cut tails, and square-cut collar clothed his slightly bent figure in greenish cloth, finished with white metal buttons, tawny from wear. His gray hair was so accurately combed and flattened over his yellow pate that it made it look like a furrowed field. His little green eyes, that might have been pierced with a gimlet, flashed beneath arches faintly tinged with red in the place of eyebrows. Anxieties had wrinkled his forehead with as many horizontal lines as there were creases in his coat. This colorless face expressed patience, commercial shrewdness, and the sort of wily cupidity which is needful in business. At that time these old families were less rare than they are now, in which the characteristic habits and costume of their calling, surviving in the midst of more recent civilization, were preserved as cherished traditions, like the antediluvian remains found by Cuvier in the quarries.

      The head of the Guillaume family was a notable upholder of ancient practices; he might be heard to regret the Provost of Merchants, and never did he mention a decision of the Tribunal of Commerce without calling it the Sentence of the Consuls. Up and dressed the first of the household, in obedience, no doubt, to these old customs, he stood sternly awaiting the appearance of his three assistants, ready to scold them in case they were late. These young disciples of Mercury knew nothing more terrible than the wordless assiduity with which the master scrutinized their faces and their movements on Monday in search of evidence or traces of their pranks. But at this moment the old clothier paid no heed to his apprentices; he was absorbed in trying to divine the motive of the anxious looks which the young man in silk stockings and a cloak cast alternately at