Havelock Ellis

Studies in the Psychology of Sex (Vol. 1-6)


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organs. Under barbaric conditions and among savages, when no magico-religious ideas intervene, the sexual organs are beautiful and pleasurable objects. Under modern conditions this is not so. This difference of attitude is reflected in sculpture. In savage and barbaric carvings of human beings, the sexual organs of both sexes are often enormously exaggerated. This is true of the archaic European figures on which Salomon Reinach has thrown so much light, but in modern sculpture, from the time when it reached its perfection in Greece onward, the sexual regions in both men and women are systematically minimized.[103]

      If it is, perhaps, somewhat excessive to declare, with Johnstone, that "woman is the only animal in which rut is omnipresent," we must admit that the two groups of phenomena merge into or replace each other, that their object is identical, that they involve similar psychic conditions. Here, also, we see a striking example of the way in which women preserve a primitive phenomenon which earlier in the zoölogical series was common to both sexes, but which man has now lost. Heat and menstruation, with whatever difference of detail, are practically the same phenomenon. We cannot understand menstruation unless we bear this in mind.