mandolin case—and I just know it won't come out!” She tugged frantically at the instrument.
“'Out, damned spot!'” quoted Chip in a sepulchral tone before he turned to assist her.
Miss Whitmore let go the mandolin and stared blankly up at him, and Chip, offended at her frank surprise that he should quote Shakespeare, shut his lips tightly and relapsed into silence.
––––––––
II
Over the “Hog's Back”
“That's Flying U ranch,” volunteered Chip, as they turned sharply to the right and began to descend a long grade built into the side of a steep, rocky bluff. Below them lay the ranch in a long, narrow coulee. Nearest them sprawled the house, low, white and roomy, with broad porches and wide windows; further down the coulee, at the base of a gentle slope, were the sheds, the high, round corrals and the haystacks. Great, board gates were distributed in seemingly useless profusion, while barbed wire fences stretched away in all directions. A small creek, bordered with cottonwoods and scraggly willows, wound aimlessly away down the coulee.
“J. G. doesn't seem to have much method,” remarked Miss Whitmore, after a critical survey. “What are all those log cabins scattered down the hill for? They look as though J. G. had a handful that he didn't want, and just threw them down toward the stable and left them lying where they happened to fall.”
“It does, all right,” conceded Chip. “They're the bunk house—where us fellows sleep—and the mess house, where we eat, and then come the blacksmith shop and a shack we keep all kinds of truck in, and—”
“What—in—the world—”
A chorus of shouts and shots arose from below. A scurrying group of horsemen burst over the hill behind the house, dashed half down the slope, and surrounded the bunk house with blood-curdling yells. Chip held the creams to a walk and furtively watched his companion. Miss Whitmore's eyes were very wide open; plainly, she was astonished beyond measure at the uproar. Whether she was also frightened, Chip could not determine.
The menacing yells increased in volume till the very hills seemed to cower in fear. Miss Whitmore gasped when a limp form was dragged from the cabin and lifted to the back of a snorting pony.
“They've got a rope around that man's neck,” she breathed, in a horrified half whisper. “Are—they—going to HANG him?”
“It kinda looks that way, from here,” said Chip, inwardly ashamed. All at once it struck him as mean and cowardly to frighten a lady who had traveled far among strangers and who had that tired droop to her mouth. It wasn't a fair game; it was cheating. Only for his promise to the boys, he would have told her the truth then and there.
Miss Whitmore was not a stupid young woman; his very indifference told her all that she needed to know. She tore her eyes from the confused jumble of gesticulating men and restive steeds to look sharply at Chip. He met her eyes squarely for an instant, and the horror oozed from her and left only amused chagrin that they should try to trick her so.
“Hurry up,” she commanded, “so I can be in at the death. Remember, I'm a doctor. They're tying him to his horse—he looks half dead with fright.”
Inwardly she added: “He overacts the part dreadfully.”
The little cavalcade in the coulee fired a spectacular volley into the air and swept down the slope like a dry-weather whirlwind across a patch of alkali ground. Through the big gate and up the road past the stables they thundered, the prisoner bound and helpless in their midst.
Then something happened. A wide-open River Press, flapping impotently in the embrace of a willow, caught the eye of Banjo, a little blaze—faced bay who bore the captive. He squatted, ducked backward so suddenly that his reins slipped from Slim's fingers and lowered his head between his white front feet. His rider seemed stupid beyond any that Banjo had ever known—and he had known many. Snorting and pitching, he was away before the valiant band realized what was happening in their midst. The prisoner swayed drunkenly in the saddle. At the third jump his hat flew off, disclosing the jagged end of a two-by-four.
The Happy Family groaned as one man and gave chase.
Banjo, with almost human maliciousness, was heading up the road straight toward Chip and the woman doctor—and she must be a poor doctor indeed, and a badly frightened one, withal, if she failed to observe a peculiarity in the horse thief's cranium.
Cal Emmett dug his spurs into his horse and shot by Slim like a locomotive, shouting profanity as he went.
“Head him into the creek,” yelled Happy Jack, and leaned low over the neck of his sorrel.
Weary Willie stood up in his stirrups and fanned Glory with his hat. “Yip, yee—e-e! Go to it, Banjo, old boy! Watch his nibs ride, would yuh? He's a broncho buster from away back.” Weary Willie was the only man of them all who appeared to find any enjoyment in the situation.
“If Chip only had the sense to slow up and give us a chance—or spill that old maid over the bank!” groaned Jack Bates, and plied whip and spur to overtake the runaway.
Now the captive was riding dizzily, head downward, frightening Banjo half out of his senses. What he had started as a grim jest, he now continued in deadly earnest; what was this uncanny semblance of a cow-puncher which he could not unseat, yet which clung so precariously to the saddle? He had no thought now of bucking in pure devilment—he was galloping madly, his eyes wild and staring.
Of a sudden, Chip saw danger lurking beneath the fun of it. He leaned forward a little, got a fresh grip on the reins and took the whip.
“Hang tight, now—I'm going to beat that horse to the Hog's Back.”
Miss Whitmore, laughing till the tears stood in her eyes, braced herself mechanically. Chip had been laughing also—but that was before Banjo struck into the hill road in his wild flight from the terror that rode in the saddle.
A smart flick of the whip upon their glossy backs, and the creams sprang forward at a run. The buggy was new and strong, and if they kept the road all would be well—unless they met Banjo upon the narrow ridge between two broad-topped knolls, known as the Hog's Back. Another tap, and the creams ran like deer. One wheel struck a cobble stone, and the buggy lurched horribly.
“Stop! There goes my coyote!” cried Miss Whitmore, as a gray object slid down under the hind wheel.
“Hang on or you'll go next,” was all the comfort she got, as Chip braced himself for the struggle before him. The Hog's Back was reached, but Banjo was pounding up the hill beyond, his nostrils red and flaring, his sides reeking with perspiration. Behind him tore the Flying U boys in a vain effort to head him back into the coulee before mischief was done.
Chip drew his breath sharply when the creams swerved out upon the broad hilltop, just as Banjo thundered past with nothing left of his rider but the legs, and with them shorn of their plumpness as the hay dribbled out upon the road.
A fresh danger straightway forced itself upon Chip's consciousness. The creams, maddened by the excitement, were running away. He held them sternly to the road and left the stopping of them to Providence, inwardly thanking the Lord that Miss Whitmore did not seem to be the screaming kind of woman.
The “vigilantes” drew hastily out of the road and scudded out of sight down a gully as the creams lunged down the steep grade and across the shallow creek bed. Fortunately the great gate by the stable swung wide open and they galloped through and up the long slope to the house, coming more under control at every leap, till, by a supreme effort, Chip brought them, panting, to a stand before the porch where the Old Man stood boiling over with anxiety and excitement. James G. Whitmore was not a man who took things calmly; had he been a woman he would have been called fussy.
“What