Caitlin Smith Gilson

Subordinated Ethics


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of seeing what is there to be seen, but which is rarely seen at all: the divine presence. Like the characters in The Idiot, these are The Ways, given to those who have forgotten by condition the un-reflexive love, so that futurity cannot be liberation but only the fatal flaw, the hamartia which casts a long shadow:

      Things are now as they are;

      they will be fulfilled in what is fated;

      neither burnt sacrifice nor libation

      of offerings without fire

      Let the storm burst, my fixed resolve still holds,

      To learn my lineage, be it ne’er so low.

      It may be she with all a woman’s pride

      Thinks scorn of my base parentage. But I

      Who rank myself as Fortune’s favorite child,

      The giver of good gifts, shall not be shamed.

      She is my mother and the changing moons

      My brethren, and with them I wax and wane.

      Thus sprung why should I fear to trace my birth?

      Saint Anselm’s Thicket of Perfection:

      That Which Rises Up against Death

      The Dumb Ox recognizes the delicate position of the Five Ways: he must demonstrate God beyond a reasonable doubt but must also demonstrate the mystery, the incommunicability, the dramatic difference-as-such, which can be viewed by the secondary ethic but can only be accessed by our originary praxis, the childhood of a bodily soul. And to do this, the Ways must primarily invoke the longer way of the natural law as imposition, and then leave open the door to the immediacy of the Anselmian logic of perfection. Saint Thomas must turn away from the self-evidence of God so as to return to it in its proper place.

      Is God self-evident? The question is framed in terms of intellectual assent, and the answer, within that vein, must be a resounding No. But because God’s essence and existence are identical, Saint Thomas presents the genuine non-mediated connectivity between God’s creative To Be and man’s active responsiveness to that immediacy: