Vladimir Bibikhin

The Woods


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Kolonitskii, Comrade Kerensky

      Sergei Medvedev, The Return of the Russian Leviathan

      Maxim Trudolyubov, The Tragedy of Property

      Vladimir Bibikhin

      Edited by Artemy Magun

      Translated by Arch Tait

      polity

      First published in Russian as ΠΕС (hyle) by Hayκa (Nauka), 2011. Copyright Vladimir Bibikhin © 2020 This English edition © Polity Press, 2020

      This book was published with the support of the Zimin Foundation.

      The Translator asserts his moral right to be identified as the Translator of the Work

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      All rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher.

      ISBN-13: 978-1-5095-2590-4

      A catalogue record for this book is available from the British Library.

      The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.

      Every effort has been made to trace all copyright holders, but if any have been overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition.

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      This is the first book-length translation into English of the work of the Russian philosopher Vladimir Bibikhin (1938–2004). Bibikhin is recognized by many (myself included) as the most important Soviet/Russian thinker of the second half of the twentieth century. In the 1990s, his public lecture courses enjoyed immense popularity, the lecture hall was packed, and almost every course was later published as a solid philosophical treatise. Within some fifteen years, Bibikhin created an impressive oeuvre on the scale of a philosophical encyclopaedia. This work was ‘marked’ (to use his term) and remarkable for many reasons, including a virtuoso Russian style, freely flowing in unpredictable directions to express an original thought, to connect a foreign word to a Russian word, a metaphysical formula to the spirit of the times and to the lived experience of contemporary politics and everyday life. Bibikhin’s was a free, original philosophy of genius which, nevertheless, was based on great erudition, some bibliographical research, and, as is clear with hindsight, was moving towards becoming systematic.