him who was his superior in so many other things? To be able to look down where he looked up—what was it but superiority?
"My mother's the best of the lot," he said: "—she's the best woman in the world, I do believe; but she's nobody except at home—don't you know? Look at her and your aunt together! Pooh! Because she's my mother, that's no reason why I should think royalty of her!"
"What a cub it is!" said Vavasor to himself, almost using a worse epithet of the same number of letters, and straightway read him a lecture, well meant and shallow, on what was good form in a woman. According to him, not the cub's mother only, but Hester also possessed the qualities that went to the composition of this strange virtue in eminent degrees. Cornelius continued his opposition, but modified it, for he could not help feeling flattered, and began to think a little more of his mother and of Hester too.
"She's a very good girl—of her sort—is Hester," he said; "I don't require to be taught that, Mr. Vavasor. But she's too awfully serious. She's in such earnest about everything—you haven't an idea! One half-hour of her in one of her moods is enough to destroy a poor beggar's peace of mind for ever. And there's no saying when the fit may take her."
Vavasor laughed. But he said to himself "there was stuff in her: what a woman might be made of her!" To him she seemed fit—with a little developing aid—to grace the best society in the world. It was not polish she needed but experience and insight, thought Vavasor, who would have her learn to look on the world and its affairs as they saw them who by long practice had disqualified themselves for seeing them in any other than the artificial light of fashion. Thus early did Vavasor conceive the ambition of having a hand in the worldly education of this young woman, such a hand that by his means she should come to shine as she deserved in the only circle in which he thought shining worth any one's while; his reward should be to see her so shine. Through his aunt he could gain her entrance where he pleased. In relation to her and her people he seemed to himself a man of power and influence.
I wonder how Jesus Christ would carry himself in Mayfair. Perhaps he would not enter it. Perhaps he would only call to his own to come out of it, and turn away to go down among the money-lenders and sinners of the east end. I am only wondering.
Hester took to Vavasor from the first, in an external, meet-and-part sort of fashion. His bearing was so dignified yet his manner so pleasing, that she, whose instinct was a little repellent, showed him nothing of that phase of her nature. He roused none of that inclination to oppose which poor foolish Corney always roused in her. He could talk well about music and pictures and novels and plays, and she not only let him talk freely, but was inclined to put a favorable interpretation upon things he said which she did not altogether like, trying to see only humor where another might have found heartlessness or cynicism. For Vavasor, being in his own eyes the model of an honorable and well-behaved gentleman, had of course only the world's way of regarding and judging things. Had he been a man of fortune he would have given to charities with some freedom; but, his salary being very moderate, and his aunt just a little stingy as he thought, he would not have denied himself the smallest luxury his means could compass, for the highest betterment of a human soul. He would give a half-worn pair of gloves to a poor woman in the street, but not the price of the new pair he was on his way to buy to get her a pair of shoes.
It would have enlightened Hester a little about him to watch him for half an hour where he stood behind the counter of the bank: there he was the least courteous of proverbially discourteous bank-clerks, whose manners are about of the same breed with those of hotel-clerks in America. It ought to be mentioned, however, that he treated those of his own social position in precisely the same way as less distinguished callers. But he never forgot to take up his manners with his umbrella as he left the bank, and his airy, cheerful way of talking, which was more natural to him than his rudeness, coming from the same source that afforded the rimes he delighted in, sparkling pleasantly against the more somber texture of Hester's consciousness. She suspected he was no profound, but that was no reason why she should not be pleasant to him, and allow him to be pleasant to her. So by the time Vavasor had spent three evenings with the Raymounts, Hester and he were on a standing of external intimacy, if there be such a relation.
CHAPTER IX.
SONGS AND SINGERS.
The evening before the return of Cornelius to London and the durance vile of the bank, Vavasor presented himself at the hour of family-tea. Mr. Raymount's work admitting of no late dinner, the evening of the rest of the family was the freer. They occupied a tolerably large drawing-room, and as they had hired for the time a tolerably good piano, to it, when tea was over, Hester generally betook herself. But this time Cornelius, walking up to it with his hands in his pockets, dropped on the piano-stool as if he had taken a fancy to it for a seat, and began to let his hands run over the keys as if to give the idea he could play if he would. Amy Amber was taking away the tea-things and the rest were here and there about the room, Mr. Raymount and Vavasor talking on the hearth-rug—for a moment ere the former withdrew to his study.
"What a rose-diamond you have to wait on you, Mr. Raymount!" said Vavasor. "If I were a painter I would have her sit to me."
"And ruin the poor thing for any life-sitting!" remarked Mr. Raymount rather gruffly, for he found that the easier way of speaking the truth. He had thus gained a character for uncompromising severity, whereas it was but that a certain sort of cowardice made him creep into spiky armor. He was a good man, who saw some truths clearly, and used them blunderingly.
"I don't see why that should follow," said Vavasor, in a softly drawling tone, the very reverse of his host's. Its calmness gave the impression of a wisdom behind it that had no existence. "If the girl is handsome, why shouldn't she derive some advantage from it—and the rest of the world as well?"
"Because, I say, she at least would derive only ruin. She would immediately assume to herself the credit of what was offered only to her beauty. It takes a lifetime, Mr. Vavasor, to learn where to pay our taxes. If the penny with the image and superscription of Caesar has to be paid to Caesar, where has a face and figure like that of Amy Amber to be paid?"
Vavasor did not reply: Mr. Raymount's utterance may perhaps seem obscure to a better thinker. He concluded merely that his host was talking for talk's sake, so talking rubbish. The girl came in again, and the conversation dropped. Mr. Raymount went to his writing, Vavasor toward the piano. Willing to please Cornelius, whom he almost regarded with a little respect now that he had turned out brother to such a sister.
"Sing the song you gave us the other night at our house," he said carelessly.
Hester could hardly credit her hearing. Still more astonished was she when Cornelius actually struck a few chords and began to sing. The song was one of those common drawing-room ones more like the remnants of a trifle the day after a party than any other dish for human use. But there was one mercy in it: the words and the music went together in a perfect concord of weak worthlessness; and Hester had not to listen, with the miserable feeling that rude hands were pulling at the modest garments of her soul, to a true poem set to the music of a scrannel pipe of wretched straw, whose every tone and phrase choked the divine bird caged in the verse.
Cornelius sang like a would-be singer, a song written by a would-be poet, and set by a would-be musician. Verve was there none in the whole ephemeral embodiment. When it died a natural death, if that be possible where never had been any life, Vavasor said, "Thank you, Raymount." But Hester, who had been standing with her teeth clenched under the fiery rain of discords, wrong notes, and dislocated rhythm, rushed to the piano with glowing cheeks and tear-filled eyes, and pushed Cornelius off the stool. The poor weak fellow thought she was acting the sentimental over the sudden outburst of his unsuspected talent, and recovering himself stood smiling at her with affected protest.
"Corney!" she cried—and the faces