George Eliot

Romola


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there’s any use in it: if there’s hot metal on the anvil, I lose no time before I strike; but I don’t spend good hours in tinkling on cold iron, or in standing on the pavement as thou dost, Goro, with snout upward, like a pig under an oak-tree. And as for Lorenzo—dead and gone before his time—he was a man who had an eye for curious iron-work; and if anybody says he wanted to make himself a tyrant, I say, ‘Sia; I’ll not deny which way the wind blows when every man can see the weathercock.’ But that only means that Lorenzo was a crested hawk, and there are plenty of hawks without crests whose claws and beaks are as good for tearing. Though if there was any chance of a real reform, so that Marzocco (the stone Lion, emblem of the Republic) might shake his mane and roar again, instead of dipping his head to lick the feet of anybody that will mount and ride him, I’d strike a good blow for it.”

      “And that reform is not far off, Niccolò,” said the sallow, mild-faced man, seizing his opportunity like a missionary among the too light-minded heathens; “for a time of tribulation is coming, and the scourge is at hand. And when the Church is purged of cardinals and prelates who traffic in her inheritance that their hands may be full to pay the price of blood and to satisfy their own lusts, the State will be purged too—and Florence will be purged of men who love to see avarice and lechery under the red hat and the mitre because it gives them the screen of a more hellish vice than their own.”

      “Ay, as Goro’s broad body would be a screen for my narrow person in case of missiles,” said Nello; “but if that excellent screen happened to fall, I were stifled under it, surely enough. That is no bad image of thine, Nanni—or, rather, of the Frate’s; for I fancy there is no room in the small cup of thy understanding for any other liquor than what he pours into it.”

      “And it were well for thee, Nello,” replied Nanni, “if thou couldst empty thyself of thy scoffs and thy jests, and take in that liquor too. The warning is ringing in the ears of all men: and it’s no new story; for the Abbot Joachim prophesied of the coming time three hundred years ago, and now Fra Girolamo has got the message afresh. He has seen it in a vision, even as the prophets of old: he has seen the sword hanging from the sky.”

      “Ay, and thou wilt see it thyself, Nanni, if thou wilt stare upward long enough,” said Niccolò; “for that pitiable tailor’s work of thine makes thy noddle so overhang thy legs, that thy eyeballs can see nought above the stitching-board but the roof of thy own skull.”

      The honest tailor bore the jest without bitterness, bent on convincing his hearers of his doctrine rather than of his dignity. But Niccolò gave him no opportunity for replying; for he turned away to the pursuit of his market business, probably considering further dialogue as a tinkling on cold iron.

      “Ebbene” said the man with the hose round his neck, who had lately migrated from another knot of talkers, “they are safest who cross themselves and jest at nobody. Do you know that the Magnifico sent for the Frate at the last, and couldn’t die without his blessing?”

      “Was it so—in truth?” said several voices. “Yes, yes—God will have pardoned him.”

      “He died like the best of Christians.”

      “Never took his eyes from the holy crucifix.”

      “And the Frate will have given him his blessing?”

      “Well, I know no more,” said he of the hosen, “only Guccio there met a footman going back to Careggi, and he told him the Frate had been sent for yesternight, after the Magnifico had confessed and had the holy sacraments.”

      “It’s likely enough the Frate will tell the people something about it in his sermon this morning; is it not true, Nanni?” said Goro. “What do you think?”

      But Nanni had already turned his back on Goro, and the group was rapidly thinning; some being stirred by the impulse to go and hear “new things” from the Frate (“new things” were the nectar of Florentines); others by the sense that it was time to attend to their private business. In this general movement, Bratti got close to the barber, and said—

      “Nello, you’ve a ready tongue of your own, and are used to worming secrets out of people when you’ve once got them well lathered. I picked up a stranger this morning as I was coming in from Rovezzano, and I can spell him out no better than I can the letters on that scarf I bought from the French cavalier. It isn’t my wits are at fault—I want no man to help me tell peas from paternosters—but when you come to foreign fashions, a fool may happen to know more than a wise man.”

      “Ay, thou hast the wisdom of Midas, who could turn rags and rusty nails into gold, even as thou dost,” said Nello, “and he had also something of the ass about him. But where is thy bird of strange plumage?”

      Bratti was looking round, with an air of disappointment.

      “Diavolo!” he said, with some vexation. “The bird’s flown. It’s true he was hungry, and I forgot him. But we shall find him in the Mercato, within scent of bread and savours, I’ll answer for him.”

      “Let us make the round of the Mercato, then,” said Nello.

      “It isn’t his feathers that puzzle me,” continued Bratti, as they pushed their way together. “There isn’t much in the way of cut and cloth on this side the Holy Sepulchre that can puzzle a Florentine.”

      “Or frighten him either,” said Nello, “after he has seen an Englander or a German.”

      “No, no,” said Bratti, cordially; “one may never lose sight of the Cupola and yet know the world, I hope. Besides, this stranger’s clothes are good Italian merchandise, and the hose he wears were dyed in Ognissanti before ever they were dyed with salt water, as he says. But the riddle about him is—”

      Here Bratti’s explanation was interrupted by some jostling as they reached one of the entrances of the piazza, and before he could resume it they had caught sight of the enigmatical object they were in search of.

      Note 1. A votive image of Lorenzo, in wax, hung up in the Church of the Annunziata, supposed to have fallen at the time of his death. Boto is popular Tuscan for Voto.

      Note 2. The phrase used to express the absence of disqualification—i.e., the not being entered as a debtor in the public book—specchio.

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      Breakfast for Love.

      After Bratti had joined the knot of talkers, the young stranger, hopeless of learning what was the cause of the general agitation, and not much caring to know what was probably of little interest to any but born Florentines, soon became tired of waiting for Bratti’s escort; and chose to stroll round the piazza, looking out for some vendor of eatables who might happen to have less than the average curiosity about public news. But as if at the suggestion of a sudden thought, he thrust his hand into a purse or wallet that hung at his waist, and explored it again and again with a look of frustration.

      “Not an obolus, by Jupiter!” he murmured, in a language which was not Tuscan or even Italian. “I thought I had one poor piece left. I must get my breakfast for love, then!”

      He had not gone many steps farther before it seemed likely that he had found a quarter of the market where that medium of exchange might not be rejected.

      In a corner, away from any group of talkers, two mules were standing, well adorned with red tassels and collars. One of them carried wooden milk-vessels, the other a pair of panniers filled with herbs and salads. Resting her elbow on the neck of the mule that carried the milk, there leaned a young girl, apparently not more than sixteen, with a red hood surrounding her face, which was all the more baby-like in its prettiness from the entire concealment of her hair. The poor child, perhaps, was weary after her labour in the morning twilight in preparation for her walk to market from some castello