Alexandre Dumas

Louise de la Valliere


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to captain of the musketeers upon his return. At Belle-Isle, D’Artagnan discovers that the engineer of the fortifications is, in fact, Porthos, now the Baron du Vallon, and that’s not all. The blueprints for the island, although in Porthos’s handwriting, show evidence of another script that has been erased, that of Aramis. D’Artagnan later discovers that Aramis has become the bishop of Vannes, which is, coincidentally, a parish belonging to M. Fouquet. Suspecting that D’Artagnan has arrived on the king’s behalf to investigate, Aramis tricks D’Artagnan into wandering around Vannes in search of Porthos, and sends Porthos on an heroic ride back to Paris to warn Fouquet of the danger. Fouquet rushes to the king, and gives him Belle-Isle as a present, thus allaying any suspicion, and at the same time humiliating Colbert, just minutes before the usher announces someone else seeking an audience with the king.

      Ten Years Later (Etext 2681): As 1661 approaches, Princess Henrietta of England arrives for her marriage, and throws the court of France into complete disorder. The jealousy of the Duke of Buckingham, who is in love with her, nearly occasions a war on the streets of Le Havre, thankfully prevented by Raoul’s timely and tactful intervention. After the marriage, though, Monsieur Philip becomes horribly jealous of Buckingham, and has him exiled. Before leaving, however, the duke fights a duel with M. de Wardes at Calais. De Wardes is a malicious and spiteful man, the sworn enemy of D’Artagnan, and, by the same token, that of Athos, Aramis, Porthos, and Raoul as well. Both men are seriously wounded, and the duke is taken back to England to recover. Raoul’s friend, the Comte de Guiche, is the next to succumb to Henrietta’s charms, and Monsieur obtains his exile as well, though De Guiche soon effects a reconciliation. But then the king’s eye falls on Madame Henrietta during the comte’s absence, and this time Monsieur’s jealousy has no recourse. Anne of Austria intervenes, and the king and his sister-in-law decide to pick a young lady with whom the king can pretend to be in love, the better to mask their own affair. They unfortunately select Louise de la Valliere, Raoul’s fiancee. While the court is in residence at Fontainebleau, the king unwitting overhears Louise confessing her love for him while chatting with her friends beneath the royal oak, and the king promptly forgets his affection for Madame. That same night, Henrietta overhears, at the same oak, De Guiche confessing his love for her to Raoul. The two embark on their own affair. A few days later, during a rainstorm, Louis and Louise are trapped alone together, and the whole court begins to talk of the scandal while their love affair blossoms. Aware of Louise’s attachment, the king arranges for Raoul to be sent to England for an indefinite period.

      Meanwhile, the struggle for power continues between Fouquet and Colbert. Although the Belle-Isle plot backfired, Colbert prompts the king to ask Fouquet for more and more money, and without his two friends to raise it for him, Fouquet is sorely pressed. The situation gets so bad that his new mistress, Madame de Belliere, must resort to selling all her jewels and her gold and silver plate. Aramis, while this is going on, has grown friendly with the governor of the Bastile, M. de Baisemeaux, a fact that Baisemeaux unwittingly reveals to D’Artagnan while inquiring of him as to Aramis’s whereabouts. This further arouses the suspicions of the musketeer, who was made to look ridiculous by Aramis. He had ridden overnight at an insane pace, but arrived a few minutes after Fouquet had already presented Belle-Isle to the king. Aramis learns from the governor the location of a mysterious prisoner, who bears a remarkable resemblance to Louis XIV—in fact, the two are identical. He uses the existence of this secret to persuade a dying Franciscan monk, the general of the society of the Jesuits, to name him, Aramis, the new general of the order. On Aramis’s advice, hoping to use Louise’s influence with the king to counteract Colbert’s influence, Fouquet also writes a love letter to La Valliere, unfortunately undated. It never reaches its destination, however, as the servant ordered to deliver it turns out to be an agent of Colbert’s.

      Porthos, in the meantime, has been recovering from his midnight ride from Belle-Isle at Fouquet’s residence at Saint-Mande. Athos has retired, once again to La Fere. D’Artagnan, little amused by the court’s activities at Fontainebleau, and finding himself with nothing to do, has returned to Paris, and we find him again in Planchet’s grocery shop.

      And so, the story continues in this, the third etext of The Vicomte de Bragelonne. Enjoy!

      John Bursey

       Table of Contents

      During all these long and noisy debates between the opposite ambitions of politics and love, one of our characters, perhaps the one least deserving of neglect, was, however, very much neglected, very much forgotten, and exceedingly unhappy. In fact, D’Artagnan—D’Artagnan, we say, for we must call him by his name, to remind our readers of his existence—D’Artagnan, we repeat, had absolutely nothing whatever to do, amidst these brilliant butterflies of fashion. After following the king during two whole days at Fontainebleau, and critically observing the various pastoral fancies and heroi-comic transformations of his sovereign, the musketeer felt that he needed something more than this to satisfy the cravings of his nature. At every moment assailed by people asking him, “How do you think this costume suits me, Monsieur d’Artagnan?” he would reply to them in quiet, sarcastic tones, “Why, I think you are quite as well-dressed as the best-dressed monkey to be found in the fair at Saint-Laurent.” It was just such a compliment D’Artagnan would choose where he did not feel disposed to pay any other: and, whether agreeable or not, the inquirer was obliged to be satisfied with it. Whenever any one asked him, “How do you intend to dress yourself this evening?” he replied, “I shall undress myself;” at which the ladies all laughed, and a few of them blushed. But after a couple of days passed in this manner, the musketeer, perceiving that nothing serious was likely to arise which would concern him, and that the king had completely, or, at least, appeared to have completely forgotten Paris, Saint-Mande, and Belle-Isle—that M. Colbert’s mind was occupied with illuminations and fireworks—that for the next month, at least, the ladies had plenty of glances to bestow, and also to receive in exchange—D’Artagnan asked the king for leave of absence for a matter of private business. At the moment D’Artagnan made his request, his majesty was on the point of going to bed, quite exhausted from dancing.

      “You wish to leave me, Monsieur d’Artagnan?” inquired the king, with an air of astonishment; for Louis XIV. could never understand why any one who had the distinguished honor of being near him could wish to leave him.

      “Sire,” said D’Artagnan, “I leave you simply because I am not of the slightest service to you in anything. Ah! if I could only hold the balancing-pole while you were dancing, it would be a very different affair.”

      “But, my dear Monsieur d’Artagnan,” said the king, gravely, “people dance without balancing-poles.”

      “Ah! indeed,” said the musketeer, continuing his imperceptible tone of irony, “I had no idea such a thing was possible.”

      “You have not seen me dance, then?” inquired the king.

      “Yes; but I always thought dancers went from easy to difficult acrobatic feats. I was mistaken; all the more greater reason, therefore, that I should leave for a time. Sire, I repeat, you have no present occasion for my services; besides, if your majesty should have any need of me, you would know where to find me.”

      “Very well,” said the king, and he granted him leave of absence.

      We shall not look for D’Artagnan, therefore, at Fontainebleau, for to do so would be useless; but, with the permission of our readers, follow him to the Rue des Lombards, where he was located at the sign of the Pilon d’Or, in the house of our old friend Planchet. It was about eight o’clock in the evening, and the weather was exceedingly warm; there was only one window open, and that one belonging to a room on the entresol. A perfume of spices, mingled with another perfume less exotic, but more penetrating, namely, that which arose from the street, ascended to salute the nostrils of the musketeer. D’Artagnan, reclining in an immense straight-backed chair, with his legs not stretched out, but simply placed upon a stool, formed an angle of the most obtuse form that could possibly be seen. Both his arms