and sometimes she almost forgot to go back to her patient. She fought at times against an insidious change—a growing older—a going backward; at other times she drifted through hours that seemed quiet and golden, in which nothing happened. And by and by when she realized that the drifting hours were gradually swallowing up the restless and active hours, then strangely, she remembered Jim Cleve. Memory of him came to save her. She dreamed of him during the long, lonely, solemn days, and in the dark, silent climax of unbearable solitude—the night. She remembered his kisses, forgot her anger and shame, accepted the sweetness of their meaning, and so in the interminable hours of her solitude she dreamed herself into love for him.
Joan kept some record of days, until three weeks or thereabout passed, and then she lost track of time. It dragged along, yet looked at as the past, it seemed to have sped swiftly. The change in her, the growing old, the revelation and responsibility of serf, as a woman, made this experience appear to have extended over months.
Kells slowly became convalescent and then he had a relapse. Something happened, the nature of which Joan could not tell, and he almost died. There were days when his life hung in the balance, when he could not talk; and then came a perceptible turn for the better.
The store of provisions grew low, and Joan began to face another serious situation. Deer and rabbit were plentiful in the canon, but she could not kill one with a revolver. She thought she would be forced to sacrifice one of the horses. The fact that Kells suddenly showed a craving for meat brought this aspect of the situation to a climax. And that very morning while Joan was pondering the matter she saw a number of horsemen riding up the canon toward the cabin. At the moment she was relieved, and experienced nothing of the dread she had formerly felt while anticipating this very event.
"Kells," she said, quickly, "there are men riding up the trail."
"Good," he exclaimed, weakly, with a light on his drawn face. "They've been long in—getting here. How many?"
Joan counted them—five riders, and several pack-animals.
"Yes. It's Gulden."
"Gulden!" cried Joan, with a start.
Her exclamation and tone made Kells regard her attentively.
"You've heard of him? He's the toughest nut—on this border.... I never saw his like. You won't be safe. I'm so helpless.... What to say—to tell him!... Joan, if I should happen to croak—you want to get away quick... or shoot yourself."
How strange to hear this bandit warn her of peril the like of which she had encountered through him! Joan secured the gun and hid it in a niche between the logs. Then she looked out again.
The riders were close at hand now. The foremost one, a man of Herculean build, jumped his mount across the brook, and leaped off while he hauled the horse to a stop. The second rider came close behind him; the others approached leisurely, with the gait of the pack-animals.
"Ho, Kells!" called the big man. His voice had a loud, bold, sonorous kind of ring.
"Reckon he's here somewheres," said the other man, presently.
"Sure. I seen his hoss. Jack ain't goin' to be far from thet hoss."
Then both of them approached the cabin. Joan had never before seen two such striking, vicious-looking, awesome men. The one was huge—so wide and heavy and deep-set that he looked short—and he resembled a gorilla. The other was tall, slim, with a face as red as flame, and an expression of fierce keenness. He was stoop shouldered, yet he held his head erect in a manner that suggested a wolf scenting blood.
"Someone here, Pearce," boomed the big man.
"Why, Gul, if it ain't a girl!"
Joan moved out of the shadow of the wall of the cabin, and she pointed to the prostrate figure on the blankets.
"Howdy boys!" said Kells, wanly.
Gulden cursed in amaze while Pearce dropped to his knee with an exclamation of concern. Then both began to talk at once. Kells interrupted them by lifting a weak hand.
"No, I'm not going—to cash," he said. "I'm only starved—and in need of stimulants. Had my back half shot off."
"Who plugged you, Jack?"
"Gulden, it was your side-partner, Bill."
"Bill?" Gulden's voice held a queer, coarse constraint. Then he added, gruffly. "Thought you and him pulled together."
"Well, we didn't."
"And—where's Bill now?" This time Joan heard a slow, curious, cold note in the heavy voice, and she interpreted it as either doubt or deceit.
"Bill's dead and Halloway, too," replied Kells.
Gulden turned his massive, shaggy head in the direction of Joan. She had not the courage to meet the gaze upon her. The other man spoke:
"Split over the girl, Jack?"
"No," replied Kells, sharply. "They tried to get familiar with—MY WIFE—and I shot them both."
Joan felt a swift leap of hot blood all over her and then a coldness, a sickening, a hateful weakness.
"Wife!" ejaculated Gulden.
"Your real wife, Jack?" queried Pearce.
"Well, I guess, I'll introduce you... Joan, here are two of my friends—Sam Gulden and Red Pearce."
Gulden grunted something.
"Mrs. Kells, I'm glad to meet you," said Pearce.
Just then the other three men entered the cabin and Joan took advantage of the commotion they made to get out into the air. She felt sick, frightened, and yet terribly enraged. She staggered a little as she went out, and she knew she was as pale as death. These visitors thrust reality upon her with a cruel suddenness. There was something terrible in the mere presence of this Gulden. She had not yet dared to take a good look at him. But what she felt was overwhelming. She wanted to run. Yet escape now was infinitely more of a menace than before. If she slipped away it would be these new enemies who would pursue her, track her like hounds. She understood why Kells had introduced her as his wife. She hated the idea with a shameful and burning hate, but a moment's reflection taught her that Kells had answered once more to a good instinct. At the moment he had meant that to protect her. And further reflection persuaded Joan that she would be wise to act naturally and to carry out the deception as far as it was possible for her. It was her only hope. Her position had again grown perilous. She thought of the gun she had secreted, and it gave her strength to control her agitation and to return to the cabin outwardly calm.
The men had Kells half turned over with the flesh of his back exposed.
"Aw, Gul, it's whisky he needs," said one.
"If you let out any more blood he'll croak sure," protested another.
"Look how weak he is," said Red Pearce.
"It's a hell of a lot you know," roared Gulden. "I served my time—but that's none of your business.... Look here! See that blue spot!" Gulden pressed a huge finger down upon the blue welt on Kells's back. The bandit moaned. "That's lead—that's the bullet," declared Gulden.
"Wall, if you ain't correct!" exclaimed Pearce.
Kells turned his head. "When you punched that place—it made me numb all over. Gul, if you've located the bullet, cut it out."
Joan did not watch the operation. As she went away to the seat under the balsam she heard a sharp cry and then cheers. Evidently the grim Gulden had been both swift and successful.
Presently the men came out of the cabin and began to attend to their horses and the pack-train.
Pearce looked for Joan, and upon seeing her called out, "Kells wants you."
Joan found the bandit half propped up against a saddle with a damp and pallid face, but an altogether different look.
"Joan, that bullet was pressing on my spine," he said. "Now it's out, all that deadness is gone. I