liar he was! But I turned out the lights, so that she should not hear the outcry, and sure enough he shut both doors behind him (you would notice there were two) before he turned them on again. So there we stood.
"'Don't let her hear us,' were my first words; and we stood and cursed each other under our breath. I don't know why he didn't knock me down, or rather I do know; it was because I put my hands behind my back and invited him to do it. I was as furious as he was. I forgot that there was anything the matter with me, but when I began telling him that there had been, he looked as though he could have spat in my face. It was no use going on. I could not expect him to believe a word.
"At last he told me to sit down in the chair opposite his chair, and I said, 'With pleasure.' Then he said, 'We'd better have a drink, because only one of us is coming out of this room alive,' and I said the same thing again. He was full of drink already, but not drunk, and my own head was as light as air. I was ready for anything. He unlocked a drawer and took a brace of old revolvers from the case in which I put them away again. I locked up the drawer afterwards, and put his keys back in his pocket, before losing my head and doing all the rest that the police saw through at a glance. Sit still, Langholm! I am getting the cart before the horse. I was not so guilty as you think. They may hang me if they like, but it was as much his act as mine.
"He stood with his back to me, fiddling with the revolvers for a good five minutes, during which time I heard him tear his handkerchief in two, and wondered what in the world he was going to do next. What he did was to turn round and go on fiddling with the pistols behind his back. Then he held out one in each hand by the barrel, telling me to take my choice, that he didn't know which was which himself, but only one of them was loaded. And he had lapped the two halves of his handkerchief round the chambers of each in such a way that neither of us could tell when we were going to fire.
"Then he tossed for first shot, and made me call, and I won. So he sat down in his chair and finished his drink, and told me to blaze across at him from where I sat in the other chair. I tried to get out of it, partly because I seemed to have seen more good in Minchin in those last ten minutes than in all the months that I had known him; he might be a brute, but he was a British brute, and all right about fair play. Besides, for the moment, it was difficult to believe he was serious, or even very angry. But I, on my side, was more in a dream than not, or he would not have managed me as he did. He broke out again, cursed me and his wife, and swore that he would shoot her too if I didn't go through with it. You can't think of the things he was saying when—but I believe he said them on purpose to make me. Anyhow I pulled at last, but there was only a click, and he answered with another like lightning. That showed me how he meant it, plainer than anything else. It was too late to get out. I set my teeth and pulled again ..."
"Like the clash of swords," whispered Langholm, in the pause.
Severino moved his head from side to side upon the pillow.
"No, not that time, Langholm. There was such a report as might have roused the neighborhood—you would have thought—but I forgot to tell you he had shut the window and run up some shutters, and even drawn the curtains, to do for the other houses what the double doors did for his own. When the smoke lifted, he was lying back in his chair as though he had fallen asleep ...
"I think the worst was waiting for her to come down. I opened both doors, but she never came. Then I shut them very quietly—and utterly lost my head. You know what I did. I don't remember doing half. It was the stupid cunning of a real madman, the broken window, and the things up the chimney. I got back as I had come, in the way that struck you as possible when you were there, and I woke my landlady getting in. I believe I told her everything on the spot, and that it was the last sense I spoke for weeks; she nursed me day and night that I might never tell anybody else."
So the story ended, and with it, as might have been expected, the unnatural strength which had sustained the teller till the last; he had used up every ounce of it, and he lay exhausted and collapsed. Langholm became uneasy.
Severino could not swallow the champagne which Langholm poured into his mouth.
Langholm fetched the candle in high alarm—higher yet at what it revealed.
Severino was struggling to raise himself, a deadly leaden light upon his face.
"Raise me up—raise me up."
Langholm raised him in his arms.
"Another—hemorrhage!" said Severino, in a gasping whisper.
And his blood dripped with the words.
Langholm propped him up and rushed out shouting for Brunton—for Mrs. Brunton—for anybody in the house. Both were in, and the woman came up bravely without a word.
"I'll go for the doctor myself," said Langholm. "I shall be quickest."
And he went on his bicycle, hatless, with an unlit lamp.
But the doctor came too late.
Chapter XXVIII
In the Matter of a Motive
That was between eight and nine o'clock at night; before ten an outrageous thought occurred to the man with the undisciplined imagination. It closed his mind to the tragedy of an hour ago, to the dead man lying upstairs, whose low and eager voice still went on and on in his ears. It was a thought that possessed Langholm like an unclean spirit from the moment in which he raised his eyes from the last words of the manuscript to which the dead man had referred.
In the long, low room that Langholm lived in a fire was necessary in damp weather, irrespective of the season. It was on the fire that his eyes fell, straight from the paper in his hand ...
No one else had read it. There was an explicit assurance on the point. The Chelsea landlady had no idea that such a statement was in existence; she would certainly have destroyed it if she had known; and further written details convinced Langholm that the woman would never speak of her own accord. There were strange sidelights on the feelings which the young Italian had inspired in an unlikely breast; a mother could have done no more to shield him. On the night of the acquittal, for example, when he was slowly recovering in her house, it had since come to the writer's knowledge that this woman had turned Mrs. Minchin from her door with a lying statement as to his whereabouts. This he mentioned to confirm his declaration that he always meant to tell the truth to Rachel, that it was his first resolve in the early stages of his recovery, long before he knew of her arrest and trial, and that this woman was aware of that resolve as of all else. But he doubted whether she could be made to speak, though he hoped that for his sake she would. And Langholm grinned with set teeth as he turned back to this passage: he would be diabolically safe.
It was only an evil thought. He did not admit it as a temptation. Yet how it stuck, and how it grew!
There was the fire, as though lit on purpose; in a minute the written evidence could be destroyed for ever; and there was no other kind. Dead men tell no tales, and live men only those that suit them!
It all fitted in so marvellously. To a villain it would have been less a temptation than a veritable gift of his ends. Langholm almost wished he were a villain.
There was Steel. Something remained for explanation there, but there really was a case against him. The villain would let that case come on; the would-be villain did so in his own ready fancy, and the end of it was a world without Steel but not without his wife; only, she would be Steel's wife no more.
And this brought Langholm to his senses. "Idiot!" he said, and went out to his wet paths and ruined roses. But the ugly impossible idea dogged him even there.
"If Steel had been guilty—but he isn't, I tell you—no, but if he had been, just for argument, would she ever have looked—hush!—idiot and egotist!—No, but would she? And could you have made her happy if she had?—Ah, that's another thing ... I wonder!—It is worth wondering about; you know you have failed before. Yes, yes, yes; do you think I forget it?