Ralph Waldo Emerson

The Essential Works of Ralph Waldo Emerson


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sufficient for the moment, and she can afford to express every thought by instant action.

      Manners have been somewhat cynically defined to be a contrivance of wise men to keep fools at a distance. Fashion is shrewd to detect those who do not belong to her train, and seldom wastes her attentions. Society is very swift in its instincts, and, if you do not belong to it, resists and sneers at you; or quietly drops you. The first weapon enrages the party attacked; the second is still more effective, but is not to be resisted, as the date of the transaction is not easily found. People grow up and grow old under this infliction, and never suspect the truth, ascribing the solitude which acts on them very injuriously, to any cause but the right one.

      Manners require time, as nothing is more vulgar than haste. Friendship should be surrounded with ceremonies and respects, and not crushed into corners. Friendship requires more time than poor busy men can usually command. Here comes to me Roland, with a delicacy of sentiment leading and inwrapping him like a divine cloud or holy ghost. ‘Tis a great destitution to both that this should not be entertained with large leisures, but contrariwise should be balked by importunate affairs.

      But through this lustrous varnish, the reality is ever shining. ‘Tis hard to keep the what from breaking through this pretty painting of the how. The core will come to the surface. Strong will and keen perception overpower old manners, and create new; and the thought of the present moment has a greater value than all the past. In persons of character, we do not remark manners, because of their instantaneousness. We are surprised by the thing done, out of all power to watch the way of it. Yet nothing is more charming than to recognize the great style which runs through the actions of such. People masquerade before us in their fortunes, titles, offices, and connections, as academic or civil presidents, or senators, or professors, or great lawyers, and impose on the frivolous, and a good deal on each other, by these fames. At least, it is a point of prudent good manners to treat these reputations tenderly, as if they were merited. But the sad realist knows these fellows at a glance, and they know him; as when in Paris the chief of the police enters a ballroom, so many diamonded pretenders shrink and make themselves as inconspicuous as they can, or give him a supplicating look as they pass. “I had received,” said a sibyl, “I had received at birth the fatal gift of penetration:” — and these Cassandras are always born.

      Manners impress as they indicate real power. A man who is sure of his point, carries a broad and contented expression, which everybody reads. And you cannot rightly train one to an air and manner, except by making him the kind of man of whom that manner is the natural expression. Nature forever puts a premium on reality. What is done for effect, is seen to be done for effect; what is done for love, is felt to be done for love. A man inspires affection and honor, because he was not lying in wait for these. The things of a man for which we visit him, were done in the dark and the cold. A little integrity is better than any career. So deep are the sources of this surface-action, that even the size of your companion seems to vary with his freedom of thought. Not only is he larger, when at ease, and his thoughts generous, but everything around him becomes variable with expression. No carpenter’s rule, no rod and chain, will measure the dimensions of any house or house-lot: go into the house: if the proprietor is constrained and deferring, ‘tis of no importance how large his house, how beautiful his grounds, — you quickly come to the end of all: but if the man is self-possessed, happy, and at home, his house is deep-founded, indefinitely large and interesting, the roof and dome buoyant as the sky. Under the humblest roof, the commonest person in plain clothes sits there massive, cheerful, yet formidable like the Egyptian colossi.

      Neither Aristotle, nor Leibnitz, nor Junius, nor Champollion has set down the grammar-rules of this dialect, older than Sanscrit; but they who cannot yet read English, can read this. Men take each other’s measure, when they meet for the first time, — and every time they meet. How do they get this rapid knowledge, even before they speak, of each other’s power and dispositions? One would say, that the persuasion of their speech is not in what they say, — or, that men do not convince by their argument, — but by their personality, by who they are, and what they said and did heretofore. A man already strong is listened to, and everything he says is applauded. Another opposes him with sound argument, but the argument is scouted, until by and by it gets into the mind of some weighty person; then it begins to tell on the community.

      Self-reliance is the basis of behavior, as it is the guaranty that the powers are not squandered in too much demonstration. In this country, where school education is universal, we have a superficial culture, and a profusion of reading and writing and expression. We parade our nobilities in poems and orations, instead of working them up into happiness. There is a whisper out of the ages to him who can understand it, — ‘whatever is known to thyself alone, has always very great value.’ There is some reason to believe, that, when a man does not write his poetry, it escapes by other vents through him, instead of the one vent of writing; clings to his form and manners, whilst poets have often nothing poetical about them except their verses. Jacobi said, that “when a man has fully expressed his thought, he has somewhat less possession of it.” One would say, the rule is, — What a man is irresistibly urged to say, helps him and us. In explaining his thought to others, he explains it to himself: but when he opens it for show, it corrupts him.

      Society is the stage on which manners are shown; novels are their literature. Novels are the journal or record of manners; and the new importance of these books derives from the fact, that the novelist begins to penetrate the surface, and treat this part of life more worthily. The novels used to be all alike, and had a quite vulgar tone. The novels used to lead us on to a foolish interest in the fortunes of the boy and girl they described. The boy was to be raised from a humble to a high position. He was in want of a wife and a castle, and the object of the story was to supply him with one or both. We watched sympathetically, step by step, his climbing, until, at last, the point is gained, the wedding day is fixed, and we follow the gala procession home to the castle, when the doors are slammed in our face, and the poor reader is left outside in the cold, not enriched by so much as an idea, or a virtuous impulse.

      But the victories of character are instant, and victories for all. Its greatness enlarges all. We are fortified by every heroic anecdote. The novels are as useful as Bibles, if they teach you the secret, that the best of life is conversation, and the greatest success is confidence, or perfect understanding between sincere people. ‘Tis a French definition of friendship, rien que s’entendre, good understanding. The highest compact we can make with our fellow, is, — ‘Let there be truth between us two forevermore.’ That is the charm in all good novels, as it is the charm in all good histories, that the heroes mutually understand, from the first, and deal loyally, and with a profound trust in each other. It is sublime to feel and say of another, I need never meet, or speak, or write to him: we need not reinforce ourselves, or send tokens of remembrance: I rely on him as on myself: if he did thus or thus, I know it was right.

      In all the superior people I have met, I notice directness, truth spoken more truly, as if everything of obstruction, of malformation, had been trained away. What have they to conceal? What have they to exhibit? Between simple and noble persons, there is always a quick intelligence: they