of exhaustion, but she smiled and lay close to the one she had longed to see. There among the mail sacks, covered in a nest of strange blankets and comforters, she had lain asleep until wakened by the voices around her.
Fritz stared at her with eyes that bulged behind his spectacles.
“Gott in Himmel!” he shouted. “How did you get in that wagon? Am I going crazy as well as to be murdered and hanged by robbers this day?”
“You brought her to us, Fritz,” cried Frau Hildesmuller. “How can we ever thank you enough?”
“Tell mamma how you came in Fritz’s wagon,” said Frau Hildesmuller.
“I don’t know,” said Lena. “But I know how I got away from the hotel. The Prince brought me.”
“By the Emperor’s crown!” shouted Fritz, “we are all going crazy.”
“I always knew he would come,” said Lena, sitting down on her bundle of bedclothes on the sidewalk. “Last night he came with his armed knights and captured the ogre’s castle. They broke the dishes and kicked down the doors. They pitched Mr. Maloney into a barrel of rain water and threw flour all over Mrs. Maloney. The workmen in the hotel jumped out of the windows and ran into the woods when the knights began firing their guns. They wakened me up and I peeped down the stair. And then the Prince came up and wrapped me in the bedclothes and carried me out. He was so tall and strong and fine. His face was as rough as a scrubbing brush, and he talked soft and kind and smelled of schnapps. He took me on his horse before him and we rode away among the knights. He held me close and I went to sleep that way, and didn’t wake up till I got home.”
“Rubbish!” cried Fritz Bergmann. “Fairy tales! How did you come from the quarries to my wagon?”
“The Prince brought me,” said Lena, confidently.
And to this day the good people of Fredericksburg haven’t been able to make her give any other explanation.
The Reformation Of Calliope
Calliope Catesby was in his humours again. Ennui was upon him. This goodly promontory, the earth — particularly that portion of it known as Quicksand — was to him no more than a pestilent congregation of vapours. Overtaken by the megrims, the philosopher may seek relief in soliloquy; my lady find solace in tears; the flaccid Easterner scold at the millinery bills of his women folk. Such recourse was insufficient to the denizens of Quicksand. Calliope, especially, was wont to express his ennui according to his lights.
Over night Calliope had hung out signals of approaching low spirits. He had kicked his own dog on the porch of the Occidental Hotel, and refused to apologise. He had become capricious and fault-finding in conversation. While strolling about he reached often for twigs of mesquite and chewed the leaves fiercely. That was always an ominous act. Another symptom alarming to those who were familiar with the different stages of his doldrums was his increasing politeness and a tendency to use formal phrases. A husky softness succeeded the usual penetrating drawl in his tones. A dangerous courtesy marked his manners. Later, his smile became crooked, the left side of his mouth slanting upward, and Quicksand got ready to stand from under.
At this stage Calliope generally began to drink. Finally, about midnight, he was seen going homeward, saluting those whom he met with exaggerated but inoffensive courtesy. Not yet was Calliope’s melancholy at the danger point. He would seat himself at the window of the room he occupied over Silvester’s tonsorial parlours and there chant lugubrious and tuneless ballads until morning, accompanying the noises by appropriate maltreatment of a jangling guitar. More magnanimous than Nero, he would thus give musical warning of the forthcoming municipal upheaval that Quicksand was scheduled to endure.
A quiet, amiable man was Calliope Catesby at other times — quiet to indolence, and amiable to worthlessness. At best he was a loafer and a nuisance; at worst he was the Terror of Quicksand. His ostensible occupation was something subordinate in the real estate line; he drove the beguiled Easterner in buckboards out to look over lots and ranch property. Originally he came from one of the Gulf States, his lank six feet, slurring rhythm of speech, and sectional idioms giving evidence of his birthplace.
And yet, after taking on Western adjustments, this languid pine-box whittler, cracker barrel hugger, shady corner lounger of the cotton fields and sumac hills of the South became famed as a bad man among men who had made a lifelong study of the art of truculence.
At nine the next morning Calliope was fit. Inspired by his own barbarous melodies and the contents of his jug, he was ready primed to gather fresh laurels from the diffident brow of Quicksand. Encircled and criss-crossed with cartridge belts, abundantly garnished with revolvers, and copiously drunk, he poured forth into Quicksand’s main street. Too chivalrous to surprise and capture a town by silent sortie, he paused at the nearest corner and emitted his slogan — that fearful, brassy yell, so reminiscent of the steam piano, that had gained for him the classic appellation that had superseded his own baptismal name. Following close upon his vociferation came three shots from his forty-five by way of limbering up the guns and testing his aim. A yellow dog, the personal property of Colonel Swazey, the proprietor of the Occidental, fell feet upward in the dust with one farewell yelp. A Mexican who was crossing the street from the Blue Front grocery carrying in his hand a bottle of kerosene, was stimulated to a sudden and admirable burst of speed, still grasping the neck of the shattered bottle. The new gilt weathercock on Judge Riley’s lemon and ultramarine two-story residence shivered, flapped, and hung by a splinter, the sport of the wanton breezes.
The artillery was in trim. Calliope’s hand was steady. The high, calm ecstasy of habitual battle was upon him, though slightly embittered by the sadness of Alexander in that his conquests were limited to the small world of Quicksand.
Down the street went Calliope, shooting right and left. Glass fell like hail; dogs vamosed; chickens flew, squawking; feminine voices shrieked concernedly to youngsters at large. The din was perforated at intervals by the staccato of the Terror’s guns, and was drowned periodically by the brazen screech that Quicksand knew so well. The occasions of Calliope’s low spirits were legal holidays in Quicksand. All along the main street in advance of his coming clerks were putting up shutters and closing doors. Business would languish for a space. The right of way was Calliope’s, and as he advanced, observing the dearth of opposition and the few opportunities for distraction, his ennui perceptibly increased.
But some four squares farther down lively preparations were being made to minister to Mr. Catesby’s love for interchange of compliments and repartee. On the previous night numerous messengers had hastened to advise Buck Patterson, the city marshal, of Calliope’s impending eruption. The patience of that official, often strained in extending leniency toward the disturber’s misdeeds, had been overtaxed. In Quicksand some indulgence was accorded the natural ebullition of human nature. Providing that the lives of the more useful citizens were not recklessly squandered, or too much property needlessly laid waste, the community sentiment was against a too strict enforcement of the law. But Calliope had raised the limit. His outbursts had been too frequent and too violent to come within the classification of a normal and sanitary relaxation of spirit.
Buck Patterson had been expecting and awaiting in his little ten-by- twelve frame office that preliminary yell announcing that Calliope was feeling blue. When the signal came the city marshal rose to his feet and buckled on his guns. Two deputy sheriffs and three citizens who had proven the edible qualities of fire also stood up, ready to bandy with Calliope’s leaden jocularities.
“Gather that fellow in,” said Buck Patterson, setting forth the lines of the campaign. “Don’t have no talk, but shoot as soon as you can get a show. Keep behind cover and bring him down. He’s a nogood ‘un. It’s up to Calliope to turn up his toes this time, I reckon. Go to him all spraddled out, boys. And don’t git too reckless, for what Calliope shoots at he hits.”
Buck Patterson, tall, muscular, and solemn-faced, with his bright “City