I thought that, as I would have time on my hands, I might as well do something about my education. They were mostly English classics, whose names I knew but which I had never read, and they were all in a little flat-backed series at a shilling apiece. I arranged them on top of a chest of drawers, but I kept the Pilgrim's Progress beside my bed, for that was one of my working tools and I had got to get it by heart.
Mrs. Jimson, who came in while I was unpacking to see if the room was to my liking, approved my taste. At our midday dinner she wanted to discuss books with me, and was so full of her own knowledge that I was able to conceal my ignorance.
'We are all labouring to express our personalities,' she informed me. 'Have you found your medium, Mr. Brand? is it to be the pen or the pencil? Or perhaps it is music? You have the brow of an artist, the frontal "bar of Michelangelo", you remember!'
I told her that I concluded I would try literature, but before writing anything I would read a bit more.
It was a Saturday, so Jimson came back from town in the early afternoon. He was a managing clerk in some shipping office, but you wouldn't have guessed it from his appearance. His city clothes were loose dark-grey flannels, a soft collar, an orange tie, and a soft black hat. His wife went down the road to meet him, and they returned hand-in-hand, swinging their arms like a couple of schoolchildren. He had a skimpy red beard streaked with grey, and mild blue eyes behind strong glasses. He was the most friendly creature in the world, full of rapid questions, and eager to make me feel one of the family. Presently he got into a tweed Norfolk jacket, and started to cultivate his garden. I took off my coat and lent him a hand, and when he stopped to rest from his labours—which was every five minutes, for he had no kind of physique—he would mop his brow and rub his spectacles and declaim about the good smell of the earth and the joy of getting close to Nature.
Once he looked at my big brown hands and muscular arms with a kind of wistfulness. 'You are one of the doers, Mr. Brand,' he said, 'and I could find it in my heart to envy you. You have seen Nature in wild forms in far countries. Some day I hope you will tell us about your life. I must be content with my little corner, but happily there are no territorial limits for the mind. This modest dwelling is a watch-tower from which I look over all the world.'
After that he took me for a walk. We met parties of returning tennis-players and here and there a golfer. There seemed to be an abundance of young men, mostly rather weedy-looking, but with one or two well-grown ones who should have been fighting. The names of some of them Jimson mentioned with awe. An unwholesome youth was Aronson, the great novelist; a sturdy, bristling fellow with a fierce moustache was Letchford, the celebrated leader-writer of the Critic. Several were pointed out to me as artists who had gone one better than anybody else, and a vast billowy creature was described as the leader of the new Orientalism in England. I noticed that these people, according to Jimson, were all 'great', and that they all dabbled in something 'new'. There were quantities of young women, too, most of them rather badly dressed and inclining to untidy hair. And there were several decent couples taking the air like house-holders of an evening all the world Over. Most of these last were Jimson's friends, to whom he introduced me. They were his own class—modest folk, who sought for a coloured background to their prosaic city lives and found it in this odd settlement.
At supper I was initiated into the peculiar merits of Biggleswick.
'It is one great laboratory of thought,' said Mrs. Jimson. 'It is glorious to feel that you are living among the eager, vital people who are at the head of all the newest movements, and that the intellectual history of England is being made in our studies and gardens. The war to us seems a remote and secondary affair. As someone has said, the great fights of the world are all fought in the mind.'
A spasm of pain crossed her husband's face. 'I wish I could feel it far away. After all, Ursula, it is the sacrifice of the young that gives people like us leisure and peace to think. Our duty is to do the best which is permitted to us, but that duty is a poor thing compared with what our young soldiers are giving! I may be quite wrong about the war … I know I can't argue with Letchford. But I will not pretend to a superiority I do not feel.'
I went to bed feeling that in Jimson I had struck a pretty sound fellow. As I lit the candles on my dressing-table I observed that the stack of silver which I had taken out of my pockets when I washed before supper was top-heavy. It had two big coins at the top and sixpences and shillings beneath. Now it is one of my oddities that ever since I was a small boy I have arranged my loose coins symmetrically, with the smallest uppermost. That made me observant and led me to notice a second point. The English classics on the top of the chest of drawers were not in the order I had left them. Izaak Walton had got to the left of Sir Thomas Browne, and the poet Burns was wedged disconsolately between two volumes of Hazlitt. Moreover a receipted bill which I had stuck in the Pilgrim's Progress to mark my place had been moved. Someone had been going through my belongings.
A moment's reflection convinced me that it couldn't have been Mrs. Jimson. She had no servant and did the housework herself, but my things had been untouched when I left the room before supper, for she had come to tidy up before I had gone downstairs. Someone had been here while we were at supper, and had examined elaborately everything I possessed. Happily I had little luggage, and no papers save the new books and a bill or two in the name of Cornelius Brand. The inquisitor, whoever he was, had found nothing … The incident gave me a good deal of comfort. It had been hard to believe that any mystery could exist in this public place, where people lived brazenly in the open, and wore their hearts on their sleeves and proclaimed their opinions from the rooftops. Yet mystery there must be, or an inoffensive stranger with a kit-bag would not have received these strange attentions. I made a practice after that of sleeping with my watch below my pillow, for inside the case was Mary Lamington's label. Now began a period of pleasant idle receptiveness. Once a week it was my custom to go up to London for the day to receive letters and instructions, if any should come. I had moved from my chambers in Park Lane, which I leased under my proper name, to a small flat in Westminster taken in the name of Cornelius Brand. The letters addressed to Park Lane were forwarded to Sir Walter, who sent them round under cover to my new address. For the rest I used to spend my mornings reading in the garden, and I discovered for the first time what a pleasure was to be got from old books. They recalled and amplified that vision I had seen from the Cotswold ridge, the revelation of the priceless heritage which is England. I imbibed a mighty quantity of history, but especially I liked the writers, like Walton, who got at the very heart of the English countryside. Soon, too, I found the Pilgrim's Progress not a duty but a delight. I discovered new jewels daily in the honest old story, and my letters to Peter began to be as full of it as Peter's own epistles. I loved, also, the songs of the Elizabethans, for they reminded me of the girl who had sung to me in the June night.
In the afternoons I took my exercise in long tramps along the good dusty English roads. The country fell away from Biggleswick into a plain of wood and pasture-land, with low hills on the horizon. The Place was sown with villages, each with its green and pond and ancient church. Most, too, had inns, and there I had many a draught of cool nutty ale, for the inn at Biggleswick was a reformed place which sold nothing but washy cider. Often, tramping home in the dusk, I was so much in love with the land that I could have sung with the pure joy of it. And in the evening, after a bath, there would be supper, when a rather fagged Jimson struggled between sleep and hunger, and the lady, with an artistic mutch on her untidy head, talked ruthlessly of culture.
Bit by bit I edged my way into local society. The Jimsons were a great help, for they were popular and had a nodding acquaintance with most of the inhabitants. They regarded me as a meritorious aspirant towards a higher life, and I was paraded before their friends with the suggestion of a vivid, if Philistine, past. If I had any gift for writing, I would make a book about the inhabitants of Biggleswick. About half were respectable citizens who came there for country air and low rates, but even these had a touch of queerness and had picked up the jargon of the place. The younger men were mostly Government clerks or writers or artists. There were a few widows with flocks of daughters, and on the outskirts were several bigger houses—mostly houses which had been there before the garden city was planted. One of them was brand-new, a staring villa with sham-antique timbering, stuck on the top of a hill among raw gardens. It belonged to a man called Moxon Ivery, who was