sean pipple angery before now, but never any like Blewitt. He stormed, groaned, belloed, swoar! At last, he fairly began blubbring; now cussing and nashing his teeth, now praying dear Mr. Deuceace to grant him mercy.
At last, master flung open the door (Heavn bless us! it's well I didn't tumble hed over eels, into the room!) and said, "Charles, show the gentleman down stairs!" My master looked at him quite steddy. Blewitt slunk down, as miserabble as any man I ever see. As for Dawkins, Heaven knows where he was!
"Charles," says my master to me, about an hour afterwards, "I am going to Paris; you may come, too, if you please."
THE BROTHERS
A TALE[1]
By EDWARD BULWER LYTTON
[1] This tale is, in reality, founded on the beautiful tradition which belong to Liebenstein and Sternfels.
You must imagine, then, dear Gertrude (said Trevylyan), a beautiful summer day, and by the same faculty that none possess so richly as yourself, for it is you who can kindle something of that divine spark even in me, you must rebuild those shattered towers in the pomp of old; raise the gallery and the hall; man the battlements with warders, and give the proud banners of ancestral chivalry to wave upon the walls. But above, sloping half down the rock, you must fancy the hanging gardens of Liebenstein, fragrant with flowers, and basking in the noonday sun.
On the greenest turf, underneath an oak, there sat three persons, in the bloom of youth. Two of the three were brothers; the third was an orphan girl, whom the lord of the opposite tower of Sternfels had bequeathed to the protection of his brother, the chief of Liebenstein. The castle itself and the demesne that belonged to it passed away from the female line, and became the heritage of Otho the orphan's cousin, and the younger of the two brothers now seated on the turf.
"And oh," said the elder, whose name was Warbeck, "you have twined a chaplet for my brother; have you not, dearest Leoline, a simple flower for me?"
The beautiful orphan—(for beautiful she was, Gertrude, as the heroine of the tale you bid me tell ought to be—should she not have to the dreams of my fancy your lustrous hair, and your sweet smile, and your eyes of blue, that are never, never silent? Ah, pardon me that in a former tale I denied the heroine the beauty of your face, and remember that, to atone for it, I endowed her with the beauty of your mind)—the beautiful orphan blushed to her temples, and culling from the flowers in her lap the freshest of the roses, began weaving them into a wreath for Warbeck.
"It would be better," said the gay Otho, "to make my sober brother a chaplet of the rue and cypress; the rose is much too bright a flower for so serious a knight."
Leoline held up her hand reprovingly.
"Let him laugh, dearest cousin," said Warbeck, gazing passionately on her changing cheek: "and thou, Leoline, believe that the silent stream runs the deepest."
At this moment, they heard the voice of the old chief, their father, calling aloud for Leoline; for ever, when he returned from the chase, he wanted her gentle presence; and the hall was solitary to him if the light sound of her step, and the music of her voice, were not heard in welcome.
Leoline hastened to her guardian, and the brothers were left alone.
Nothing could be more dissimilar than the features and the respective characters of Otho and Warbeck. Otho's countenance was flushed with the brown hues of health; his eyes were of the brightest hazel: his dark hair wreathed in short curls round his open and fearless brow; the jest ever echoed on his lips, and his step was bounding as the foot of the hunter of the Alps. Bold and light was his spirit; if at times he betrayed the haughty insolence of youth, he felt generously, and though not ever ready to confess sorrow for a fault, he was at least ready to brave peril for a friend.
But Warbeck's frame, though of equal strength, was more slender in its proportions than that of his brother; the fair long hair that characterised his northern race hung on either side of a countenance calm and pale, and deeply impressed with thought, even to sadness. His features, more majestic and regular than Otho's, rarely varied in their expression. More resolute even than Otho, he was less impetuous; more impassioned, he was also less capricious.
The brothers remained silent after Leoline had left them. Otho carelessly braced on his sword, that he had laid aside on the grass; but Warbeck gathered up the flowers that had been touched by the soft hand of Leoline, and placed them in his bosom.
The action disturbed Otho; he bit his lip, and changed colour; at length he said, with a forced laugh:
"It must be confessed, brother, that you carry your affection for our fair cousin to a degree that even relationship seems scarcely to warrant."
"It is true," said Warbeck, calmly: "I love her with a love surpassing that of blood."
"How!" said Otho, fiercely: "do you dare to think of Leoline as a bride?"
"Dare!" repeated Warbeck, turning yet paler than his wonted hue.
"Yes, I have said the word! Know, Warbeck, that I, too, love Leoline; I, too, claim her as my bride; and never, while I can wield a sword—never, while I wear the spurs of knighthood, will I render my claim to a living rival. Even," he added (sinking his voice), "though that rival be my brother!"
Warbeck answered not; his very soul seemed stunned; he gazed long and wistfully on his brother, and then, turning his face away, ascended the rock without uttering a single word.
This silence startled Otho. Accustomed to vent every emotion of his own, he could not comprehend the forbearance of his brother; he knew his high and brave nature too well to imagine that it arose from fear. Might it not be contempt, or might he not, at this moment, intend to seek their father; and, the first to proclaim his love for the orphan, advance, also, the privilege of the elder born? As these suspicions flashed across him, the haughty Otho strode to his brother's side, and laying his hand on his arm, said: "Whither goes thou? and dost thou consent to surrender Leoline?"
"Does she love thee, Otho?" answered Warbeck, breaking silence at last; and his voice spoke so deep an anguish, that it arrested the passions of Otho even at their height.
"It is thou who art now silent," continued Warbeck; "speak, doth she love thee, and has her lip confessed it?"
"I have believed that she loved me," faltered Otho; "but she is of maiden bearing, and her lip, at least, has never told it."
"Enough," said Warbeck; "release your hold."
"Stay," said Otho, his suspicions returning; "stay—yet one word; dost thou seek my father? He ever honoured thee more than me: wilt thou own to him thy love, and insist on thy right of birth? By my soul and my hope of heaven, do it, and one of us two must fall!"
"Poor boy!" answered Warbeck, bitterly; "how little thou canst read the heart of one who loves truly! Thinkest thou I would wed her if she loved thee? Thinkest thou I could, even to be blessed myself, give her one moment's pain? Out on the thought—away!"
"Then wilt not thou seek our father?" said Otho, abashed.
"Our father!—has our father the keeping of Leoline's affection?" answered Warbeck; and shaking off his brother's grasp, he sought the way to the castle.
As he entered the hall he heard the voice of Leoline; she was singing to the old chief one of the simple ballads of the time, that the warrior and the hunter loved to hear. He paused lest he should break the spell (a spell stronger than a sorcerer's to him), and gazing upon Leoline's beautiful form, his heart sank within him. His brother and himself had each that day, as they sat in the gardens,