It was my father. He is dead."
Her eyes glistened.
"You did not go to another?"
"I had no money. Besides, he had lived for what you say; when he died with his dream still a dream, I said I would do the same, and I came up here."
She had turned away. A less tactful interlocutor had sought plainer repudiation of the rash resolve; this one rose and buried himself in more songs.
"I have heard you in Grand Opera, and in something really grand," he said. "Now I want a song, the simpler the better."
Behind his back a daring light came into the moist eyes.
"There is one of Mrs. Clarkson's," she said. "She would never forgive me for singing it, but I have heard it from her so often, I know so well how it ought to go."
And, fetching the song from a cabinet, she thrust it boldly under his nose. It was called "The Unrealized Ideal," and was a setting of some words by a real poet then living, whose name caused this reader to murmur, "London Lyrics!" The composer was Sir Julian Crum. But his name was read without a word, or a movement of the strong shoulders and the tanned neck on which Miss Bouverie's eyes were fixed.
"You had beter play this yourself," said he, after peering at the music through his glass. "It is rather too many for me."
And, strangely crestfallen, Miss Bouverie took his place.
"My only love is always near—
In country or in town
I see her twinkling feet, I hear
The whisper of her gown.
"She foots it, ever fair and young,
Her locks are tied in haste,
And one is o'er her shoulder flung
And hangs below her waist.
For that was the immortal trifle. How much of its immortality it will owe to the setting of Sir Julian Crum is a matter of opinion, but here is an anonymous view.
"I like the words, Miss Bouverie, but the setting doesn't take me. It might with repetition. It seems lacking in go and simplicity; technically, I should say, a gem. But there can be no two opinions of your singing of such a song; that's the sort of arrow to go straight to the heart of the public—a world-wide public—and if I am the first to say it to you, I hope you will one day remember it in my favor. Meanwhile it is for me to thank you—from my heart—and to say good-by!"
He was holding out a sunburnt hand.
"Must you go?" she asked, withholding her own in frank disappointment.
"Unfortunately, yes; my man is waiting for me with both horses in the scrub. But before I go I want to ask a great favor of you. It is—not to tell a soul I have been here."
For a singer and a woman of temperament, Hilda Bouverie had a wonderfully level head. She inquired his reason in no promising tone.
"You will see at Mrs. Clarkson's concert."
Hilda started.
"You are coming to that?"
"Without fail—to hear Mrs. Clarkson sing five songs—your song among them!"
"But it's hers; it has been the other way about."
The gay smile broadened on the swarthy face; a very bright eye twinkled through the monocle into those of Miss Bouverie.
"Well, will you promise to say nothing about me? I have a reason which you will be the first to appreciate in due season."
Hilda hesitated, reasoned with herself, and finally gave her word. Their hands were joined an instant, as he thanked her with gallant smile and bow. Then he was gone. And as his spurs ceased jingling on the veranda outside, Hilda Bouverie glanced again at the song on the piano and clapped her hands with unreasonable pride.
"I do believe that I was right after all!" said she.
II
Mr. Clarkson and his young men sat at meat that evening with a Miss Bouverie hard to recognize as the apparently austere spinster who had hitherto been something of a skeleton at their board. Coldly handsome at her worst, a single day had brought her forth a radiant beauty wreathed in human smiles. Her clear skin had a tinge which at once suggested and dismissed the thought of rouge; but beyond all doubt she had done her hair with less reserve; and it was coppery hair of a volatile sort, that sprang into natural curls at the first relaxation of an undue discipline. Mr. Clarkson wondered whether his wife's departure had aught to do with the striking change in her companion; the two young men rested mutually assured that it had.
"The old girl keeps too close an eye on her," said little Mr. Hack, who kept the books and hailed from Middlesex. "Get her to yourself, Ted, and she's as larky as they're made."
Ted Radford, the station overseer, was a personage not to be dismissed in a relative clause. He was a typical back-blocker, dry and wiry, nasally cocksure, insolently cool, a fearless hand with horse, man, or woman. He was a good friend to Hack when there was no third person of his own kidney to appreciate the overseer's conception of friendly chaff. They were by themselves now, yet the last speech drew from Radford a sufficiently sardonic grin.
"You see if she is, old man," said he, "and I'll stand by to collect your remains. Not but what she hasn't come off the ice, and looks like thoring if you take her the right way."
Ted Radford was a confirmed believer in the rightness of his own way with all mankind; his admirable confidence had not been shaken by a long succession of snubs in the quarter under discussion. As for Miss Bouverie, it was her practice to play off one young man against the other by discouraging each in his turn. But this evening she was a different being. She had a vague yet absolute conviction that her fortune was made. She could have sung all her songs to the twain, but for the reflection that Mr. Clarkson himself would hear them too, and report the matter to his wife on her return.
And the next night the male trio were strangely absorbed in some station happening which did not arouse Miss Bouverie's curiosity in the least. They were excited and yet constrained at dinner, and drew their chairs close together on the veranda afterward. The young lady caught at least one word of which she did not know the meaning. She had the tact to keep out of earshot after that. Nor was she very much more interested when she met the two young men with revolvers in their hands the following day.
"Going to fight a duel?" she inquired, smilingly, for her heart was still singing Grand Opera and Oratorio by turns.
"More or less," returned the overseer, without his usual pleasantry. "We're going to have a match at a target behind the pines."
The London bookkeeper looked an anxious clerk: the girl was glad when she saw the pair alive at dinner. There seemed to be little doing. Though the summer was already tropical, there had been plenteous rains, and Mr. Clarkson observed in Hilda's hearing that the recent day's mustering would be the last for some little time. She was thrown much in his company, and she liked Mr. Clarkson when Mrs. Clarkson was not there. In his wife's hands the good man was wax; now a mere echo, now a veritable claque in himself, he pandered indefatigably to the multitudinous vanities of a ludicrously vain woman. But it was soon Miss Bouverie's experience that he could, when he dared, be attentively considerate of lesser ladies. And in many ways these were much the happiest days that she had spent on the station.
They were, however, days of a consuming excitement for the caged and gagged nightingale that Hilda Bouverie now conceived herself to be. She sang not another note aloud. Mr. Clarkson lived in slippers on the veranda, which Hilda now associated chiefly with a stranger's spurs: for of the booted and spurred stranger she was thinking incessantly, though still without the emotions of